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Archive for the ‘Action’ Category

Transformers One

Wednesday, January 8th, 2025

After seeing THE WILD ROBOT I decided to bite the bullet and watch 2024’s other automaton-related animated feature, TRANSFORMERS ONE, the first theatrical Transformers cartoon since 1986’s seminal-ish THE TRANSFORMERS: THE MOVIE.

It may seem odd that I didn’t want to see this in the theater, because here are the Transformers movies I did bother to see on the big screen, often in 3D and/or IMAX: TRANSFORMERS, TRANSFORMERS: REVENGE OF THE FALLEN, TRANSFORMERS: DARK OF THE MOON, TRANSFORMERS: AGE OF EXTINCTION, TRANSFORMERS: THE LAST KNIGHT, BUMBLEBEE and TRANSFORMERS: RISE OF THE BEASTS. That’s right, all seven of the live action ones, even though only the next to last one I consider to be Actually A Good Movie. The rest I mostly just find fascinatingly crazy, but I’ve learned to enjoy watching them. I started as their enemy, but later joined them, like Skyfire. Like so many others of my generation I had the Transformers cartoon and toys imprinted on my brain as a child, and there is some residual lure to the concept in there, even if I don’t hold it sacred. (read the rest of this shit…)

The Eiger Sanction

Thursday, January 2nd, 2025

Unless I’m forgetting something, Clint Eastwood only has two movies that could be classified as spy movies, and both involve a mission to a mountain in the Alps. One is WHERE EAGLES DARE (1968) and the other is this one, THE EIGER SANCTION (1975). I’d say it’s about 65% suspenseful mountain climbing thriller, 25% assassin intrigue, and 10% colorful James Bond type shit. That last portion includes all the sexy stuff and the sinister boss, an albino war criminal named Dragon (Thayer David, ROCKY).

Clint plays Dr. Jonathan Hemlock, a great pulp hero because he’s an ex-Green Beret, secretly a retired assassin, but famously a retired mountain climber (there are fawning magazine profiles of him), now working as a college art history professor, and has a side gig as a book critic. I wondered if this might’ve been an influence on RAIDERS OF THE LOST ARK when I saw one of his students (Candice Rialson, CANDY STRIPE NURSES) making eyes and spreading legs at him in class. He turns her down because he doesn’t take advantage of students or drunks, he says. Good to know he has some limits. (read the rest of this shit…)

Red One

Tuesday, December 24th, 2024

RED ONE is not a prequel to THE BIG RED ONE or READY PLAYER ONE, but in fact a Christmas fantasy action movie produced by Amazon Product Corporation and starring Dwayne The Rock Johnson and Chris Formerly Captain America Evans. It has made around $180 million in theaters but is considered a flop because it cost something like $250 million before marketing. I have seen many holding it up as an example of the worst fucking crap imaginable. “Slop,” if you will.

I don’t have a high opinion of most of the recent artistic choices of the named parties, so I didn’t rush out to see it. But now I have seen it on Amazon’s streaming/package delivery service (it’s already on there) and it is my duty to report that I liked it. This is a genuinely funny movie! That is not something I expect out of Dwayne T.R. Johnson in the year 2024. (read the rest of this shit…)

Trigger Warning

Wednesday, November 20th, 2024

TRIGGER WARNING is a b-action vehicle for Jessica Alba (MACHETE, MECHANIC: RESURRECTION). You don’t see her in big movies anymore but she looks basically the same as you remember and she’s playing a CIA covert ops badass whose father dies, so she comes home to her small town, uncovers a criminal conspiracy and fucks up some motherfuckers.

When I saw the trailer I was thinking it was like how Netflix gave tough lady action vehicles to Allison Janney and Halle Berry and different people. But then it opens with a war scene in Syria and I thought oh no, this is more like a recent made-for-VOD movie that Dolph Lundgren and Mickey Rourke would each have a couple scenes in. That’s the general feel of the thing, and storywise it’s all well-worn tropes, very low on original spins. It’s generic – all the numbers are there, all in order – but slightly above average for this sort of thing. Alba seems very dedicated and is cool in it, so at the bare minimum level of “is it a movie where Jessica Alba beats up a bunch of chumps?” it is successful. (read the rest of this shit…)

100 Yards

Monday, November 11th, 2024

100 YARDS was one of my most anticipated movies this year – it’s the latest period martial arts epic from writer/director Xu Haofeng, this time with his brother Xu Junfeng credited as co-director. Junfeng is a newbie but Haofeng is one of my favorite modern martial art directors, a true auteur with a very distinct style and tone and a set of reoccurring themes that happen to be extremely my shit.

This one is about the Tianjin martial arts scene in 1920, so it’s about what was going on there around a decade before his 2015 film THE FINAL MASTER. At this point there is only one kung fu school, Master Shen’s, but the world is changing and the next generation are trying to establish themselves. (read the rest of this shit…)

Azrael

Monday, November 4th, 2024

Maybe it’s weird to watch a post-apocalypse movie right before this particular election, but I’d wanted to see AZRAEL and then I saw that it was on Shudder. I knew it was a low or no dialogue movie starring Samara Weaving (MONSTER TRUCKS, THE BABYSITTER, SNAKE EYES), and not much more, but “genre movie starring Samara Weaving” is enough for me. It would’ve been a bonus if I’d known it was written by Simon Barrett (YOU’RE NEXT, THE GUEST) or if I recognized the name of director E.L. Katz from the dark comedy CHEAP THRILLS.

