"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

Play Dirty

Thursday, October 2nd, 2025

Man, this new straight-to-Amazon-Prime movie PLAY DIRTY is some kind of monkey’s paw shit for me. It’s the great Shane Black (THE NICE GUYS) writing and directing for the first time in seven years, returning to crime movies for the first time in nine years, and it’s based on my favorite crime series ever, Richard Stark’s Parker books. The catch is that most of what I want from a Shane Black movie (such as the quippy dialogue) I definitely do not want in a Parker adaptation, and they originally had Robert Downey, Jr. cast in the role, which seemed like a problem. Could he really seem intimidating enough to be Parker, and more importantly would he even know how to shut the fuck up with his little smart ass comments? I didn’t think he would.

But I wish I could’ve found out, because Downey got replaced with Mark Wahlberg (PLANET OF THE APES), also a poor fit but in a less intriguing way. Downey is a totally different type than the character, while Wahlberg sorta aspires to being the right type, he just doesn’t have enough of it. I know people dislike him now due to past crimes, dumbass interviews and lowered quality standards, but I’m too old to entirely let go – I haven’t forgotten that exciting alchemy of the most uncool pop rapper of the ‘90s winning us over with a great performance in BOOGIE NIGHTS, nor have I forsaken THE BIG HIT, THREE KINGS, I HEART HUCKABEES, THE DEPARTED, THE OTHER GUYS, THE FIGHTER, etc. So it’s not Marky Markophobia when I say he doesn’t seem believably cunning enough, or intimidating enough. The other characters have to treat him as if he is, but I don’t quite buy it. I don’t feel it. I don’t feel the vibrations. (read the rest of this shit…)

Hansel & Gretel: Witch Hunters vs. Gretel & Hansel

Wednesday, October 1st, 2025

My recent revisit of THE BROTHERS GRIMM (2005) pushed me to finally get around to seeing HANSEL & GRETEL: WITCH HUNTERS (2013). I had wondered whether they were kind of in the same genre and yeah, turns out they’re more similar than I even guessed. Just like Gilliam’s movie this one starts out with a fairy tale inspired childhood flashback, then tells the story of a pair of traveling supernatural expert siblings hired to help a small town where the children have gone missing. Both movies even have Peter Stormare (GET THE GRINGO) as a cartoonish bad guy (this time he’s the sheriff who gets a chunk of his nose bit off by Gretel).

The major distinction is that they’re not con artists or skeptics – as the title suggests, Hansel (Jeremy Renner immediately following a run of THE TOWN, GHOST PROTOCOL, THE AVENGERS and THE BOURNE LEGACY) and Gretel (Gemma Arterton, CLASH OF THE TITANS) grew up to become witch hunters, and this being a twenty-teens studio movie that means they wear cool leather outfits, have fancy steam punk shotguns and crossbows, do lots of slo-mo spins and flips and what not. Yes, that kind of sounds like a parody movie-within-a-movie meant to satirize Hollywood excess (like something from LAST ACTION HERO, or the Max Landis action version of Huckleberry Finn from the pilot of Jean-Claude Van Johnson). Fortunately writer/director Tommy Wirkola (DEAD SNOW, VIOLENT NIGHT) takes the ABRAHAM LINCOLN: VAMPIRE HUNTER route of keeping a straight face and trying to make it cool instead of giving in to the temptation to prove to the audience that he’s in on the joke. I was worried for a second because there’s a joke at the beginning about drawings of missing children on milk bottles, but that was a one time occurrence. (read the rest of this shit…)

Tornado

Thursday, September 25th, 2025

TORNADO (2025) is not a disaster movie, and the title isn’t even (primarily) a metaphor. It’s the name of its protagonist, played by Japanese singer and actress Kōki, (yes, according to the credits there is a comma in her name). It’s set in Scotland in 1790, and she’s the disaffected daughter/assistant to Fujin (Takehiro Hira, HARA-KIRI: DEATH OF A SAMURAI, SNAKE EYES), an ex-samurai turned traveling marionette performer.

We’ll find that out later in flashbacks. But for a while we just see her in a wind storm (not tornado), running from a mob of scary thugs led by Sugarman (Tim Roth, THE MUSKETEER), slipping into a mansion and hiding as the goons storm in, pushing the occupants out of the way to search for what they say is a girl about this high and a boy about this high. We don’t have to know who she is or what they want from her to know fuck these guys, and to be thrilled by the well-executed cat-and-mouse sequences involving rotting floorboards.

