Note: since many of us are on lockdown I want to make sure some of the things I review are extra accessible. I watched this one streaming for free on Tubi (and I’m sure you can get it without ads elsewhere).
When Lucky McKee directed MAY (2002), he became one of a wave of promising new 21st century horror directors. He hasn’t received as much attention as Eli Roth, Rob Zombie or some of the other guys who started at the same time, maybe because he hasn’t ended up being as prolific. But he’s got a permanent place in my hall of fame because THE WOMAN (2011) is My Favorite Horror Movie of the 2010sTM. So I’m interested when he comes out with a new one.
Last time it was one called BLOOD MONEY in 2017. If you heard about that one, and it wasn’t from me, I’d be surprised. It’s a straight to video/streaming thriller about some young people finding a bunch of money in the woods and trying to get away from the gun-toting hedge fund jerk it belongs to, played by John Cusack. Obviously I prefer the thorough originality of THE WOMAN, but I also dig when a good director can follow a pretty standard genre template and craft it with bits of nuance and personality that you don’t expect. In particular I was impressed by some of its gender themes, by the performance of Willa Fitzgerald (Scream: the tv series) and that the only woman in the movie gets to be the Tupac-in-JUICE character who pushes them into danger. (read the rest of this shit…)

Remember that scene in SCHOOL OF ROCK where the character Tomika (Maryam Hassan) timidly tells her enthusiastic substitute teacher Dewey Finn, played by Jack Black, that she doesn’t want to be a roadie, as she’s been assigned? He tries to tell her it’s an important job, but he’ll let her do something else, like security, or…
COME TO DADDY is a very engrossing and unclassifiable…thriller or something where Elijah Wood, decked out in the worst haircut/mustache combo current technology can provide, goes to a remote part of Oregon to visit the dad who abandoned him 25 years ago. He walks through the wilderness to this big house with a really impressive elevated viewing room overlooking a lake. Stephen McHattie (
You know how it is: you have these reoccurring nightmares about a sexy mermaid, and then you’re on a yacht trip with your girlfriend and an older couple, and a violent storm hits out of the blue and the boat wrecks and your friend is injured and you try to get help on the nearby island of Iboca but everyone’s weird and people have noticeable gills and tentacles and shit and a homeless guy explains to you that years ago a guy convinced them to give up Christianity and worship the sea god Dagon, who is different than Jesus in that he requires his followers to throw him women to impregnate with immortal monster babies. We’ve all been through it, and H.P. Lovecraft wrote about it in 1931, so Stuart Gordon made a movie about it in 2001.
I just got the sad news that a reader I had been corresponding with for many years passed away earlier this month. Jan first wrote to me in 2009 to correct me for using the term “Helsinki Syndrome” instead of “Stockholm Syndrome.” It was a genuine mistake and not an intentional DIE HARD reference. I’m glad I did it, or maybe I never would’ve heard from him. Or maybe I would’ve, because the next time was to correct an error about Sven-Ole Thorsen.
Ever since 1989 I have been curious what the deal is with this “THE WIZARD” Nintendosploitation movie starring Fred Savage. But back then I was pretty busy having 
After two great turns playing cops in
The most notable thing about the opening, and arguably the movie as a whole: her smile. She’s so happy in most of this. Of course I’m not telling women and/or Michelle Yeoh to smile more often, but I’m used to her seriousness, so it’s novel to see her playing this type of character. Ming Ming doesn’t have to act tough. She just is. Doesn’t stop her from being delightful and having a fun time. I guess that makes her a little more 
Even before that fake baby in
“Man in other country, it’s a long story” —translation of lyric from beach montage song
THE MASTER – not 

















