"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

M3gan 2.0

Wednesday, July 2nd, 2025

M3GAN 2.0 is an impressive sequel because of how thoroughly it avoids repeating the format of part 1.0. It’s not even the same genre – more straight up sci-fi thriller than killer doll horror – but it feels of a piece by having the same joyful sense of absurdity. I laughed at its audacity to open as a straight up action movie – imagine if CHILD’S PLAY 2 opened with the infiltration of a terrorist compound on the Turkish-Iranian border! U.S. Army Colonel Sattler (Timm Sharp, KING OF THE ANTS) watches remotely from a war room, bragging that his agent Amelia (Ivanna Sakhno, High Fidelity) is in fact a highly advanced android on loan to Saudia Arabia to skirt laws. But just as they’re celebrating a successful test run Amelia executes the scientist she’s supposed to capture, steals his biological weapons and turns off her tracking. She’s gone rogue.

Then we get an info dump on our part 1 characters, now living in fake San Francisco instead of fake Seattle. Gemma (Allison Williams, GET OUT), genius roboticist/flawed aunt whose artificially intelligent doll creation Megan went on a killing spree, has spun her infamy into a successful career as an author and AI regulation advocate in partnership with her new boyfriend, cybersecurity expert Christian Bradley (Aristotle Athari, featured player on SNL season 47). She still works with Tess (Jen Van Epps, 1 episode Power Rangers Dino Fury) and Cole (Brian Jordan Alvarez, 80 FOR BRADY), but instead of electronic toys they’re trying to make useful and ethical things like an exo-skeleton for the disabled. (read the rest of this shit…)

Diablo (2025)

Monday, June 16th, 2025

I’ve been a broken record about this for quite a few years now, but Marko Zaror (who hails from Santiago, Chile) is one of the best and most interesting martial arts stars of our time. He’s played great antagonists in a few well-loved modern action classics that I’ll mention later, but his purest works are the starring vehicles he’s made with writer/director Ernesto Díaz Espinoza since 2006 (KILTRO, MIRAGEMAN, MANDRILL, REDEEMER, and FIST OF THE CONDOR). They’re all very different from each other and he always mixes things up by varying the types of character he plays. He seems to think that just sticking with one persona would be cheating.

Diablo is Zaror and Espinoza’s sixth film together, and the most different in that Zaror plays the villain in this one. Scott Adkins (THE PINK PANTHER) stars as Kris Chaney, a guy who sneaks into Bogota, Colombia where he seems to be stalking a drug lord’s daughter. You know – the old following people around wearing a baseball hat technique. Disguised as a homeless man he approaches the car Elisa (Alana De La Rossa, DOMINIQUE) is being driven in, beats the shit out of her security team and throws her in his trunk. (read the rest of this shit…)

Ballerina (2025)

Thursday, June 12th, 2025

BALLERINA (2025) is “from the world of JOHN WICK.” That’s the tagline, not the title – like “Die Harder.” I have seen some spinoff skepticism swirling around this one, but don’t come to me for that shit. When the makers of JOHN WICK invite me into the world of JOHN WICK I don’t even have to grab my go-bag. I just run full speed toward them.

I have also seen grumbling about it being directed by Len Wiseman (UNDERWORLD) and about having had reshoots (seemingly quite extensive) overseen and/or directed by Chad Stahelski. But I think the former has pretty good action chops and the latter has honest-to-God action vision, so it is not surprising to me that BALLERINA has arrived as a total banger. Is it as good as the JOHN WICKs? No. Is it better than most movies that are not JOHN WICKs? Yes.

Here is my viewing journey with BALLERINA: first 15 or 20 minutes – It’s okay that this is kinda clunky compared to a JOHN WICK because it kinda rules anyway. Everything after that – on second thought this almost is as good as a JOHN WICK and in fact it absolutely rules. (read the rest of this shit…)

Karate Kid: Legends

Thursday, June 5th, 2025

In the 15 years (!) since the KARATE KID remake I’ve occasionally found myself telling people, “No, seriously, it’s pretty good!” Which is not really what I said in my review at the time, now that I’m re-reading it. So who knows, but I don’t think I’ll be saying that about the new movie KARATE KID: LEGENDS. I won’t try to convince anyone it’s a particularly good movie. But I kinda liked it. Let me say this: it’s definitely way better than THE NEXT KARATE KID, which actually I have to admit I kind of enjoy too.

