"KEEP BUSTIN'."

Posts Tagged ‘Elizabeth Reaser’

Dark Harvest (2023)

Monday, October 16th, 2023

DARK HARVEST is a crazy new Halloween movie I rented for six bucks on VOD. I think they kinda fumbled in marketing it because they made me think it was about a corny looking killer in a skeleton mask, when in fact it’s about a cool monster and that’s just a guy in a Halloween costume. But I’m glad I knew nothing, because it was interesting to see the movie’s weird premise unfold and realize yeah, this is obviously based on a book (same title, written by Norman Partridge, published in 2006). Hard to make a movie with a world and concept this odd these days unless it’s based on a book.

The most succinct way I can describe it is THE OUTSIDERS meets THE PURGE + HUNGER GAMES but also PUMPKINHEAD. A gory monster movie wrapped in a novel gimmick. It takes place in an I-believe-unnamed small town surrounded by cornfields, and it opens on Halloween night, 1962. Mobs of teenage boys comb through the fields, strutting like droogs with various blunt weapons slung over their shoulders, many wearing letterman jackets, all wearing plastic masks of monsters, The Lone Ranger, etc. They’re looking for something called Sawtooth Jack (Dustin Ceithamer, THE NEW MUTANTS), and they find him, but only after he spews fire from his head and burns a kid in a JFK mask into a fuckin skeleton. (read the rest of this shit…)

Ouija: Origin of Evil

Friday, October 23rd, 2020

This is a rare event for me, to watch a prequel to a movie I haven’t seen and don’t plan to see. The original OUIJA from 2014 was a PG-13 horror movie co-produced by ghost-merchants Blumhouse and remakers Platinum Dunes, “based on Ouija by Hasbro.” It’s the same writers as KNOWING, which could be a plus, but I didn’t know that until just now. So it didn’t seem like a movie for me, and nobody told me otherwise.

But two years later I remember seeing the trailer for the prequel before some other horror movie and talking with my friend about it actually looking good. It’s a period piece set in 1967, with a real nice look to it courtesy of cinematographer Michael Fimognari (FAST COLOR) and this time it’s directed by Mike Flanagan – I’m not sure if I’d seen anything by him yet, but I’d heard good things about OCULUS. And since then I’ve seen ABSENTIA, HUSH and GERALD’S GAME – all quite good – and the 2018 made-for-Netflix series The Haunting of Hill House convinced me that he is a legit Master of Horror for our age, even before he knocked my socks off with DOCTOR SLEEP. So it’s cool to go back and catch up on this one and realize how much of a rough draft it was for Hill House (even more than ABSENTIA). It’s got the scary old house (smaller and suburban, though), the psychic gift passed through generations, the themes of trauma and loss, the period detail, and of course the freaky ass Mike Flanagan ghosts. (Flanaghosts?) (read the rest of this shit…)