"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Horror’ Category

I Know What You Did Last Summer

Monday, July 3rd, 2023

I KNOW WHAT YOU DID LAST SUMMER is a major pillar in the late ‘90s streak of newfangled glossy studio teen slasher movies. It was released less than a year after SCREAM, two months before SCREAM 2, and three months before Dawson’s Creek started airing, so it was the first real test of whether or not SCREAM was a fluke for screenwriter Kevin Williamson. He’d already been hired and written this loose adaptation of the 1973 young adult suspense novel by Lois Duncan before SCREAM, but when that was a hit all the sudden it became a priority. Williamson was still involved, seeming to have a hand in choosing the director and cast, according to interviews.

Set on two consecutive 4th of July holidays in the small fishing town of Southport, North Carolina, it’s the story of fresh high school graduates Julie James (Jennifer Love Hewitt, CAN’T HARDLY WAIT), Ray Bronson (Freddie Prinze Jr., DELGO), Barry Cox (Ryan Phillippe, 54) and Helen Shivers (Sarah Michelle Gellar, SOUTHLAND TALES) accidentally running over someone late at night while driving home from drinking on the beach. Worried about their lives being ruined by manslaughter charges, they decide that rather than report it they should dump the body in the water and swear to never speak of it again. As kids do. (read the rest of this shit…)

Renfield

Tuesday, June 13th, 2023

RENFIELD is a so-so movie with one element of excellence that kinda goes without saying, but I will say it. Later in the review.

This is basically a comedy-action vehicle for Dracula’s crazy bug-eating stooge Renfield, played here by Nicholas Hoult (CLASH OF THE TITANS). I guess you could say it follows in the tradition of the much dorkier VICTOR FRANKENSTEIN, and (sort of) I, FRANKENSTEIN, in that it’s riffing off of classic horror characters and putting them in a modern action/super hero type of context. But it’s different in that it’s a straight up comedy, complete with jokey first person narration and the hook “what if Dracula’s familiar started going to group therapy for co-dependency?” I guess you could say it’s kind of a ZOMBIELAND tone. I generally prefer ABRAHAM LINCOLN: VAMPIRE HUNTER approach of using an absurd concept but committing to it as if it’s serious and trusting the audience to get it, but this is not my movie. It’s not up to me. (read the rest of this shit…)

Influencer

Tuesday, June 6th, 2023

INFLUENCER (2022) is an excellent horror/thriller that recently came to Shudder. A friend recommended it and I watched it blind, which was a good way to go. I’ll try to set the stage and then I’ll warn you when I’m going to get into specifics of the structure and plot that you might prefer to experience first hand.

It’s set in Thailand, but all the characters are westerners, most of them on vacation. The opening introduces us to Madison (Emily Tennant, SNIPER: ASSASSIN’S END), who narrates in the form of an Instagram video or social media post about her love of travel and adventure, of meeting new people and learning about new places. But we see she’s doing none of that – she’s almost entirely alone at a luxury resort, floating in the pool, getting a massage, lounging on scenic overlooks, occasionally smiling for selfies. (read the rest of this shit…)

Psycho II (40th anniversary revisit)

Thursday, June 1st, 2023

June 3, 1983

The summer of ’83 saw the release of many blockbuster sequels. There was the big space one, a comic book one, one or more James Bonds, also a PORKY’S, a PINK PANTHER, and a SMOKEY AND THE BANDIT. I suppose you could say there were two horror sequels, both continuing beloved classics from Universal Pictures. One of those involved a shark. The other was riskier. These people had the audacity to make a sequel to a hallowed decades-old classic, the mother of modern horror.