The cleverest thing about LEGENDS is what we already knew from the trailers: it finds a way to say that the 1984 original and its 2010 remake are not mutually exclusive. In this one the remake’s shifu Han (Jackie Chan, DRAGON BLADE) recruits o.g. karate kid Daniel LaRusso (Ralph Macchio, HITCHCOCK) to help him teach a student, and this in turn is a way to make sense out of the weird title discrepancy that they wanted to make a movie called THE KARATE KID but they cast Jackie Chan so it was about kung fu. Now screenwriter Rob Lieber (PETER RABBIT) invents a relationship between the Han and Miyagi families, and therefore between their kung fu and karate styles. So when one of Mr. Han’s students wants to enter a karate tournament, the shifu wants him to learn specifically Miyagi-do karate from its last known teacher. (read the rest of this shit…)

Return of the Bastard Swordsman

Wednesday, June 4th, 2025

RETURN OF THE BASTARD SWORDSMAN (1984) is indeed about the Bastard Swordsman returning. It’s not like BATMAN RETURNS where the title character hasn’t actually gone anywhere and is only returning to the screen – at the very end of BASTARD SWORDSMAN our guy Yun Fei Yang (Norman Chui, LEGEND OF THE LIQUID SWORD) had overcome his fate as a bullied servant of Wudang by mastering Silkworm Skill and defeating the prick who framed him for the murder of the chief and took over the clan. So he becomes their de facto leader but instead of letting them give him a parade or something he immediately walks away with his crush Lun Wan Er (Leanne Liu, WHITE HAIR DEVIL LADY).

Honestly the returning is kind of a bummer, I liked the idea of him traveling around having adventures. Instead this continues the story of Wudang and their feud with Invincible Clan. If you remember, the maniacal Invincible Clan leader Dugu Wu Di (Alex Man, CHINA WHITE) had left for two years of seclusion to further advance his use of the clan’s secret technique Fatal Skill after defeating Wudang in three consecutive duels over 20 years. In this one he comes home and it’s like he woke up out of a coma, he has to hear all this shit that went on in the last act of part 1 with Yun Fei Yang coming out of a cocoon and shit. So Dugu goes to Wudang to demand a duel with our bastard and they don’t want to admit that their chief ghosted them so they act like he just went out for smokes or something, which gets them a week’s reprieve to try to find him. But oh by the way if anyone leaves Wudang during that time they will be killed on sight. That Dugu always has some hardcore stipulations to his offers. (read the rest of this shit…)

Bastard Swordsman

Thursday, May 29th, 2025

BASTARD SWORDSMAN is a 1983 Shaw Brothers production that tells the story of Yun Fei Yang (Norman Chui, HEROES OF THE EAST, ZU WARRIORS FROM THE MAGIC MOUNTAIN), a miserably treated servant of the Wudang kung fu school. He cleans floors and delivers soup and stuff but also in the opening scene the motherfuckers make him run around holding wooden targets for knife practice. When he complains that they’re throwing the knives at him instead of the targets he gets chewed out and called a bastard.

“You can beat me, but don’t call me bastard,” he says, so they immediately beat him and call him a bastard. Sister Lun Wan Er (Leanne Liu, HOLY FLAME OF THE MARTIAL WORLD), daughter of the chief and only female student at Wudang, not only intervenes but brings him to the Hall of Justice to report what they’re doing to him to the uncles. She means well but all it does is get him dressed down some more and told “You’re being unreasonable.”

When Sister says the uncles are being unfair one o them says, “Nonsense. If we were unfair would the chief assign us to be guardians of the law?” In other words authority is always correct by reason of being authority. And authority has decided that the bullies get to keep bullying but Yun Fei Yang has to carry fifty water pails a day. (read the rest of this shit…)

Mission: Impossible – The Final Reckoning

Wednesday, May 28th, 2025

MISSION: IMPOSSIBLE – THE FINAL RECKONING does not necessarily seem like “well guys, that’s the last one” at the end, but as a whole it definitely does play like they’re trying to wrap things up. Though the seven previous films in the series have been mostly disconnected, this one follows the series’ only cliffhanger, and has multiple instances of people discussing the past adventures of Ethan Hunt (Tom Cruise, THE MUMMY), complete with clips. It has two big story threads that tie directly to Brian DePalma’s part I, plus a connection to J.J. Abrams’ part III. Both the NOC list and the Rabbit’s Foot come up – mcmuffin reminiscences from a movie series that has lasted more than four times as long as the TV series it was based on. And that ran for seven seasons!

I think it lives up to the series’ 29-year-long tradition of great entertainment, but it is also by far the sloppiest chapter. That’s not to say it’s lazy – quite the opposite. I think it just got too wild and out of control to ever sculpt it into an elegant shape. They might still be chiseling away at it as we speak. 

