Archive for the ‘Crime’ Category
Thursday, December 14th, 2023
HEAT (1995) is a remake, but not of the underrated 1986 Burt Reynolds movie HEAT (which was later remade as WILD CARD) – it’s Michael Mann’s second try at the story he turned into his 1989 TV pilot L.A. TAKEDOWN. Which was good! This is better. A controversial statement, but I stand by it.
It’s possibly Mann’s best movie, and certainly ranks high among crime movies of the ‘90s (which is saying something), in my view a masterpiece of the genre. It has that rare quality of feeling like a sprawling epic and a simple, intimate story at the same time. Like a Sergio Leone movie in that one specific sense.
It is pretty simple, in the same way that MANHUNTER is. You’ve got these two men who are on opposite sides of the law, which makes their lives pretty similar. They respect each other’s professionalism but, unlike John Woo characters, would sooner shoot each other than be on the same side. Pretty early in the movie, famously – legendarily, really – they suddenly parley, have coffee together and talk about it, kind of warn each other but both seem to enjoy talking to somebody else who gets what it’s like to live that life. At the time the hype was about Robert De Niro and Al Pacino doing a scene together – two titans had not come together like this since Mickey Mouse and Bugs Bunny in WHO FRAMED ROGER RABBIT – but now that novelty has long since faded and the scene still feels monumental. (read the rest of this shit…)
Tags: Al Pacino, Amy Brenneman, Ashley Judd, bank robbers, Bud Cort, Danny Trejo, Dennis Haysbert, Diane Venora, Everlast, Hank Azaria, Hazelle Goodman, Henry Rollins, Jeremy Piven, Jerry Trimble, Jon Voight, Kevin Gage, Michael Mann, Mykelti Williamson, Natalie Portman, Robert De Niro, Ted Levine, Tom Noonan, Tom Sizemore, Tone Loc, Val Kilmer, Wes Studi, William Fichtner, Xander Berkeley
Posted in Reviews, Crime | 29 Comments »
Thursday, November 16th, 2023
Yeah, I know, I agree – John Woo’s THE KILLER is what we mean when we refer to “THE KILLER.” Where my KILLER tape at, etc. If we mean the Henry Silva one we say “that Henry Silva movie THE KILLER.” But now we also have to say “David Fincher’s THE KILLER.” And that’s okay. I never thought I’d be able to deal with there being two totally different Steve McQueens, but now I’m out there doing it every day. I believe we can get past this.
The title comes from Le Tueur, the name of the French comic book it’s based on. I don’t know it but it’s 13 volumes from 1998-2014, written by Matz and illustrated by Luc Jacamon. Matz (a.k.a. Alexis Nolent) also wrote Du Plomb Dans La Tete, which became Walter Hill’s BULLET TO THE HEAD. And he did another one called Cyclops that James Mangold was supposed to adapt in 2008, so that’s probly not happening anymore, but then again Fincher was first announced for this one way back in 2007. Anyway, it’s adapted by Andrew Kevin Walker, his first credited collaboration with Fincher since SE7EN, though he’s done rewrites on a bunch of them. (read the rest of this shit…)
Tags: Andrew Kevin Walker, Arliss Howard, arthouse badass, Atticus Ross, Charles Parnell, David Fincher, hitman, Jack Kesy, Kerry O'Malley, Luc Jacamon, Matz, Michael Fassbender, Monique Ganderton, Netflix, Sala Baker, Tilda Swinton, Trent Reznor
Posted in Reviews, Crime | 32 Comments »
Thursday, September 28th, 2023
When I saw DOMINO on opening day in 2005, I really thought it was the worst shit ever. In fact, at some point I earnestly added a “the worst shit ever” tag to my review of it. Tony Scott’s most chaotic ever visual style and editing just scraped against me and took me out of the story (to the extent that there was one), and I fixated on that and raged against it in my review. This had happened to me only a couple of times before: first with CON AIR, then ARMAGEDDON, and later it would happen with TRANSFORMERS and DOOMSDAY. But DOMINO is the most stylistically aggressive of any of those, and arguably the most pretentious.
In my review I said Scott was trying to seem young and edgy, compared it to getting his ear pierced. In my mind at that time he was the guy who directed TOP GUN, and TOP GUN was a movie for jocks, military lovers and top 40 listeners. When that one came out I didn’t notice that its style was revolutionary, I just knew everybody loved it including my entire sixth grade class, which meant it was the height of mainstream popular culture about a year or two before I would start kneejerk rebelling against such things. So to have the TOP GUN guy, almost 20 years later, trying to do what screenwriter Richard Kelly calls on the commentary track “punk rock,” was just a joke to me. (read the rest of this shit…)
Tags: Brian Austin Green, Christopher Walken, Dabney Coleman, Dale Dickey, Edgar Ramirez, Ian Ziering, Keira Knightley, Lew Temple, Lucy Liu, Macy Gray, Mickey Rourke, Mo'Nique, Richard Kelly, Rizz Abbasi, Shondrella Avery, Tony Scott
Posted in Reviews, Crime | 15 Comments »
Thursday, September 14th, 2023
(disclaimer: Netflix continues to suck and needs to stop holding the American movie industry hostage by clinging to a clearly unsustainable exploitation-based business model. Also they have some good movies on there.)
