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Archive for the ‘Action’ Category

Eenie Meanie

Wednesday, August 27th, 2025

EENIE MEANIE is a crime movie that went straight to Hulu last week. It stars Samara Weaving (MONSTER TRUCKS, THE BABYSITTER, READY OR NOT, AZRAEL) and I like that lady so I watched it.

Weaving plays Edith Meaney. The title is a cute nickname a bad person gave her – she prefers Edie. Orphaned by her dad (Steve Zahn, WAR FOR THE PLANET OF THE APES) going to prison, she somehow fell into being a teenage getaway driver for grown up criminals. Many years later she’s away from that world, going to school – even got a job at a bank! – until, you know, an inciting incident.

It’s triggered by her bank being robbed, but it really has nothing to do with that. She ends up in the hospital, where a blood test finds that she’s pregnant. Against her better judgment she decides to go find the father, her ex-boyfriend John (Karl Glusman, THE NEON DEMON, THE BIKERIDERS), and let him know. (read the rest of this shit…)

Four Brothers (20 years later revisit)

Tuesday, August 26th, 2025

August 12, 2005

I reviewed John Singleton’s FOUR BROTHERS twenty years ago and hopefully I’ll have a few new things to say about it, but the sad truth is my verdict has not changed. This is a movie that starts off with a real good hook and then doesn’t do enough with it. It’s thoroughly okay.

SUMMER 2005The screenplay is by David Elliot (THE WATCHER) & Paul Lovett, the team who later did G.I. JOE: THE RISE OF COBRA, and the hook is that an old lady named Evelyn Mercer (Fionnula Flanagan, THE EWOK ADVENTURE) is in a convenience store in Highland Park, Michigan when it gets robbed, and ends up shot to death. It turns out she was a beloved member of the community who helped hundreds of troubled kids find foster homes. But there were four kids so bad nobody would take them, and she adopted them herself. So her funeral brings all four brothers back home, they get to talking, and decide to go find out who did this.  (read the rest of this shit…)

Nobody 2

Wednesday, August 20th, 2025

I think NOBODY (2021) is a minor action classic of the 2020s, and honestly kind of a miracle in how well it accomplished its task of turning the most unlikely actor – Bob Odenkirk, “Concert Nerd,” WAYNE’S WORLD 2 – into a credible action star. It’s a good enough story and gimmick that he might’ve gotten away with okay action scenes, but he trained like a motherfucker to do actual great ones. The only former SNL writer or DR. DOLITTLE 2 voice actor to do so to date. There’s nothing quite like it.

NOBODY 2 is merely a fun sequel to that. But that’s okay.

It’s notable as the Hollywood debut of one of my favorite working directors, Timo THE NIGHT COMES FOR US Tjahjanto, and though it’s a for-hire work that can’t compete with the impact of his bloody Indonesian epics, it shows his sensibilities for hectic combat and imaginative gore fused with a genuine care for his characters. Crafted to zip by in 89 minutes means it lacks his usual scope, and there’s also none of his John Woo-esque melodrama. In fact it leans even a little more comedy than the first NOBODY, and maybe that tonal difference is why none of the action scenes thrilled me as much as the bus scene in the first one. But they’re good scenes, and grounded in simple story and character ideas that really work for me. (read the rest of this shit…)

Stealth / The Dukes of Hazzard (2005)

Tuesday, August 19th, 2025

July 29, 2005

I reviewed STEALTH when it came out and, though I was alone on this, I really enjoyed it. I didn’t believe I was entirely receiving it in the spirit intended, but maybe it sorta knows what it’s doing? Doesn’t matter – death of the author. These days director Rob Cohen is disdained for allegations of sexual assault, but back then it was just for the quality of his movies. Since I only knew about the movie part I was okay with him, ‘cause I always liked DRAGON: THE BRUCE LEE STORY and THE FAST AND THE FURIOUS started a run of increasingly stupid movies that I got a kick out of (after this there was THE MUMMY: TOMB OF THE DRAGON EMPEROR, ALEX CROSS, THE BOY NEXT DOOR and ).SUMMER 2005

