HALLOWEEN III isn’t the worst HALLOWEEN sequel, but it’s probly the most hated because it’s a new story unrelated to Michael Myers. Producer John Carpenter had this knuckleheaded idea that it was better to treat it like an anthology series, each one a new story having something to do with the holiday. What he didn’t consider seriously enough, maybe because he’s too modest, is that the first HALLOWEEN is a masterpiece and not a whole lot of stories or concepts feel worthy of being in the same series. Maybe if he’d done HALLOWEEN III: THE THING people would’ve gone for it, but not this.
I do know a cult of horror fans who swear by SEASON OF THE WITCH. Their numbers are smaller than the Thorn Cult from parts 5 and 6, and they’re probly just overcompensating for the people who hate the movie just for being a different story and not on its actual quality. And these cultists had me going a bit, I was starting to remember it as being kind of good. (read the rest of this shit…)
Here’s a pretty obscure one – a good kind of DELIVERANCE / TEXAS CHAIN SAW type inbreds-in-the-woods movie from director Jeff Lieberman (SQUIRM, SATAN’S LITTLE HELPER). Gregg Henry (Val Resnick from PAYBACK) plays a guy who’s inherited some undeveloped land in some mountains somewhere. So against the warnings of a park ranger (George Kennedy) he takes some friends up there to camp and check the place out.
HOUSE OF DEATH
Man, ZOMBIELAND was just begging for me to hate it. You know how picky I am about the balance between horror and comedy. And who the fuck makes a zombie comedy now? It feels exactly like that moment when somebody’s dad makes a reference to their favorite band from three grades ago, like he’s just catching on but he thinks he’s on the cutting edge. I was already sick of people talking about zombie movies back when SHAUN OF THE DEAD came out, and to be frankly honest even that one I didn’t really see what all the fuss was about.
This year it was a rough start to my annual October quest for decent slasher movies of the ’70s and ’80s that I haven’t seen before. I checked the horror sections at the video store for VHS tapes, figuring if it’s not on DVD yet it’s gotta be obscure. The one I picked though was BLOOD LAKE. I was working on the theory that if it has “lake” in the title it must be a FRIDAY THE 13TH rip-off and therefore the kind of thing I’m looking for. Maybe something derivative but fun like THE BURNING. Wrong. I put it in and turned it off in about 20-30 seconds when I realized it was shot on camcorders. Sorry, I gotta draw a line somewhere. Affordable video cameras may have been democratizing… or maybe they were the first step toward anarchy.
Well, I don’t think it’s gonna last too long in theaters, so I wanted to hurry up and say a few things about JENNIFER’S BODY. That’s the new-a-couple-weeks-ago horror movie directed by Karyn Kusama (GIRLFIGHT and AEON FLUX), written by Diablo Cody (JUNO), and starring Amanda Seyfried (MEAN GIRLS, MAMMA MIA). You may be saying wait a minute, number one you said horror but those are all girl names, what in the hell is going on here, and #2 I never heard of a movie called JENNIFER’S BODY that came out in the ’70s or ’80s, so what did they remake this from? Is it a comic book?
There’s a new horror movie out this week called SORORITY ROW. This isn’t that, it’s the original, which was called THE HOUSE ON SORORITY ROW. Or actually HE HOUSE ON SORORITY RO on the (out of print) full frame DVD, because the credits get cut off. (I noticed that when I set my DVD player to zoom out it was less cropped though. So try that if you watch it before the new DVD comes out in November.)
MTV: And you won’t be coming up with ideas for “Halloween” sequels on the tour bus?
After 
Part 3 is from 1987 (nine years after part 2) and it ups the ante even more. This is a great series because each is inventive and doesn’t just follow the formula of the previous one. This one opens with an outstanding standalone scene about a woman giving birth in the back of a cab. A cop is trying to help but as soon as he sees the baby he pulls out his piece and starts firing. Next we see police investigating a church where the baby crawled to die. They talk about the off screen corpse at the end of the trail of blood – more of the expertly staged unseen-mutant-baby that’s the trademark of the series. “It took four bullets to put this thing down,” one of them says. 