I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (2017) is a darkly comedic crime tale in a subgenre I would maybe describe as suburban pulp. A very ordinary, relatable protagonist falls victim to a very ordinary crime (burglary) and, compounded with the other indignities of her life (like some motherfucker always letting his dog shit on her lawn, even with a sign specifically saying not to do that), it pushes her past her usual timid boundaries into seeking some sense of justice. That gives her a peek into an underworld of corruption and depravity on the fringes of her town (filmed in and/or around Portland, Oregon). Nothing big time – just some rich assholes and some meth head weirdos, but certainly outside of her previous experience.
Melanie Lynskey (THE FRIGHTENERS) plays Ruth – single, depressed, put upon nursing assistant. The grimness of her existence is well summed up by the title as well as the first few minutes of the movie. It’s a series of illustrations of the overwhelming shittiness of modern living, most of them relatable, but also a pretty outrageous one where an elderly patient is watching cable news and growls just about the most obscenely racist thing you can imagine, then immediately dies. Later, her grieving son asks if there were any last words. (read the rest of this shit…)
Tags: Christine Woods, David Yow, Devon Graye, Elijah Wood, Gary Anthony Williams, Jane Levy, Lee Eddy, Macon Blair, Matt Orduna, Melanie Lynskey, Netflix, Portland, Robert Longstreet, Sundance Jury Prize
Posted in Reviews, Comedy/Laffs, Crime | 6 Comments »
Monday, September 11th, 2023
Not to brag but we all know the secret to my great success in this most respected artform of filmatic criticism is my appeal to the youths. You almost definitely can’t tell, it’s basically imperceptible to the human eye, but the individual pictured to the left here is not a cool young teen. He is in fact an adult man of age. But he wears a headband and passes for a youth. That’s pretty much what my reviews are like. Grown up, but ageless, vital, wearing a headband with a picture of a skull on it. Cool.
My timeless words and topics reach out even to generations that have largely abandoned the watching of movies, let alone the reading about them, in favor of other forms of expression such as short video clips of some jackass looking into their phone jabbering about some inane topic or other. I just get them and they get me so it’s not necessary, but just in case I’m gonna pander to that important demographic by offering this fun “back to school” themed review. If I know Gen-whichever-letter-we’re-on-now as well as I think I do those little dorks are gonna flip for my thoughts on Martha Coolidge’s PLAIN CLOTHES, an obscure 1988 bomb about a cop going undercover as a high school student to prove his brother didn’t murder his teacher.
Arliss Howard, in his mid-thirties and fresh off of FULL METAL JACKET, plays 24-year-old Seattle Police Department detective Nick Dunbar. He’s introduced undercover as an ice cream man while his partner Ed Malmburg (Seymour Cassel, HONEYMOON IN VEGAS), whose out-of-fashion mustache and suits signify a generation gap, is on lookout. Nick hates being around so many kids, but when he goes to complain about it to his captain (Reginald VelJohnson right before DIE HARD), who’s sipping from a “Trust Me I’m a Father” mug, is deeply offended and yells that it’s “goddamned unamerican” to not like kids. (read the rest of this shit…)
Tags: Abe Vigoda, Alexandra Powers, Arliss Howard, Dan Vining, Diane Ladd, George Wendt, Jackie Gayle, Loren Dean, Martha Coolidge, Max Perlich, Reginald VelJohnson, Robert Stack, Scott Frank, Seattle, Seymour Cassel, Suzy Amis, undercover
Posted in Reviews, Comedy/Laffs, Crime | 9 Comments »
Thursday, September 7th, 2023
THE DRY is an Australian mystery thriller from 2020. It stars Eric Bana (CHOPPER) as Melbourne federal agent Aaron Falk, who gets wrapped up in some off-the-books mystery solving in his home town while on personal leave.
It’s arguably a neo-noir, but not in the sense of shadowy cinematography. It takes place mostly in the daytime, in rural Kiewarra, during a torturous drought. It hasn’t rained in almost a year, so this farming town is full of desperate people. Falk hasn’t been home in years, and only returns due to a brief, stern note in the mail telling him to be at the funeral of his childhood friend Luke (Martin Dingle-Wall, GUN SHY).
From the beginning it’s a bleak and uncomfortable tone. He saw in the newspaper that Luke died in a murder-suicide. Killed his wife, his kid, then himself (abandoning a baby). The funeral is for the whole family but some people are pretty upset about including the guy who killed them. And here’s Falk coming in from out of town just to honor Luke – he never met the wife or kid. (read the rest of this shit…)
Tags: Australian cinema, Bebe Bettencourt, Bruce Spence, Eric Bana, Genevieve O'Reilly, Harry Cripps, Jane Harper, Julia Blake, Keir O'Donnell, Martin Dingle-Wall, Robert Connelly, Samantha Strauss
Posted in Reviews, Crime | 13 Comments »
Monday, June 26th, 2023
MASTER GARDENER is the latest from Paul Schrader, who I consider to be on a late career roll between FIRST REFORMED and THE CARD COUNTER. This one is thematically related to those, and Schrader has called the three of them his unintentional “Lonely Man Trilogy,” but the template goes all the way back to TAXI DRIVER and has been loosely repeated over and over again throughout his filmography. Which is one of the things I love about him.
