I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘hip hop’

Roxanne Roxanne

Monday, March 26th, 2018

Do you guys know who Roxanne Shanté is? In the early days of hip hop, back when it was still pretty much just a New York thing, she was one of the greatest battle MCs. And she was also a 14-year old girl. Marley Marl, the producer behind Big Daddy Kane, Biz Markie, MC Shan, Kool G Rap, and others, was her neighbor in the Queensbridge housing projects. The way she tells it, one day when she was going to do her laundry he yelled down to her from his window to ask if it was true she could rap, and would she come up and record some rhymes for him. When he played her the beat that had been sampled in UTFO’s hit “Roxanne Roxanne,” she says she freestyled about being the Roxanne in the song. Ten minutes later she went back to the laundry and forgot all about it until her friend called and told her it was playing on the radio. And then it became a phenomenon.

I never knew much about her or heard that story until she was on Ice-T’s podcast three years ago. I actually wonder if that interview gave writer/director Michael Larnell the idea to make a movie about her. Either way, a bunch of the details she mentioned to Ice ended up in the biopic ROXANNE ROXANNE, which played Sundance in January and was released direct to Netflix on Friday.

I think Shanté’s story is more natural for a movie than your usual superstar music biopic it was more neighborhood legend than media event. I know her voice and style and “Roxanne’s Revenge” and some of the responses it inspired from rival female MCs, like when UTFO came back with someone calling herself “The Real Roxanne” added to the payroll. But she’s not like Johnny Cash or someone where they’re wedded to depicting the creation of all the most famous songs and their climbs up the charts and a bunch of iconic moments that people would be mad if they skipped. And there’s not a bunch of footage we’ve all seen a million times and can’t help but compare it to. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

R.I.P. Phife Dawg of A Tribe Called Quest

Wednesday, March 23rd, 2016

atcq

I have to say a few words about Phife Dawg of A Tribe Called Quest (pictured center), who died last night. Rolling Stone reports that it was due to complications of diabetes, which is what you’d expect of the MC who called himself “a funky diabetic” on the classic “Oh My God” and who several years ago received a kidney transplant. It was donated by his wife, as was touchingly depicted in Michael Rapaport’s documentary Beats, Rhymes and Life.

I have to agree with the conventional wisdom that A Tribe Called Quest is one of the best rap groups ever. There was a time in the ’90s when I started to resent them as the group that every white non-rap fan would say they liked, along with Beastie Boys. But eventually I had to admit to myself that those guys were right. I liked their first album, People’s Instinctive Travels and the Paths of Rhythm, which they made when they were teenagers and wearing to wear goofy costumes. The album holds up due to songs like “Bonita Applebum” and “Can I Kick It?” But it’s their second album, The Low End Theory, that makes them all-timers.

I still kinda remember the feeling of hearing it for the first time. It seemed so weird and stripped down compared to the complex samplescapes that I loved at the time. The sampling of some jazz basslines and horn riffs seemed very distinct and novel at the time, but the drums seemed so simple and raw. And that’s what still stands out to me today. As much as I love their voices and words, I am hypnotized by the drum. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Let’s Get Bizzee

Thursday, March 17th, 2016

tn_letsgetbizzeeLET’S GET BIZZEE is a 1993 indie movie starring Doug E. Fresh, famed rapper, beatboxer and chief executive officer of The Get Fresh Crew. That’s right, it’s a Doug E. Fresh vehicle. Do you remember something like that ever existing? I don’t. But it does, preserved forever on VHS.

After seeing it, though, I understand why nobody ever talks about it. It has the dramatic quality of some crappy comedy like DISORDERLIES or something, but there aren’t many jokes in it, and zero that are funny. I think it might be intended as a serious drama about local politics.

Fresh – who now goes as D. Edward Fresh (I totally made that up) – plays Sam Baker, a kid who has just graduated high school. His mom says he needs a job and his ex-girlfriend says she needs $2,000 or she’s gonna tell his mom he has a baby. Meanwhile, the womanizing, limo-riding assemblyman Dillon (Anthony Chisholm, UP TIGHT, 13, CHI-RAQ) has made a deal to allow the projects to be destroyed and turned into condominiums. Sam is against it and does a little rap about it in the park, which leads to him hanging with a few local activist types and starting a petition against it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Chi-Raq

Wednesday, December 9th, 2015

tn_chiraqCHI-RAQ (Chicago + Iraq, pronounced shy-rack) is the Spikiest Spike Lee Joint achieved so far. It seems like whatever itch Lee was trying to scratch with those musical numbers in SCHOOL DAZE has been building up for all these years until it exploded onto the screen like that inflating dude in BIG TROUBLE IN LITTLE CHINA. Lee must’ve woke up one morning and said fuck it, I’m gonna make a movie that’s so Spike Lee it turns into Baz Luhrmann.