I was pretty excited to return to it, expecting my original verdict to hold true, but I hyped myself up too much. This time it had a few laughs but the aerial spectacle (involving lots of animation and green screen cockpit acting that might’ve been a little ahead of its time) gets pretty repetitive. I did like that Cohen has virtual shots going through the circuitry of the jet, repeating his trademark move from THE FAST AND THE FURIOUS. (read the rest of this shit…)

The Island (20th anniversary revisit)

Friday, August 1st, 2025

July 22, 2005

Michael Bay’s THE ISLAND was a notorious financial flop – his first – and still his worst movie according to my friend Matt Lynch, who is knowledgeable about such things. But it did enjoy some time with a reputation as “the not-as-bad Michael Bay movie,” as recorded in my review when I first got around to seeing it in 2013. I seem to remember sort of agreeing with that assessment – because the editing and insanity is toned down it’s a less pure Bay experience but a more tolerable one if you fucking hate his usual style, as I certainly did when this came out.

SUMMER 2005But I guess now that I’m a little softer on his works in general it doesn’t really seem like a good use of his time to be doing the dumb man’s version of intelligent sci-fi, with a pretty cool idea ripped off from PARTS: THE CLONUS HORROR according to a copyright infringement lawsuit that DreamWorks settled for seven figures. I assumed it was probly just a similar premise they came up with separately but reading the Wikipedia summary of CLONUS this actually sounds much closer to a remake than plenty of official ones! But I can measure it on its own merits, even if stolen. (read the rest of this shit…)

Fight or Flight

Thursday, July 31st, 2025

FIGHT OR FLIGHT – which is not called FLIGHT RISK, I keep getting those two titles mixed up in my head – has been advertised as “from the makers of JOHN WICK.” In this case it doesn’t mean the directors, the writer or 87Eleven, it means Basil Iwanyk’s company Thunder Road, who also backed 24 HOURS TO LIVE, SILENT NIGHT and TRIGGER WARNING. Specifically it’s part of their lower budget arm Asbury Park, who did BLACK SITE and RED RIGHT HAND.

Director James Madigan said in a Q&A that “Everybody wants to make ‘JOHN WICK on this’ and ‘JOHN WICK on a plane’ and ‘JOHN WICK goes to Bangkok,’ or whatever it is. You can’t make JOHN WICK unless you’re Chad, and you shouldn’t try.”

I have in fact seen this called “Josh Hartnett’s JOHN WICK,” which would be a completely unfair quality comparison, but I accept it in the spirit it was intended: to convey that it’s an absurd assassin-related action movie where Hartnett (HALLOWEEN H20) clearly did a bunch of training to pull off some good choreography. It’s sort of low rent and tonally messy but I like this type of movie and I like Hartnett so I had fun with it. (read the rest of this shit…)

M3gan 2.0

Wednesday, July 2nd, 2025

M3GAN 2.0 is an impressive sequel because of how thoroughly it avoids repeating the format of part 1.0. It’s not even the same genre – more straight up sci-fi thriller than killer doll horror – but it feels of a piece by having the same joyful sense of absurdity. I laughed at its audacity to open as a straight up action movie – imagine if CHILD’S PLAY 2 opened with the infiltration of a terrorist compound on the Turkish-Iranian border! U.S. Army Colonel Sattler (Timm Sharp, KING OF THE ANTS) watches remotely from a war room, bragging that his agent Amelia (Ivanna Sakhno, High Fidelity) is in fact a highly advanced android on loan to Saudia Arabia to skirt laws. But just as they’re celebrating a successful test run Amelia executes the scientist she’s supposed to capture, steals his biological weapons and turns off her tracking. She’s gone rogue.

