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Posts Tagged ‘Zendaya’

Spider-Man: Brand New Day / The Punisher: One Last Kill

Thursday, August 13th, 2026

There’s a scene in SPIDER-MAN: BRAND NEW DAY where Peter Parker (Tom Holland, THE ODYSSEY) sees his high school best friend Ned (Jacob Batalon, THE WRECKING CREW) at the bodega. Ned doesn’t remember him due to a spell Dr. Strange had to do to save the world from multi-dimensional doom (long story, and I don’t remember it), so Peter just watches as he tells the clerk to never let him buy a certain type of energy shot that he’s addicted to. Then he asks to buy one last bottle. Then two.

Yeah, that’s sorta like the MCU these days. We all say we’re over it, then this movie has the biggest opening weekend of all time. It sure doesn’t give me the same kick it once did, but maybe my body craves an approximation, and this will do for now.

I wouldn’t go to bat for BRAND NEW DAY. It’s definitely more of the MCU episodic dilly-dallying and not the compact, standalone cinematic storytelling that used to be the goal. Seems like a lost art in the days of late stage comic book movie – is that why they gave up on doing a new BLADE? But this one has plenty that works, particularly in Peter’s relationships with MJ (Zendaya, THE ODYSSEY) and Frank Punisher (Jon Bernthal, THE ODYSSEY). The love story with MJ has been built up over three previous movies, while his even knowing The Punisher happened (I believe) off screen between movies. But Peter will long for his lost love until they meet again, and he’ll butt heads with his street vigilantism rival until they’re a mismatched buddy pair. One of those classic teams, the friendly neighborhood Spider-Man and the severely traumatized mass murdering gun and bomb freak who hides out in a squalid industrial barge. (read the rest of this shit…)

The Odyssey (2026)

Wednesday, August 5th, 2026

THE ODYSSEY. Good movie. Christopher Nolan (executive producer: ZACK SNYDER’S JUSTICE LEAGUE) gives us his take on the ancient poem, as filtered through his heavy duty filmatism, shot on IMAX film, with some of his beloved non-linear structure, a ridiculously stacked cast and a weird Ludwig Göransson (THE TOWN THAT DREADED SUNDOWN) score. It’s classic Nolan material but with the welcome addition of some monsters and horror, because it’s set in “a time of apparent magic.”

Nolan has joined the category of Spielberg and Eastwood, where I’ll see anything he makes and know I’ll probly like it even if it’s something I wouldn’t otherwise be interested in. Even if it seems like homework. Obviously THE ODYSSEY sounds like more of a popcorn movie than DUNKIRK or OPPENHEIMER, but I sure do feel like I’m supposed to already have opinions about Homer and epic poems. By the time I saw the movie the discourse revolved around a lengthy takedown in the London Review of Books by classicist Emily Wilson, whose 2017 translation Nolan cites as an influence. But even regular movie critics seem to be full of thoughts about The Odyssey and The Iliad and what not.

This is all valuable, but I must say up front that I have none of that background. Instead I come to THE ODYSSEY as someone who actually liked the remake of CLASH OF THE TITANS and paid to see such Fantasy Sword Dude movies as KING ARTHUR: LEGEND OF THE SWORD, BEOWULF (in IMAX 3D), CONAN THE BARBARIAN 2011, HERCULES 2014, WARCRAFT, GODS OF EGYPT, and IN THE LOST LANDS, as well as Elevated Fantasy Sword Dude movies THE GREEN KNIGHT and THE NORTHMAN. And I enjoyed most of those. Not to brag. (read the rest of this shit…)

Challengers

Thursday, May 23rd, 2024

The trailer for Luca Guadagnino’s CHALLENGERS looked kinda like a 2020s version of a WILD THINGS or CRUEL INTENTIONS type movie, and not just because it hyped up a naughty threesome scene. It looked like a similar type of straight faced but knowing erotic thriller soap opera about rich women who delight in using their sexual power to manipulate men. And it kind of is that, but also it’s way more of a sports movie than I expected. It just sees the world of tennis being a little like those movies.

