If a horror movie is a big hit, and it doesn’t look totally stupid, and especially if it ends up getting theatrically released sequels, I usually watch it at some point, just to give it a shot, or to understand it. For example after a while I sat down and watched all the SAW movies they had made up to that point, even though it was not something I had followed before. As a subscriber to Fangoria Magazine it is my duty. They got those “Chainsaw Awards” you can vote on every year, you want to take that shit seriously. But I always avoided JEEPERS CREEPERS. (read the rest of this shit…)
DON’T BE AFRAID OF THE DARK is a classed-up remake of an old ’70s TV movie. The director is a rookie friend of the internet named Troy Nixey, but it was produced and written by none other than Guillermo del Toro (in collaboration with his MIMIC co-writer Matthew Robbins).
The tone is completely serious, but all in fun. It’s not trying to punish you, like a Rob Zombie movie, but it is trying to make you wince and feel sympathy pain. That’s why the opening scene is (SPOILER) an old man crying and apologizing as he chisels out his maid’s front teeth. After that you know the movie is boss so you better just shut the fuck up and do what it says. (read the rest of this shit…)
WELCOME TO THE JUNGLE is a little low budget cannibal movie put out in ’07 by Dimension Extreme. That’s the division of Dimension Films that puts out independent or foreign horror movies they buy the rights to. They’re extreme so I believe that means they’re like other Dimension movies except they wear backwards hats and ride snowboards. I think ROGUE is the only movie released by them that I saw and liked alot, but I’ve heard good things about INSIDE and TEETH.
This one didn’t get much attention other than a little controversy when rumors spread that it was a remake of CANNIBAL HOLOCAUST. Writer/director Jonathan Hensleigh got mad and claimed otherwise in interviews, but on the commentary track he calls what he said “unfortunate” and admits that CANNIBAL HOLOCAUST was “obviously” a huge influence. (read the rest of this shit…)
When I was leaving ATTACK THE BLOCK I noticed the poster for SUPER 8 hanging outside the theater. I guess it’s pretty obvious, but until I saw that it hadn’t occurred to me that they’re two really different versions of a similar idea: a group of kids save their neighborhood from an alien invasion. In fact, writer/director Joe Cornish says, just like J.J. Abrams did, that he was mostly inspired by the Amblin movies of the ’80s and specifically E.T. (the extra-terrestrial).
That influence is all over the surface of SUPER 8, but ATTACK THE BLOCK has a completely different style. Even though it takes place in modern day London it really makes me think of late ’70s, early ’80s movies about young people in New York City – BEAT STREET, THE WARRIORS, the “Beat It” video. It also put me in mind a little bit of ASSAULT ON PRECINCT 13 over here on the west coast. The score by a gentleman named Basement Jaxx is a hell of alot closer to John Carpenter than John Williams. (read the rest of this shit…)
DYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.
Brandon Routh plays the title character (well, the “Dylan Dog” part of the title; the “Dead of Night” part is played by various undead creatures). I’m not really clear if “Dog” is his last name or if it’s just a cool nick name. Nobody ever calls him “Dylan Doggy Dogg,” but it might be short for that. Anyway he’s a private eye who is in on the secret information that there are vampires, zombies and other monsters living among us. (read the rest of this shit…)
INSIDIOUS (new this week on home video formats) is the latest from James Wan, the director of SAW. He didn’t do any of the SAW sequels though, if that’s what you’re thinking. This is only his fourth movie. I didn’t think SAW was that great and never saw his other horror movie DEAD SILENCE, but I’m kinda rooting for the guy to turn into a consistently good director because of how much I dug DEATH SENTENCE, his vigilante movie starring Kevin Bacon. Also ’cause he’s the only Chinese-Australian director I ever heard of, and that’s kinda cool. (read the rest of this shit…)
The SCREAM movies had their day in the sun. They arrived at the end of 1996, during what seemed like a horror drought. “Horror” was so out of sorts that the characters just call it “scary movies.” The actors, while promoting it on talk shows, called it a “thriller.”