I reviewed PSYCHO II back in 2009, and I think that piece is a good summary of what the movie’s like. Even back then I got that it’s not just better than you’d think or surprisingly good, it’s a genuine classic among horror sequels. I didn’t see the movie until quite a few years after it came out, but having grown up in the ‘80s it used to be impossible to think of anything made in that period as worthy of a classic black and white film from 1960, directed by the iconic Alfred Hitchcock. You have your recency bias, but you also think of contemporary stuff as inherently lesser than the classics. In some of my really old reviews you can see me shit talking what I saw as the cheesy ‘80s, not understanding the reverence people younger than me were starting to have for that era. Now I get it, though. I just needed more distance. (read the rest of this shit…)

Hold the Dark

Monday, May 22nd, 2023

HOLD THE DARK – not to be confused with Julie Taymor’s musical Spider-Man: Turn Off the Dark – is a made-for-Netflix movie from 2018. I guess time flies, because I didn’t realize it had been that many years I’d been meaning to see it. It was on my list because it’s the fourth film from director Jeremy Saulnier (MURDER PARTY, BLUE RUIN, GREEN ROOM), and it’s written by Macon Blair, who appeared in all of those as an actor (and directed the upcoming remake of THE TOXIC AVENGER).

The best label I can come up with to describe this one is an Alaskan Gothic. It’s quiet and gloomy, with lots of snow, tiny fire-lit cabins, death and superstition. A movie that gives you the feeling of cold, wet socks inside your boots, and wearing a heavy winter coat indoors. It starts with a little boy playing outside in the small Alaskan village of Keelut, and a wolf approaches. And then the kid is gone – apparently not the first child to disappear around here. His mother Medora (Riley Keough, MAD MAX: FURY ROAD) sends a letter to a wolf expert named Russell Core (Jeffrey Wright, SHAFT) who once had to kill a wolf and wrote about it in a book she read. She wants him to kill this wolf before her husband Vernon (The Northman himself, Alexander Skarsgard) gets back from the war. (read the rest of this shit…)

Blood: The Last Vampire (2009)

Wednesday, May 3rd, 2023

While Ronny Yu was promoting FEARLESS, he talked up his next movie: a live action adaptation of the 2000 anime BLOOD: THE LAST VAMPIRE. So, a Hong Kong director in Hollywood remaking a Japanese movie originally made mostly in English because many of the characters were American. When Yu mentioned it while talking to Martial Arts Entertainment the interviewer asked if it was “sort of a wuxia movie.”

“Maybe. Sort of. You’re right!” Yu said. “It’s sort of cross-cultural, because the whole thing takes place in a U.S. Army base in Japan. Yeah. It’s like a cross-cultural wuxia.”

Alas, it was not to be… exactly. Instead of Yu it was made by French director Chris Nahon, known for helming one of Jet Li’s English language films, KISS OF THE DRAGON (2001). Yu was credited as a producer, but I’ve found no evidence of him staying on during filming in, say, a George Lucas or Steven Spielberg capacity. I suspect he left but got the credit because he’d done so much of the pre-production that Nahon built off of. Yu is not mentioned or shown in a 20 minute making-of featurette on the DVD and blu-ray, but I think it’s reasonable to assume Nahon kept a decent amount of what he put into place, since the sole credited writer Chris Chow and the cinematographer Hang-Sang Poon are both holdovers from FEARLESS. Yu was also still reported as director when Korean actress Jun Ji-hyun, credited as Gianna, was cast as the main character, Saya. (read the rest of this shit…)

Blood: The Last Vampire (2000)

Wednesday, May 3rd, 2023

BLOOD: THE LAST VAMPIRE (2000) is a 48-minute anime film, telling the straight forward tale of a being who looks like a Japanese school girl slaying vampires on an American military base in Japan. Though it became very successful and inspired many spin-offs, it was really kind of a practice film. It was conceived by “Team Oshii,” Mamoru (GHOST IN THE SHELL) Oshii’s production study group, which writer Kenji Kamiyama says in a making-of featurette “was designed to give us young directors the practical know-how to implement a project plan.” Kamiyama pitched a story about vampire hunters, Junichi Fujisaki had one about a young female warrior named Saya, and Oshii suggested they combine them. Hiroyuki Kitakubo was chosen as director, and he commissioned cartoonist/illustrator Katsuya Terada to design the characters.