It was the samurai aspect that got me to rent this on VOD, but it largely feels like a western, and it has a slow burn revenge angle to it. Don’t worry, it’s a 91 minute slow burn, not a torturous one, and it has a real strong mood and atmosphere that made it captivating to me. Director John Maclean (SLOW WEST), cinematographer Robbie Ryan (THE FAVOURITE, MARRIAGE STORY) and production designer Elizabeth El-Kadhi (ONE SHOT) have somehow concocted endlessly pleasing imagery within a grey and barren landscape. And it has a really effective score of menacing percussion, folksy strings and eerie organ by the Australian musician Jed Kurzel, who scored all the movies directed by his brother Justin (THE ORDER) as well as THE BABADOOK, ALIEN: COVENANT, THE NIGHTINGALE, OVERLORD, THE POPE’S EXORCIST and MONKEY MAN. But I wouldn’t underestimate the power of all the quiet scenes where you can hear the wind, so shout out to sound designer Alexej Mungersdorff. (read the rest of this shit…)

Baby Assassins 3

Wednesday, September 24th, 2025

You know how much I love those Baby Assassins, the young women in the movie series from writer/director Yugo Sakamoto. Chisato (Akari Takaishi) is an energetic, giggly anime girl come to life, Mahiro (Saori Izawa) is her dour bleach blond best friend, they were raised to murder for money, a job they’re very good at, but that they try to just get over with so they can pursue their passions such as enjoying desserts and making soup and going to restaurants.

In BABY ASSASSINS (2021) they had graduated high school so their organization made them find an apartment and day jobs. In BABY ASSASSINS 2 (2023) they had to get out of an enormous debt because they forgot they signed up for an elite assassin gym membership and ignored all the bills. There’s plenty of absurd humor about the bureaucratic operations of this underworld, but the main attraction is obviously the excellent fights, action directed by Kensuke Sonomura (MANHUNT, HYDRA, BAD CITY). Izawa is a veteran stunt pro (doubling the lead of the RUROUNI KENSHIN movies) while Takaishi is an actress, but they both acquit themselves well in long, brutal battles. I like how in this little scene where they play fight on the beach Izawa can’t help but go into a serious fight stance and reveal the muscles she usually keeps hidden under baggy clothes.


(read the rest of this shit…)

Off Limits

Tuesday, September 23rd, 2025

OFF LIMITS is a couple different genres – serial killer thriller, buddy-cop action, Vietnam War movie. It centers on two military police detectives, Sergeants First Class Buck McGriff (Willem Dafoe between PLATOON and THE LAST TEMPTATION OF CHRIST) and Albaby Perkins (Gregory Hines between RUNNING SCARED and TAP).

It’s directed by Christopher Crowe, who was the writer of NIGHTMARES, THE LAST OF THE MOHICANS and FEAR, but his only other theatrical directing gig was WHISPERS IN THE DARK. He also created a bunch of TV shows (including B.L. Stryker, B.J. and the Bear and The Watcher hosted by Sir Mix-a-Lot) and (no shit) designed the logo for Cheap Trick. I would’ve guessed it was made by more of a cinema veteran because, though I only think it’s pretty good, it has the muscular cinematistic confidence and atmosphere of A Real Fucking Movie. I mean, let me give you a few screengrabs I made to give you an idea of the fuckin vibes (TFV) in this thing:

(read the rest of this shit…)

Eenie Meanie

Wednesday, August 27th, 2025

EENIE MEANIE is a crime movie that went straight to Hulu last week. It stars Samara Weaving (MONSTER TRUCKS, THE BABYSITTER, READY OR NOT, AZRAEL) and I like that lady so I watched it.

Weaving plays Edith Meaney. The title is a cute nickname a bad person gave her – she prefers Edie. Orphaned by her dad (Steve Zahn, WAR FOR THE PLANET OF THE APES) going to prison, she somehow fell into being a teenage getaway driver for grown up criminals. Many years later she’s away from that world, going to school – even got a job at a bank! – until, you know, an inciting incident.

It’s triggered by her bank being robbed, but it really has nothing to do with that. She ends up in the hospital, where a blood test finds that she’s pregnant. Against her better judgment she decides to go find the father, her ex-boyfriend John (Karl Glusman, THE NEON DEMON, THE BIKERIDERS), and let him know. (read the rest of this shit…)

Four Brothers (20 years later revisit)

Tuesday, August 26th, 2025

August 12, 2005

I reviewed John Singleton’s FOUR BROTHERS twenty years ago and hopefully I’ll have a few new things to say about it, but the sad truth is my verdict has not changed. This is a movie that starts off with a real good hook and then doesn’t do enough with it. It’s thoroughly okay.