We’ve seen so many post-apocalyptic worlds, but this is a new one for me. It opens with a card that says, “Many years after the Rapture… Among the survivors, some are driven to renounce their sin of Speech.” Yes, it’s a movie where none of the main characters speak, or even sign, so the details of their situation are never directly addressed. But that leaves plenty of space to interpret and contemplate.

(read the rest of this shit…)

The Shadow Strays

Friday, October 18th, 2024

(This review is pretty detailed and spoilery. The movie is great, so consider just watching it and coming back.)


THE SHADOW STRAYS is the latest ultra-violent crime/martial arts epic from writer/director Timo Tjahjanto. Like THE NIGHT COMES FOR US (2018) and the more comedic THE BIG 4 (2022), it was produced by Netflix Indonesia, so you can probly watch it right now wherever you are. (Important subtitle tip: at least on my Roku you have to click “Other” to find the full subtitle menu if you want to choose English instead of English CC.) Like HEADSHOT (2016), it takes place in a world of elite assassins trained (at least in some cases) from childhood. These ones are known as Shadows, and they’re more of a global mercenary agency, like militarized ninjas.

We begin in a snowy Yakuza fortress in Japan, where seventeen year old Agent 13 (the incredible Aurora Ribero) rises up out of an armor collection to decapitate a sleazy boss. She kills so many guys, almost eliminates the entire clan, but gets distracted by collateral damage and has to be rescued by her mentor Instructor Umbra (Hana Malasan, THE TRAIN OF DEATH). Afterwards, Umbra gets called off to “some shit show in Cambodia,” so 13 is sent alone to an apartment in Jakarta. (read the rest of this shit…)

Baby Assassins 2

Tuesday, September 24th, 2024

A while ago I reviewed BABY ASSASSINS, the really fun 2021 Japanese action-comedy about two teenage assassins forced by their organization to get an apartment and day jobs. It has a bunch of top notch martial arts action choreographed by the great Kensuke Sonomura (MANHUNT, HYDRA, BAD CITY), but it’s mainly about the friendship, personality conflicts and growing-up-struggles of these two goofballs who have fun killing people but mostly enjoy laying on the couch eating desserts and talking about anime and stuff.

There’s actually a part 3 coming out, it played the New York Asian Film Festival in July and Fantastic Fest yesterday and I’ve seen more than one person saying it’s one of the best action movies of the year. Also, in Japan it’s already continuing as a TV mini-series called Baby Assassins Everyday (I watched the first episode on Youtube, and it’s a delight). So, shit, I better get caught up by finishing my review of part 2! (read the rest of this shit…)

The Killer’s Game

Monday, September 23rd, 2024

You bet your ass I’m gonna go see a theatrically released Dave Bautista vehicle directed by action legend J.J. Perry. THE KILLER’S GAME came out during the week I was traveling and it’s already down to limited showings but I got in there in time. I’m glad I did, but I gotta admit I can already feel it dissolving from my memory as I type this. I didn’t know it was based on a book and that it’s been in development since the ’90s (more on that later), but coming now it’s very well-worn material within the familiar Wacky Assassins mode of action filmmaking (think THE BIG HIT, LOVE AND A BULLET, THE TOURNAMENT, SMOKIN’ ACES, BULLET TRAIN, POLAR, ACCIDENT MAN and its sequel or HOTEL ARTEMIS, which even features both of THE KILLER’S GAME’s leads).

Bautista (MASTER Z: THE IP MAN LEGACY) stars as Joe Flood, elite assassin who in the opening scene kills an arms dealer in the balcony of an opera house. All he really has to do is come in wearing a tux and kill a couple guards to get up there. It’s kind of funny that this is the last role before Bautista decided to slim down from his giant wrestler body, because his huge size seems like a disadvantage in this job (along with his attention-grabbing hand and neck tattoos). That’s not a complaint, though! I enjoy improbable muscleman characters – Schwarzenegger playing scientists, etc. (read the rest of this shit…)

Rebel Ridge

Thursday, September 19th, 2024

REBEL RIDGE is the latest from writer/director Jeremy Saulnier, who’s now five for five in my book. He did the gory art world satire MURDER PARTY (2007), then broke through with the revenge deconstruction BLUE RUIN (2013), followed by the punks vs. skinheads gem GREEN ROOM (2015) and the eerie Alaskan Gothic HOLD THE DARK (2018). Like that last one, REBEL RIDGE is a straight-to-Netflix movie, but it already seems to be more of a crowdpleaser (being their number one movie for a week) and I appreciate that I’ve been able to watch it twice already, even if I would’ve loved to see it in a theater. (read the rest of this shit…)