Let me tell you a few things about how heightened and crazy this is. It has musical numbers. It has dance numbers. It has a rap number that breaks into a gun fight precipitated by an argument depicted in onscreen text messages. It has an army of women in chastity belts performing a sexy choreographed group lip-synch to “Oh Girl” by the Chi-Lites (maybe my favorite scene). The two rival gangs wear purple and orange, and are called the Trojans and the Cyclops Spartans, whose leader is Cyclops (Wesley Snipes wearing a red-sequined eyepatch). There’s an explicit reference to THE WARRIORS so you know Spike knows what this reminds us of. (Also Luther himself, David Patrick Kelly, is in it.) All of this is presided over by a fourth-wall-breaking narrator played by Samuel L. Jackson wearing fly suits, spinning a cane and reciting toasts and dirty jokes like Dolemite. That’s not just me reading into it, because he’s called Dolmedes and he references Shine and the Signifying Monkey.

Oh, by the way: all of the other characters speak in rhyme also. So that’s pretty different from most movies. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Update from last year’s Halloween special

Friday, September 18th, 2015

tn_nightmareonmystreetLast Halloween I did an important, should’ve-been-award-winning piece called Analysis: “A Nightmare On My Street” vs. “Are You Ready For Freddy?”, in which I compared and contrasted the Freddy Krueger themed song by DJ Jazzy Jeff and the Fresh Prince with the one by The Fat Boys. Today I have a brief update, or sequel if you will, to that piece.

In the piece I embedded the “Are You Ready For Freddy?” video, but said there was no video for “A Nightmare On My Street.” In the comments it came up that people including Jake thought they remembered seeing a video. I feel like I would remember such a video existing, but more importantly it’s not on Youtube, on any of the many extras-packed DVDs and Blu-Rays of the Elm Street series, in the excellent 4-hour documentary NEVER SLEEP AGAIN, or on the DJ Jazzy Jeff and the Fresh Prince video collection.

Since then I’ve encountered other people who think they remember seeing it, so I looked into it again. Wikipedia says

“The song was considered for inclusion in the movie A Nightmare on Elm Street 4: The Dream Master, but the producers of the film decided against its inclusion. New Line Cinema, copyright holders of the A Nightmare on Elm Street film franchise, sued DJ Jazzy Jeff & The Fresh Prince’s record label for copyright infringement, forcing the label to destroy a music video produced for the song. Both sides eventually settled out of court.”

but since this section is not sourced I wondered if some of it could be an urban legend. The very specific language of the disclaimer sticker on the record supports the existence of a lawsuit or threat of one, but would they really have made a video before that happened? (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Straight Outta Compton

Monday, August 17th, 2015

tn_socSTRAIGHT OUTTA COMPTON is a movie that will smother your mother and make your sister think it loves her. Or at least it will give them more of an idea of what N.W.A was all about. Unless they already know alot about N.W.A, which come to think of it I do expect of your mother and your sister. They’re pretty cool.

I’ve been thrilled about the idea of an N.W.A biopic for years. So far The Notorious B.I.G. is the only rapper to get one of these (the better-than-I-expected NOTORIOUS), though I remember when Steve James of HOOP DREAMS fame was supposed to be doing one on Grandmaster Flash starring Don Cheadle. A story from that era could be epic. And I would like to see an O.D.B. movie and possibly Public Enemy would work, but I don’t know if there’s much of an ending on that. N.W.A, to me, seems like the best choice for this treatment.

And their movie is pretty much what you’d expect. It captures some of the vitality and power of N.W.A and also has most of the weaknesses of biopics. I can’t honestly claim it all works as a movie, but it celebrates N.W.A without being totally embarrassing about it, so I couldn’t help but enjoy watching it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Battle of the N.W.A Parodies, part 2: Fear of a Black Hat

Wednesday, August 12th, 2015

tn_fearofablackhatThough both were filmed in 1992, FEAR OF A BLACK HAT came out a year after CB4. It had a harder mountain to climb because it was a more independent movie without major movie or TV stars, big names on the soundtrack or celebrity cameos. The most recognizable actor in it is Larry B. Scott from REVENGE OF THE NERDS and SNAKE EATER II: THE DRUG BUSTER.