I’m not one to complain about long runtimes and unnecessary scenes, especially when the format demands zipping around through a string of incidents, but the first 45 minutes or so of this thing alternately feel like they didn’t have time to finish the edit or like we’re watching consecutive episodes of the world’s most expensive Quibi series. It opens with Ethan watching a VHS tape that’s his “your mission should you choose to accept it” message, though this time from President Erika Sloane (Angela Bassett, F/X), and it’s a very long “as you know” type explanation of what happened in MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE, what has happened in the months since, and a reminder that he has the “cruciform key” everyone wants, that he can use to open a thing in the sunken Russian submarine the Sevastapol for access to the source code of the rogue artificial intelligence known as “The Entity” that he wants to destroy and everyone else wants to control. Though it’s obviously ridiculous for her to be telling him this stuff he already knows, and it’s awkward in its length, the forced exposition kicking off a mission is part of the fun of this series. (read the rest of this shit…)

Striking Rescue

Monday, May 26th, 2025

STRIKING RESCUE is not a title I really understand. The movie is not about a rescue that made me say “Wow, what a striking rescue!” I guess maybe I was struck by it? I don’t know. But I do know I enjoyed the movie. It’s a Chinese production, with a largely Chinese cast, but it’s a Tony Jaa movie set in Thailand. The plot is only passable, and playing a character that’s all anger and no innocence means he lacks some of the usual Jaa appeal, but the action is voluminous and ferocious. He still has it, and tariffs have clearly not depleted the Chinese action movie industry’s reserves of elbow grease.

It opens in classic Jaa fashion, with his character Bai An wrapping those giant fists in ragged tape, practicing his trademark earth-shaking elbows, knees and kicks on a stack of tires and a padded wooden dummy, splattering water and dust through the sunbeam that lights the scene, and CG glass shards through the credits. As he hits harder and harder there are flashes of a car flipped over, a wife and daughter shot, Bai An’s cries of anguish. And then we’re back to today and he’s out in a crowded market following somebody. Right into it. (read the rest of this shit…)

Unleashed (20th anniversary revisit)

Thursday, May 22nd, 2025

May 13, 2005

UNLEASHED (a.k.a. DANNY THE DOG) is a movie I reviewed when it came out 20 years ago, but unlike MINDHUNTERS I’ve rewatched it a few times over the years. In fact I found some notes and screengrabs from an unfinished review when I last watched it in 2021. It’s a truly international creation, an English-language Jet Li vehicle co-starring American Morgan Freeman, produced and directed by Frenchmen, choreographed by Hong Kong legend Yuen Woo-ping and filmed and set in Glasgow, Scotland, but it feels like it has a unified vision, a very specific take on how to make a 2005 action movie with a big heart.

SUMMER 2005Li plays Danny, a feral person raised in a cage by the cruel gangster Bart (Bob Hoskins, SUPER MARIO BROS.) and trained to be his attack dog. When Bart needs to intimidate debtors or enemies he simply removes Danny’s metal collar and he will go ape shit, destroying everyone in the room with blunt martial arts savagery. Danny is severely traumatized – is he also developmentally disabled in some way? This is never discussed, but for whatever reason he’s very childlike, and he doesn’t know to yearn for a better life until he happens to find one after Bart is attacked by rivals and seemingly killed. (read the rest of this shit…)

Last Bullet

Wednesday, May 14th, 2025

LAST BULLET is the third movie in the LOST BULLET (Balle Perdue) trilogy, the excellent French high-speed-car-chase-oriented action movie series produced for Netflix. The first one introduces actor/stuntman Alban Lenoir (“Gunman,” CASH TRUCK) as Lino, an genius mechanic and driver who goes to prison for ramming his car through the side of a jewelry store trying to get his brother out of debt. A cop named Charas (Ramazy Bedia) convinces his boss Moss (Pascale Arbillot) to let him recruit Lino to build cars for an elite “go-fast” task force chasing cross-border drug smugglers, but a corrupt member of the squad name Areski (Nicolas Duvauchelle, TROUBLE EVERY DAY) kills Charas and frames Lino for it. The title refers to the evidence that can clear Lino, which is lodged into the car he gets chased in. (That car makes a cameo appearance here, completely destroyed.)

LOST BULLET 2 is much more complicated, with Moss making an immunity deal with co-conspirator Marco (Sébastien Lalanne), Lino kidnapping him to exchange with Spanish cops, chased by cops including Yuri (Quentin D’Hainaut, “Heavy,” THE KILLER 2024) who work for corrupt chief of Narcotics Resz (Gérard Lanvin, MESRINE: PUBLIC ENEMY NO. 1), as well as falling in love with Areski’s ex-wife Stella (Anne Serra) and going to Spanish prison when he takes the fall for his much cooler former colleague/girlfriend Julia (Stéfi Celma) accidentally killing Marco.

I confess I didn’t remember much of this, even after Netflix autoplayed a TV style “previously on” recap of the first two movies, so I went and read the Wikipedia summaries before starting the movie. If you were considering rewatching the first two before this one I’d say it’s a good idea, though I did okay. (read the rest of this shit…)