It’s set in Tokyo in 1966, and begins with a moody scene on a moving subway. A young girl carrying a tube, like an art portfolio, looks across the empty car at a tired businessman. Suddenly the lights go out, and she runs at him and slashes him with the sword that was inside that case, splashing blood against the windows. (read the rest of this shit…)

Fear Itself: “Family Man”

Tuesday, May 2nd, 2023

From 2005-2007, Showtime aired 26 episodes of the anthology Masters of Horror, created by SLEEPWALKERS director Mick Garris. Well known directors including Stuart Gordon, Tobe Hooper, Dario Argento, Joe Dante, John Landis, and Takashi Miike were given an hour running time and a TV crew and budget, but few other limitations, to make little mini horror movies. The results were mixed, but there were some good ones (my favorites were by Lucky McKee, Don Coscarelli and John Carpenter) and it was an opportunity to get new material from great directors who for the most part weren’t getting as many opportunities as they should’ve in those days.

When Showtime opted not to renew Masters of Horror for a third season, Garris took basically the same premise to NBC, under the new title Fear Itself. This was kinda different not only because it had a new theme song by Serj Tankian of System of a Down, but because it had commercials and was censored for network TV. So if you haven’t heard of it, that’s why. They made 13 episodes, but NBC only aired five. Along with official Masters of Horror Landis and Gordon were more directors from a younger generation including Breck Eisner (THE CRAZIES), Brad Anderson (THE MACHINIST), and Mary Harron (AMERICAN PSYCHO), plus – you guessed it – the master of such horrors as THE TRAIL, THE OCCUPANT, BLESS THIS HOUSE, BRIDE OF CHUCKY and FREDDY VS. JASON, Ronny Yu. That’s right – his followup to FEARLESS was the opposite, Fear Itself.
(read the rest of this shit…)

Evil Dead Rise

Thursday, April 27th, 2023

EVIL DEAD RISE is a new installment in the EVIL DEAD saga. We weren’t necessarily expecting there ever to be another one, but here it is. I’ve seen it called EVIL DEAD 5, meaning the 2013 Fede Alvarez EVIL DEAD is a sequel, not a remake, and I can dig that. But the numbering is irrelevant – it’s a new standalone Ultimate Experience in Grueling Terror produced by Sam Raimi, Bruce Campbell and Robert Tapert, written and directed by the Irish filmmaker Lee Cronin. I watched his previous movie THE HOLE IN THE GROUND (2019), a totally different type of horror, and I thought it was decent, but I didn’t write about it. I did write a little bit about his episodes of the Raimi-produced Quibi series 50 States of Fright.

But he’s officially a guy to keep a (flying, swallowed) eye on after this one. It follows the basic template of the original THE EVIL DEAD: people find a Book of the Dead and some recordings of chants, they accidentally unleash demons that possess them one at a time, make them smile and cackle and puke and kill and climb on the ceiling and other weird shit. The novel twists are 1) instead of another group of young people on vacation it’s a single mother, her three kids, her visiting sister, and some neighbors. Different dynamic. And 2) instead of a cabin in the woods it’s an apartment in Los Angeles. (Filmed in New Zealand.) That’s a different dynamic too because instead of being stuck in an alien place yearning to get home, this is their home they need to flee from. (read the rest of this shit…)

Freddy vs. Jason

Wednesday, April 26th, 2023

Now we come not to the end of this Ronny Yu series, or to its peak, but at least to a watershed moment. If you read this whole series, or at least the BRIDE OF CHUCKY review, you don’t need to ask the question “how the hell does the guy who made THE BRIDE WITH WHITE HAIR end up making FREDDY VS. JASON?”

But at the risk of reptitition, let’s run through it again real quick. For starters, Yu had been making horror movies for 20 years (THE TRAIL, THE OCCUPANT, MUMMY DEAREST, BLESS THIS HOUSE), so that part wasn’t out of the blue. Then in the ‘90s two things happened: the new wave of Hong Kong cinema became popular around the world, and many Hong Kong filmmakers began to worry about what would happen to artistic freedom once colonial rule ended in 1997. That combination of circumstances led filmmakers like John Woo, Ringo Lam and Tsui Hark, as well actors like Jackie Chan, Chow Yun Fat, Michelle Yeoh, Donnie Yen and Sammo Hung, to start finding opportunities in Hollywood. (read the rest of this shit…)