This time the journal-writing weirdo narrator is Narvel Roth (Joel Edgerton, JANE GOT A GUN), the fastidious horticulturalist in charge of Gracewood Gardens, an estate in Louisiana (filmed at a former plantation). He’s very loyal to his aging heiress boss, Norma Haverhill (Sigourney Weaver, ABDUCTION) – including having sex with her on demand – so he does as she says when she instructs him to take on her troubled grand-niece Maya (Quintessa Swindell, BLACK ADAM) as an apprentice. (read the rest of this shit…)
Tags: Devonte Hynes, Esai Morales, Jared Bankens, Joel Edgerton, Matt Mercurio, Paul Schrader, Quintessa Swindell, Sigourney Weaver
Posted in Reviews, Crime, Drama, Thriller | 8 Comments »
Tuesday, May 23rd, 2023
May 27, 1983
CHAINED HEAT is a genuine exploitation movie. Maybe it’s my ignorance, having been a child in the early ‘80s, but I think of those days as being pretty separated from the era a decade earlier that produced Jonathan Demme’s debut CAGED HEAT, which the title seems to be a throwback to. That must be wrong, though, because there’s not much that seems winky about this one. It’s very serious about providing lurid, sleazy entertainment.
Linda Blair, in her followup to HELL NIGHT, stars as Carol Henderson, a nice girl and “prison virgin” doing 18 months for vehicular manslaughter. Sitting on a bench waiting to be booked she meets some more experienced cons who are pretty welcoming to her. But one of them saying she’s in for stealing TVs starts a discussion of favorite soap operas that escalates to a threat of throat slashing. (read the rest of this shit…)
Tags: Henry Silva, John Vernon, Linda Blair, Monique Gabrielle, Paul Nicholas, Stella Stevens, Sybil Danning, Tamara Dobson, women in prison
Posted in Reviews, Crime | 15 Comments »
Tuesday, April 25th, 2023
“THE 51ST STATE is very dear to me, because it was the first time in Hollywood that I didn’t have to deal with dolls.” –Ronny Yu, 2004
Three years after the unlikely career milestone of BRIDE OF CHUCKY, Ronny Yu made easily the weakest of his English-language films – a UK-Canada co-production called THE 51ST STATE, but we call it FORMULA 51 here so people don’t think it refers to DC statehood. (Actually I’m not totally clear what it does refer to. But the number 51 is in the name of a super-drug that’s central to the plot.)
Under any name it’s a thoroughly 2001 film, with wall-to-wall dated music (score by somebody called Headrillaz), annoying whooshes and flash cuts, character names and descriptions written on screen as they’re introduced, a long scene at a rave type dance club, and two stars – Samuel L. Jackson and Robert Carlyle – who had ridden the ‘90s indie wave to the specific level of commercial viability where they could be cast in stuff like this. It’s one of a handful of movies, along with THE NEGOTIATOR and SHAFT, that could arguably be considered a straight up Samuel L. Jackson vehicle. But even though it starts and ends with him he’s kind of a mysterious, unexplained character, while co-star Carlyle gets to have the love story and sex scene. (read the rest of this shit…)
Tags: Anna Keaveney, designer drugs, Emily Mortimer, Hang-Sang Poon, Meat Loaf, Rhys Ifans, Robert Carlyle, Ronny Yu, Samuel L. Jackson, Sean Pertwee, Stel Pavlou, Stephen Walters
Posted in Reviews, Action, Comedy/Laffs, Crime | 11 Comments »
Thursday, April 6th, 2023
GREAT PRETENDERS a.k.a. THE GREAT PRETENDERS is from 1991, and it’s Ronny Yu’s con man comedy. It stars the great Tony Leung (a year before HARD BOILED) in a much broader role than what we normally associate him with. The type of comedy where he’s running around waving his arms. His character has a shaved head to wear different wigs, and there’s a whole sequence about him putting the wig on the wrong way and looking ridiculous, plus a montage of trying on a bunch of other wigs. Strangely, when he pretends to have a mohawk later on it uses a very obvious bald cap. I don’t know if that was a matter of his hair growing out or not wanting to glue the mohawk on, but it’s hard to accept people believing it’s his real hair. Not that it matters in a movie like this.
His character is named Snake Wai (alias “Tony Leung”), and he’s a conman running small time scams on the street. It’s the type of movie where you follow him and hopefully are charmed by him even as he’s lying to everybody, but you won’t feel too bad about it either way because most of the time everybody’s actually in on it or secretly playing their own angle. (read the rest of this shit…)
Tags: cons, mahjong, Raymond Wong, Ronny Yu, Simon Yam, Teddy Robin, Tin Leung, Tony Leung
Posted in Reviews, Comedy/Laffs, Crime | No Comments »