We all remember that, but I thought it would be interesting to look up the specifics. According to my research there were only six other scary movie thrillers released theatrically that year: CANDYMAN: FAREWELL TO THE FLESH, THE DENTIST, THE FRIGHTENERS, FROM DUSK TILL DAWN, HELLRAISER: BLOODLINE* and THINNER. DTV releases included TREMORS 2: AFTERSHOCKS, CARNOSAUR 3: PRIMAL SPECIES and CHILDREN OF THE CORN IV: THE GATHERING. (read the rest of this shit…)
Well, not too many people got a chance to examine the evidence, but MR. STITCH was the first solid proof that Roger Avary could stand on his own without reminding anybody of his video store co-worker Quentin Tarantino. Two years after winning an Oscar for PULP FICTION he was directing a DTV movie. Of course around here we know there’s no shame in that, but I guess it was not the original plan, just what happened when him and Rutger Hauer couldn’t agree on anything, according to this old Entertainment Weekly article. Sounds like they really didn’t get along well at all. Could’ve been worse, I guess. (read the rest of this shit…)
Did you guys know that Tim Burton’s ALICE IN WONDERLAND is the #6 highest grossing movie of all time? It’s literally made over a billion dollars. Just seems weird to me, because I don’t know anybody that liked that movie. I thought it was pretty terrible but keep finding myself “defending” it trying to convince people that at least it was cool looking. Except for the Mad Hatter.
When I mention that somehow it made that much money everybody says “Well, because the 3D tickets cost more.” I’m sure that was part of it. But it’s not like every 3D movie makes a ton of money.
I SPIT ON YOUR GRAVE (2010) is an okay-but-could-be-much-better remake of the disreputable cult classic. In the rankings of 21st century remakes of notorious ’70s rape revenge movies I’d put it at #2, more watchable than CHAOS but not nearly as artful as LAST HOUSE ON THE LEFT. It has pretty effective pacing and a couple good ideas, but it’s not as smart or observant as I’d want for a really worthwhile remake. (read the rest of this shit…)
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If a horror movie is a big hit, and it doesn’t look totally stupid, and especially if it ends up getting theatrically released sequels, I usually watch it at some point, just to give it a shot, or to understand it. For example after a while I sat down and watched all the SAW movies they had made up to that point, even though it was not something I had followed before. As a subscriber to Fangoria Magazine it is my duty. They got those “Chainsaw Awards” you can vote on every year, you want to take that shit seriously. But I always avoided JEEPERS CREEPERS. (read the rest of this shit…)
DON’T BE AFRAID OF THE DARK is a classed-up remake of an old ’70s TV movie. The director is a rookie friend of the internet named Troy Nixey, but it was produced and written by none other than Guillermo del Toro (in collaboration with his 
WELCOME TO THE JUNGLE is a little low budget cannibal movie put out in ’07 by Dimension Extreme. That’s the division of Dimension Films that puts out independent or foreign horror movies they buy the rights to. They’re extreme so I believe that means they’re like other Dimension movies except they wear backwards hats and ride snowboards. I think 
When I was leaving ATTACK THE BLOCK I noticed the poster for SUPER 8 hanging outside the theater. I guess it’s pretty obvious, but until I saw that it hadn’t occurred to me that they’re two really different versions of a similar idea: a group of kids save their neighborhood from an alien invasion. In fact, writer/director Joe Cornish 
DYLAN DOG: DEAD OF NIGHT is a semi-clever and watchable but also not all that great or original supernatural detective type deal. It’s like CONSTANTINE but not as well directed and with more jokes.
INSIDIOUS (new this week on home video formats) is the latest from James Wan, the director of SAW. He didn’t do any of the SAW sequels though, if that’s what you’re thinking. This is only his fourth movie. I didn’t think SAW was that great and never saw his other horror movie DEAD SILENCE, but I’m kinda rooting for the guy to turn into a consistently good director because of how much I dug 
The 
Well, not too many people got a chance to examine the evidence, but MR. STITCH was the first solid proof that Roger Avary could stand on his own without reminding anybody of his video store co-worker Quentin Tarantino. Two years after winning an Oscar for PULP FICTION he was directing a DTV movie. Of course around here we know there’s no shame in that, but I guess it was not the original plan, just what happened when him and Rutger Hauer couldn’t agree on anything, according to 
Did you guys know that Tim Burton’s ALICE IN WONDERLAND is the #6 highest grossing movie of all time? It’s literally made over a billion dollars. Just seems weird to me, because I don’t know anybody that liked that movie. I thought it was pretty terrible but keep finding myself “defending” it trying to convince people that at least it was cool looking. Except for the Mad Hatter.
I SPIT ON YOUR GRAVE (2010) is an okay-but-could-be-much-better remake of the disreputable cult classic. In the rankings of 21st century remakes of notorious ’70s rape revenge movies I’d put it at #2, more watchable than CHAOS but not nearly as artful as LAST HOUSE ON THE LEFT. It has pretty effective pacing and a couple good ideas, but it’s not as smart or observant as I’d want for a really worthwhile remake.
