I use hands to help my fellow man / I use hands to help with what I can / But when I face an unjust injury / Then I change my hand into FIST OF FURY

Posts Tagged ‘Roger Deakins’

Blade Runner 2049

Thursday, October 12th, 2017

I don’t know about you, but for me it’s hard to imagine a better sequel to BLADE RUNNER than BLADE RUNNER 2049, especially after seeing Ridley Scott’s two interesting but sloppy prequels to ALIEN. Here Scott acts as producer, wisely handing the reins over to Denis Villeneuve (PRISONERS, ENEMY, SICARIO, ARRIVAL), so we get the gorgeous visuals and elliptical philosophizing, but with a stronger narrative and more coherent ideas than Scott prefers these days. It couldn’t exist without building on the 1982 film’s world and style and feel, of course, so I’m not saying it’s better, but to me this detective lead and the mystery he’s solving are much more absorbing than the earlier version.

Not that it’s trying to be accessible. Doesn’t seem too long to me, but it’s 2 hours and 43 minutes, or one DAWN OF THE DEAD plus a sitcom including commercials plus 6 more minutes. It’s mostly slow and quiet, though Benjamin Wallfisch (IT) and Hans Zimmer (BROKEN ARROW)’s Vangelis-inspired score sometimes builds to a tempest, and a few great action beats spring up among its handfuls of violence. What excites me most, though, are the simple atmospheric touches, like the gentle burble of a pot of garlic boiling on the stove as fugitive replicant Sapper Morton (Dave Bautista, HOUSE OF THE RISING SUN) is ambushed by an intruder sitting quietly in the dark, confronting him calmly.

It’s K (Ryan Gosling, ONLY GOD FORGIVES), an LAPD detective who is (opening scene spoiler) himself a “skin job,” but working to track down all remaining replicants that aren’t programmed to die. His powers of observation on this case lead him to a shocking discovery that “breaks the world” according to his boss Lieutenant Joshi (Robin Wright, BEOWULF), so she assigns him to cover it up. To maintain order. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Sicario

Monday, October 19th, 2015

tn_sicarioHere we go yo, here we go yo, so what’s a what’s a what’s a sicario? In Mexico, the onscreen text tells us, it’s a hitman. And the movie SICARIO is a nightmarish portrait of the byzantine conflict such a hitman would be in the middle of. Literally that would be the War On Drugs but metaphorically, it’s easy to think, it could be about the War On Terror, or any number of seemingly intractable cycles of violence. This is, after all, Canadian director Denis Villeneuve (PRISONERS, ENEMY) making an American movie about Mexico. It’s international and cross-cultural.

Our guide into Hell is Emily Blunt (EDGE OF TOMORROW, LOOPER) as Kate Macer, a new but talented FBI agent who raids a drug house in Phoenix and accidentally finds where a cartel has been stashing bodies. Next thing you know a meeting room full of mysterious higher-ups recruits her to aid in a vaguely defined interagency mission they say will lead her to the people responsible. She finds herself at an Air Force base with a couple dozen macho CIA, Delta Force and US Marshal tough guys who all seem to go way back and know exactly what’s going on and do this kinda mission in their sleep. And next thing you know they’re cruising over the border meeting up with militarized Mexican police forces and God knows who else. Nobody tells Kate anything. She just has to stay quiet and keep up. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

The Assassination of Jesse James By the Coward Robert Ford

Saturday, December 8th, 2012

I saw KILLING THEM SOFTLY today and I’m working on the review right now, and that made me realize that when I finally caught up with the director’s previous movie earlier in the year I didn’t ever post a review of it. But it turns out I did write some stuff in my notebook, so I dug that up and I don’t mean to brag but I am a pretty good typist so here is a quickie review for you, friends.

THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD has gotta be the longest title to a movie that I’ve ever reviewed. What’s that, 17 syllables? THE BAD LIEUTENANT: PORT OF CALL NEW ORLEANS is only 11, LEGEND OF THE GUARDIANS: THE OWLS OF GAHOOLE is 12 or 13 (depending on your pronunciation of “owls”), and both of those have colons I think, so that softens the blow. This has no colons. This title is amazing.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.