It’s sort of a love triangle, more of a tennis triangle. It’s the non-linear story of the events leading up to the 2019 Phil’s Tire Town Challenger in New Rochelle, New York, in which legendary-great-trying-to-get-his-groove-back Art Donaldson (Mike Faist, PINBALL: THE MAN WHO SAVED THE GAME) faces debit-card-declined-at-the-hotel-so-he-slept-in-his-car nobody Patrick Zweig (Josh O’Connor, FLORENCE FOSTER JENKINS).

(read the rest of this shit…)

Spider-Man: No Way Home

Wednesday, December 22nd, 2021

Contains explicit spoilers. Reader discretion advised.


SPIDER-MAN: NO WAY HOME is a gimmicky MCU multiverse extravaganza, pulling out all the stops, all the comical riffs and all the ideas from the brainstorming session to achieve a rough live action equivalent to in my opinion the best Spider-Man picture by far, INTO THE SPIDER-VERSE. It inevitably lacks the newness and artistic precision of the animated version (not to mention the multi-culturalism) but it is its own type of ambitious fan-pleasing accomplishment. If you haven’t heard, it treats the two previous Spider-Man movie series – Sam Raimi’s SPIDER-MAN 1-3 (2002-2007) and Mark Webb’s THE AMAZING SPIDER-MAN 1-2 (2012-2014) – as alternate dimensions, and pulls those two Spider-Men and five of their villains into the Marvel Corporate Unification to bounce off the current Spider-Man (played by Tom Holland, voice of “Eddie,” LOCKE) and his adult wizard friend Dr. Stephen Strange (Benedict Cumberbatch, WAR HORSE), compare web-shooters, etc. (read the rest of this shit…)

Spider-Man: Far From Home

Wednesday, July 10th, 2019

SPIDER-MAN: FAR FROM HOME continues the charming “teen comedy, but in the Marvel Universe” vibe of 2017’s SPIDER-MAN: HOMECOMING, but instead of situating it on the outskirts of the MCU it’s more in the middle this time. It’s pretty much an epilogue to the whole story that culminated in AVENGERS: ENDGAME, or a bridge to the next one. It starts by making light of the fictional tragedies of that movie (a hilariously awful teen-made video tribute to fallen heroes) and pretty much addressing everything I wondered about after ENDGAME (AVENGERS that is, not HIGHLANDER) pertaining to a world where half of all teens are five years younger than their ID says.

And then it’s kind of like it should be called SPIDER-MAN IS… IRON MAN 4. Peter Parker (Tom Holland, BILLY ELLIOT THE MUSICAL LIVE) is on a school trip to Europe, and his mind is on a plan to tell M.J. (Zendaya, SUPER BUDDIES) he has a crush on her, though she seems to be spending her time with Brad (Remy Hii, CRAZY RICH ASIANS), who is somebody’s little brother who grew big and handsome while the rest of them were dusted. (read the rest of this shit…)

Spider-Man: Homecoming

Tuesday, July 11th, 2017

I liked the Sam Raimi SPIDER-MAN movies (1, 3) and I liked the chemistry between Andrew Garfield and Emma Stone in the AMAZING SPIDER-MAN that I saw, but this new SPIDER-MAN: HOMECOMING is the first one to convince me that hey, I like Spider-Man. This is easily my favorite version.

Continuing the story of Peter Parker (Tom Holland, phone voice of Tom Hardy’s son in LOCKE) shortly after he got to fight with the Avengers in CAPTAIN AMERICA V. THE CIVIL WAR, this is an upbeat, funny slice of life in a previously unseen part of the Marvel Universe: the high schools.

Thanks to being discovered by Tony Stark (Saturday Night Live Season 11 cast member Robert Downey Jr.), Peter is now armed with a high tech costume and the prestige of being able to talk about “the Stark Internship,” but he’s still a dork. He gets made fun of even within his Academic Decathlon team (thanks alot Flash Thompson [Tony Revolori, THE GRAND BUDAPEST HOTEL]), his best friend Ned (Jacob Batalon) talks to him about Legos in front of cheerleaders, and he annoys the shit out of his Avengers pointman Happy (Jon Favreau, THE WOLF OF WALL STREET), who doesn’t return his way-too-many calls and texts about wanting a new mission. (read the rest of this shit…)