It’s the directorial debut of Rusty Cundieff, who also wrote it and stars. He’d previously written HOUSE PARTY 2, and we know him as an actor in 3:15, HOLLYWOOD SHUFFLE and SCHOOL DAZE. He went on to direct TALES FROM THE HOOD and alot of TV, including 25 episodes of Chappelle’s Show and one of that Clueless show we discussed a few weeks ago. I remember he was also a correspondent on Michael Moore’s show TV Nation, and I have just learned that his one credit as a TV writer is one 2009 episode of CSI: NY. That’s weird.

Ice Cold (Cundieff), Tone Def (Mark Christopher Lawrence, CRIMSON TIDE, HALLOWEEN REMAKE II) and Tasty Taste (Scott) are the popular gangsta rap trio N.W.H. The “H” stands for “Hats,” because their trademark is wearing big silly hats. Unlike CB4, this one is fully documentary style, so throughout the movie they get to talk to the camera explaining their work, sometimes cutting to clips of videos and performances, or following them backstage, etc. The director and interviewer is Nina Blackburn (Kasi Lemmons, VAMPIRE’S KISS), who puts up with alot from them but is smarter than them, like the Source writer in CB4.

(And before we go on, you’re right, this is not as N.W.A-specific as CB4. Obviously they get the name from them, and they have a song called “Fuck the Security Guards.” But really they’re a mish-mash of every notable rap group of the time, from Ice-T to fuckin PM Dawn.)

(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Battle of the N.W.A Parodies, part 1: CB4

Monday, August 10th, 2015

tn_cb4CB4 is the comedic story of a fictional West Coast gangsta rap trio out of not-real Locash, CA. They exist in the same world as N.W.A (Ice Cube and Eazy E both appear as themselves in documentary style interview segments) but also they’re kind of supposed to be N.W.A. They dress like them, they have a similar “world’s most dangerous group” image, their videos are shot-for-shot imitations of N.W.A videos, and their hit song “Straight Outta Locash” is done over the music from “Straight Outta Compton,” but nobody accuses them of being a rip-off. Their song is not as good, in my opinion. They copy Cube’s line “Straight outta Compton, crazy motherfucker named Ice Cube” not just once, but before each verse. Watering it down.

One of the more brazen boasts is “I fucked your sister, I fucked your cat / I would’ve fucked your mom but the bitch is too fat,” which is absurd enough, sure, but it’s not as deviously clever as Eazy’s actual line, “Straight outta Compton / is a brother that’ll smother your mother / and make your sister think I love her.”

One difference from N.W.A: they don’t have an exploitative white manager from outside the world of hip hop. They have Trustus (Willard E. Pugh, THE COLOR PURPLE, ROBOCOP 2).

Another one: these guys aren’t exaggerated characters based on their real lifestyles. They’re straight up phonies dressing up like gangstas as a gimmick after their corny Native Tongues copycat act didn’t catch on. And they, uh, pretend they were in prison, which they weren’t , and that gets them into some awkward situations. Hmm. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

You are now about to witness red band street knowledge

Monday, February 9th, 2015

In case anybody else has been anxiously awaiting a trailer for this like I have:

(don’t worry about the gentle black and white intro, it goes into the actual movie footage eventually)

I don’t know what to think, but so far it looks like something I will enjoy whether or not it’s a good movie.

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Analysis: “A Nightmare On My Street” vs. “Are You Ready For Freddy”

Friday, October 31st, 2014

tn_freddysongsspecialpresentationOh shit you guys, did you notice it’s Halloween already? I feel like the season is just getting started, though. Next week I’m gonna have more horror reviews for you, plus other stuff.

But today instead of another review I thought I should do something different, a Halloween special if you will. Something great and beautiful and timeless that really captures the traditions and atmosphere and feelings of the holiday, like It’s the Great Pumpkin, Charlie Brown, the world’s only animated tribute to sincerity. Good cartoon in my opinion. I should totally do something like that if I’m up to it. Or maybe I could write about the Freddy Krueger rapping, that might be something more appropriate to my level of expertise. I guess I’ll do the second one.

In the late 1980s, a period when horror sequels were a major part of pop culture, there were two songs by popular rap acts that were inspired by the A NIGHTMARE ON ELM STREET saga. Let’s take a look at them both.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.