The legendary (infamous?) fighter known as Kimbo Slice died of heart failure today. Around here we know him as the guy in the opening scene of BLOOD AND BONE who tries to punk Bone in the prison bathroom but finds out that’s not gonna happen. He also returns in the end credits to have his way with the main villain of the movie, and there’s a great video on Youtube of Kimbo on set intently listening to a punching lesson from Michael Jai White.
Everyone’s saying Kimbo was kind and gentle, which is amazing if true because look at that fucking guy! He was only in a couple other movies – two low rent MMA movies that I’ll get to eventually, and SCORPION KING 3: BATTLE FOR REDEMPTION – but he obviously could’ve played a million Tiny Lister type roles if he’d wanted to.
Kimbo had a fascinating history, because he became famous originally as a street brawler, seen in Youtube videos of seedy arranged fights in backyards and parking lots, like something straight out of HARD TIMES, LIONHEART, FIGHTING or RUST AND BONE. Or BLOOD AND BONE. I like when they have be careful so as not to bump into a satellite dish or something. It’s very unskilled fighting and totally unprofessional, presented like porn – that’s because in stemmed out of him being a bodyguard and limo driver for the Reality Kings porn company. Try to duplicate that career path! (read the rest of this shit…)

I remember when
We can’t really be shocked to hear that the great Muhammad Ali passed away today, but it still feels wrong. The champ lived almost as long with Parkinson’s as without, so he seemed unstoppable. He’d long since lost his incredible athleticism, his quick wit, his big mouth, and yet he kept going. He was out there, showing up in public every once in a while to pass the Olympic torch, receive a Presidential Medal of Freedom, attend the inauguration of the first black president, make himself known as an American Muslim, or
AMERICAN NINJA 5 is the explosive finale to the AMERICAN NINJA saga, by which I mean it’s an unrelated movie starring David Bradley that they retitled. At least that’s my assumption since he’s named Joe in this one instead of Sean. I could easily accept this character as Sean Davidson, who he played in parts 3 and 4, but they call him the other name so they must not have had that in mind while filming. He also opens the movie training with
LOVE ON THE RUN is a part 5 where everything comes together: Antoine’s early estrangement from his parents, the patterns of his failed relationships, the risks of putting his personal life (and therefore the people he knows’ personal lives) in his so-called fiction. In the opening we see him with a new girlfriend, Sabine (children’s singer and cartoon show host Dorothée), who he seems to be screwing it up with already. He obviously hurts her by cancelling their plans, without explaining why, but it’s to finalize his divorce with Christine (parts 3-4). So we get to see her again, and then OH SHIT,
Long before the FAST AND FURIOUS series did it (better), the AMERICAN NINJA series pulled the power move of doing a part 3 with a new lead, only to combine the casts in a later sequel. AMERICAN NINJA 4: THE ANNIHILATION starts with part 3’s Sean Davidson (David Bradley) and later brings back part 1-2’s Joe Armstrong (Michael Dudikoff). The bad news is this is the first one not to include the character of Curtis Jackson (Steve James), so it almost feels like less of a real sequel than part 3.
BED & BOARD is Antoine Doinel Part 4: The Married Years. I don’t know how the fuck he did it, but that weasel Antoine got hitched to Christine and they appear to live happily in an apartment in Paris together. He works at a flower stand right outside the building and can hear her giving violin lessons to children upstairs.
Well, up until now these French waver films and these ninja movies have been virtually indistinguishable to the layman. But we now finally – finally! – have come to a major difference between the American Ninja Joe Armstrong and the 400 Blowing Antoine Doinel: Joe’s not even in his part 3. Instead the story centers on a different American Ninja, Sean Davidson (first timer David Bradley, later of
MARJOE is the 1972 documentary portrait of Marjoe Gortner, a fourth generation Pentecostal evangelist who was trained to stir up a storm of hallelujahs and threats of the eternal flame when he was as little as four years old. We see the little goober in vintage clips, weirdly hopping and waving his arms around, shouting in his southern accent (even though he was born in Long Beach) about “Jee-zus” and how “I stand firm in my belief that the Bible is the word of God” and you’re gonna go to Hell if you’re not saved and something about juvenile delinquency. Kids preach the darndest things.
STOLEN KISSES – or as I would have retitled it, 400 BLOWS III: THE SHADOW AGENDA – is the story of Antoine Doinel, an ex-military private eye hitting the streets for a case that will change everything. Or whatever.

