SUMMER 2005The screenplay is by David Elliot (THE WATCHER) & Paul Lovett, the team who later did G.I. JOE: THE RISE OF COBRA, and the hook is that an old lady named Evelyn Mercer (Fionnula Flanagan, THE EWOK ADVENTURE) is in a convenience store in Highland Park, Michigan when it gets robbed, and ends up shot to death. It turns out she was a beloved member of the community who helped hundreds of troubled kids find foster homes. But there were four kids so bad nobody would take them, and she adopted them herself. So her funeral brings all four brothers back home, they get to talking, and decide to go find out who did this.  (read the rest of this shit…)

Nobody 2

Wednesday, August 20th, 2025

I think NOBODY (2021) is a minor action classic of the 2020s, and honestly kind of a miracle in how well it accomplished its task of turning the most unlikely actor – Bob Odenkirk, “Concert Nerd,” WAYNE’S WORLD 2 – into a credible action star. It’s a good enough story and gimmick that he might’ve gotten away with okay action scenes, but he trained like a motherfucker to do actual great ones. The only former SNL writer or DR. DOLITTLE 2 voice actor to do so to date. There’s nothing quite like it.

NOBODY 2 is merely a fun sequel to that. But that’s okay.

It’s notable as the Hollywood debut of one of my favorite working directors, Timo THE NIGHT COMES FOR US Tjahjanto, and though it’s a for-hire work that can’t compete with the impact of his bloody Indonesian epics, it shows his sensibilities for hectic combat and imaginative gore fused with a genuine care for his characters. Crafted to zip by in 89 minutes means it lacks his usual scope, and there’s also none of his John Woo-esque melodrama. In fact it leans even a little more comedy than the first NOBODY, and maybe that tonal difference is why none of the action scenes thrilled me as much as the bus scene in the first one. But they’re good scenes, and grounded in simple story and character ideas that really work for me. (read the rest of this shit…)

Stealth / The Dukes of Hazzard (2005)

Tuesday, August 19th, 2025

July 29, 2005

I reviewed STEALTH when it came out and, though I was alone on this, I really enjoyed it. I didn’t believe I was entirely receiving it in the spirit intended, but maybe it sorta knows what it’s doing? Doesn’t matter – death of the author. These days director Rob Cohen is disdained for allegations of sexual assault, but back then it was just for the quality of his movies. Since I only knew about the movie part I was okay with him, ‘cause I always liked DRAGON: THE BRUCE LEE STORY and THE FAST AND THE FURIOUS started a run of increasingly stupid movies that I got a kick out of (after this there was THE MUMMY: TOMB OF THE DRAGON EMPEROR, ALEX CROSS, THE BOY NEXT DOOR and ).SUMMER 2005

I was pretty excited to return to it, expecting my original verdict to hold true, but I hyped myself up too much. This time it had a few laughs but the aerial spectacle (involving lots of animation and green screen cockpit acting that might’ve been a little ahead of its time) gets pretty repetitive. I did like that Cohen has virtual shots going through the circuitry of the jet, repeating his trademark move from THE FAST AND THE FURIOUS. (read the rest of this shit…)

The Island (20th anniversary revisit)

Friday, August 1st, 2025

July 22, 2005

Michael Bay’s THE ISLAND was a notorious financial flop – his first – and still his worst movie according to my friend Matt Lynch, who is knowledgeable about such things. But it did enjoy some time with a reputation as “the not-as-bad Michael Bay movie,” as recorded in my review when I first got around to seeing it in 2013. I seem to remember sort of agreeing with that assessment – because the editing and insanity is toned down it’s a less pure Bay experience but a more tolerable one if you fucking hate his usual style, as I certainly did when this came out.

SUMMER 2005But I guess now that I’m a little softer on his works in general it doesn’t really seem like a good use of his time to be doing the dumb man’s version of intelligent sci-fi, with a pretty cool idea ripped off from PARTS: THE CLONUS HORROR according to a copyright infringement lawsuit that DreamWorks settled for seven figures. I assumed it was probly just a similar premise they came up with separately but reading the Wikipedia summary of CLONUS this actually sounds much closer to a remake than plenty of official ones! But I can measure it on its own merits, even if stolen. (read the rest of this shit…)