Then we get an info dump on our part 1 characters, now living in fake San Francisco instead of fake Seattle. Gemma (Allison Williams, GET OUT), genius roboticist/flawed aunt whose artificially intelligent doll creation Megan went on a killing spree, has spun her infamy into a successful career as an author and AI regulation advocate in partnership with her new boyfriend, cybersecurity expert Christian Bradley (Aristotle Athari, featured player on SNL season 47). She still works with Tess (Jen Van Epps, 1 episode Power Rangers Dino Fury) and Cole (Brian Jordan Alvarez, 80 FOR BRADY), but instead of electronic toys they’re trying to make useful and ethical things like an exo-skeleton for the disabled. (read the rest of this shit…)

Diablo (2025)

Monday, June 16th, 2025

I’ve been a broken record about this for quite a few years now, but Marko Zaror (who hails from Santiago, Chile) is one of the best and most interesting martial arts stars of our time. He’s played great antagonists in a few well-loved modern action classics that I’ll mention later, but his purest works are the starring vehicles he’s made with writer/director Ernesto Díaz Espinoza since 2006 (KILTRO, MIRAGEMAN, MANDRILL, REDEEMER, and FIST OF THE CONDOR). They’re all very different from each other and he always mixes things up by varying the types of character he plays. He seems to think that just sticking with one persona would be cheating.

Diablo is Zaror and Espinoza’s sixth film together, and the most different in that Zaror plays the villain in this one. Scott Adkins (THE PINK PANTHER) stars as Kris Chaney, a guy who sneaks into Bogota, Colombia where he seems to be stalking a drug lord’s daughter. You know – the old following people around wearing a baseball hat technique. Disguised as a homeless man he approaches the car Elisa (Alana De La Rossa, DOMINIQUE) is being driven in, beats the shit out of her security team and throws her in his trunk. (read the rest of this shit…)

Ballerina (2025)

Thursday, June 12th, 2025

BALLERINA (2025) is “from the world of JOHN WICK.” That’s the tagline, not the title – like “Die Harder.” I have seen some spinoff skepticism swirling around this one, but don’t come to me for that shit. When the makers of JOHN WICK invite me into the world of JOHN WICK I don’t even have to grab my go-bag. I just run full speed toward them.

I have also seen grumbling about it being directed by Len Wiseman (UNDERWORLD) and about having had reshoots (seemingly quite extensive) overseen and/or directed by Chad Stahelski. But I think the former has pretty good action chops and the latter has honest-to-God action vision, so it is not surprising to me that BALLERINA has arrived as a total banger. Is it as good as the JOHN WICKs? No. Is it better than most movies that are not JOHN WICKs? Yes.

Here is my viewing journey with BALLERINA: first 15 or 20 minutes – It’s okay that this is kinda clunky compared to a JOHN WICK because it kinda rules anyway. Everything after that – on second thought this almost is as good as a JOHN WICK and in fact it absolutely rules. (read the rest of this shit…)

Karate Kid: Legends

Thursday, June 5th, 2025

In the 15 years (!) since the KARATE KID remake I’ve occasionally found myself telling people, “No, seriously, it’s pretty good!” Which is not really what I said in my review at the time, now that I’m re-reading it. So who knows, but I don’t think I’ll be saying that about the new movie KARATE KID: LEGENDS. I won’t try to convince anyone it’s a particularly good movie. But I kinda liked it. Let me say this: it’s definitely way better than THE NEXT KARATE KID, which actually I have to admit I kind of enjoy too.

The cleverest thing about LEGENDS is what we already knew from the trailers: it finds a way to say that the 1984 original and its 2010 remake are not mutually exclusive. In this one the remake’s shifu Han (Jackie Chan, DRAGON BLADE) recruits o.g. karate kid Daniel LaRusso (Ralph Macchio, HITCHCOCK) to help him teach a student, and this in turn is a way to make sense out of the weird title discrepancy that they wanted to make a movie called THE KARATE KID but they cast Jackie Chan so it was about kung fu. Now screenwriter Rob Lieber (PETER RABBIT) invents a relationship between the Han and Miyagi families, and therefore between their kung fu and karate styles. So when one of Mr. Han’s students wants to enter a karate tournament, the shifu wants him to learn specifically Miyagi-do karate from its last known teacher. (read the rest of this shit…)