You know how sometimes you’re watching a movie and you feel like you don’t like the character as much as you’re supposed to? They’re meant to be relatable but you just think they’re an asshole? Well, YOUNG ADULT is the rare case where I felt like I liked the protagonist more than I was probly supposed to. Mavis Gary (Charlize Theron) is a real selfish asshole, she’s trying to do something crazy and unethical that could ruin people’s lives. So I felt kinda guilty about how much I liked and related to her. (read the rest of this shit…)
Archive for the ‘Drama’ Category
Young Adult
Thursday, March 15th, 2012Footloose (2011 remake)
Saturday, March 10th, 2012Enough about premaquels. How about a good old fashioned straight up remake? Kinda refreshing!
I guess I never saw the original FOOTLOOSE before, ’cause I always thought it was about a town where you’re not allowed to dance because they’re real religious. In this remake by Craig Brewer (yes, HUSTLE AND FLOW, BLACK SNAKE MOAN Craig Brewer) the ban happens in response to a great tragedy, when five promising high school teenagers are killed in a head-on collision after a dance. In other words, this movie is about the Patriot Act. (read the rest of this shit…)
J. Edgar
Saturday, March 3rd, 2012J. EDGAR is the work of an unlikely biopic all-star team: Leonardo “The Aviator” DiCaprio playing the notorious FBI director (even though he’s an old man during alot of the movie), Clint “Bird” Eastwood directing, and Dustin Lance “Milk” Black on the keyboards. This topic required calling in the pros because J. Edgar Hoover was an asshole and a weirdo, but not in a charming or funny way, like Larry Flynt or somebody. And even though he was (according to many, including this movie) a minority – a closeted and tormented gay man – there is nothing anti-establishment about him. He’s not a guy who bucked the system. He created the damn system. Hard to make that glamorous in a movie.
In fact, that’s kind of a reoccurring theme, he keeps complaining about movies glamorizing the “radicals” and “hoodlums” he fights against and is happy when they finally make ones that make kids want to grow up to be G-men. But this won’t make kids want to grow up to be FBI director. Sorry, J. (read the rest of this shit…)
Extremely Loud and Incredibly Close and other best picture nominees
Saturday, February 25th, 2012I don’t see as many movies as critics who get paid, so I’m allowed to take pride in seeing all the best picture nominees again this year. Most of them I had already seen when the nominations came out, but I had to see this EXTREMELY LOUD AND INCREDIBLY CLOSE to finish off the check list.
This is the one nobody expected to get nominated. It got pretty bad reviews and didn’t make up for that by being a big hit or anything. I think it was Mr. Beaks who pointed out that it might be the first ever best picture nominee that was certified Rotten on Rotten Tomatoes. I honestly wonder if it will be the cause of a rule change next year. There must be some kind of mathematical fluke that caused this to happen, and they better clear that up before YOGI BEAR 2 or something gets a nomination. I don’t know what caused this or who those women were who shrieked with glee when it was named at the nomination announcements. I blame them for this. I think they were up to something. (read the rest of this shit…)
Moneyball
Friday, February 24th, 2012I heard MONEYBALL was good, so I wanted to see it, but I was definitely skeptical. Steven Soderbergh tried to get this movie done for a long time, based on the non-fiction book of the same title. But he got the plug pulled a couple times, the studio thought the script wasn’t entertaining enough and he wouldn’t do what they wanted because he was trying not to dramatize and composite and shit, he wanted to try to make it as close to 100% true as he could. Well, after he finally bowed out they quickly got a new script by Steve Zaillian (SCHINDLER’S LIST, GIRL WITH THE DRAGON TATTOO) and Aaron Sorkin (SOCIAL NETWORK, West Wing TV show) and director Bennett Miller, and that’s a good group of people, but these kinds of salvage jobs never turn out good. (read the rest of this shit…)
War Horse
Friday, February 3rd, 2012Steven Spielberg’s WAR HORSE is the story of a horse named Joey. He is distinguishable because he is brown with a white mark on his head and above his hooves. Otherwise I’m not sure I could pick him out in a lineup. He’s just a horse. Doesn’t talk or do math problems or anything.
The story begins with Joey’s birth and ends with his ascension to the stars like E.T. (note: some facts have been altered) and in between he goes through a harrowing journey in turnip farming, WWI, etc. His primary equine-human relationship is with a youth named Albert (Jeremy Irvine), who is there at his birth and later becomes his owner and trainer. Despite going way beyond anyone’s expectations in his indentured servitude, the purchase of non-plow-ready pretty boy Joey financially ruins the family, their lives are destroyed and they have to sell him for cheap to the army for even more cruel and unusual treatment by different noble, handsome Englishmen. (read the rest of this shit…)
Amistad
Thursday, January 26th, 2012With AMISTAD Spielberg brings his historical dramas closer to home, dealing with slavery in America through the story of an unusual court case. The case deals with a group of Africans captured as slaves and transported on a schooner called La Amistad. Cinque (Djimon Hounsou) leads an uprising and takes control of the ship, but they end up taken into custody along American shores. (read the rest of this shit…)
Schindler’s List
Tuesday, January 24th, 2012You know what movie’s good? SCHINDLER’S LIST! Why did nobody tell me this before?
Would you believe this was my first time seeing SCHINDLER’S LIST? It’s getting toward 20 years old and I remembered I hadn’t gotten around to seeing it yet. It’s kind of a heavy decision to make one day: hey, I got 3 hours before I gotta leave for work, maybe I should watch SCHINDLER’S LIST? Never had the urge I guess. (read the rest of this shit…)
Always
Tuesday, January 17th, 2012ALWAYS is very cutesy and sentimental, it’s got some pretty weak comedic bits and it’s definitely the weakest full-length Spielberg I’ve watched in this marathon so far. But it’s still pretty good, and with some things nobody could’ve done as well as Spielberg.
This one’s about the pilots who dump the red stuff on forest fires, and the Tom Cruise of red-stuff-dumpers is former shark expert and Close Encounterer Richard Dreyfus. The Anthony Edwards is John Goodman and the Kelly McGillis is Holly Hunter. Actually, Dreyfus looks kinda like Paul Newman in this one, strutting around in aviators, leather jacket, baseball cap and grey mustache. The point is he thinks he’s awesome, and everybody else agrees. His girl seems to have when are we gonna settle down? type issues, but he makes her happy by buying her a nice dress, something you don’t see around the base much because she’s the only woman there. (read the rest of this shit…)