Posts Tagged ‘David Cronenberg’

Nightbreed

Thursday, June 24th, 2010

tn_nightbreedI knew it. I fuckin knew Dave Cronenberg was up to something. All due respect to him as a consistently great and unique filmatist across three decades, but you gotta admit the guy is suspicious. I mean, CRASH had me wondering. And eXistenZ raised my eyebrows. Possessing in-depth knowledge of tooth-firing gristle guns isn’t a crime in and of itself, but you gotta wonder why he knows so much about the topic, right?

And then DEAD RINGERS. I mean, for crying out loud, DEAD RINGERS. So sonofabitch, why am I not surprised when I watch Clive Barker’s NIGHTBREED and there’s Dave Cronenberg as a masked “baby slasher” murdering families around Toronto? (more…)

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Dead Ringers

Monday, June 21st, 2010

tn_deadringersOne type of humor I’m a sucker for is the ol’ pathetic lie joke. For example in that movie KINGPIN Woody Harrelson and Randy Quaid are trying to hustle some guys at a bowling alley and Quaid says he’s gonna lose all his money because he’s “so bombed.” But the bartender knows he hasn’t been drinking and says, “You get that way from ginger ale?”

They’re caught, they’re dead, there’s nowhere to go from there, they should hang up the towel, but they don’t. Woody goes for the pathetic lie.

“Nah, he was sniffing glue in the parking lot.” (more…)

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eXistenZ

Wednesday, June 9th, 2010

tn_existenzYou guys’ll have to forgive me. I’m not a “gamer” or “gamey” or whatever, so I don’t know how much of Dave Cronenberg’s video game exposee eXistenZ is 100% factual and how much is very, very slightly, almost imperceptibly exaggerated for dramatic purposes.

Maybe you can help me out: the “gamepod” controllers are little lumps of flesh, like mutated breasts. They plug a tentacle into a “bioport” on your spine, but if yours is installed wrong (which it turns out can happen if you let Willem Dafoe install yours at the gas station) it can overload your game pod and it will have to be repaired, which is a surgical procedure. The pods are actually genetically modified amphibians. (more…)

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Videodrome

Tuesday, June 8th, 2010

tn_videodromeIt’s probly hard to imagine for people who grew up post-internet, but there was a time when you couldn’t just turn on your computer and find the weirdest, most fucked up shit imaginable just as quick as you can type www.theweirdestmostfuckedupshitimaginable.org. Back then people who had strange fetishes or possessed disturbing footage tried to hide that shit, they didn’t think they could proudly put it out there and try to make new friends with it. Finding that stuff took time, effort and connections. These days kids email each other real footage of hostages being beheaded. Back then the FACES OF DEATH guys had to fake a beheading, and even their fake version was more of a legend people heard about then something they’d actually seen. That’s when Dave Cronenberg’s VIDEODROME takes place. And it involves material way more unsettling than FACES OF DEATH. (more…)

Only 1 person likes this post. Kinda sad.

Scanners

Thursday, June 3rd, 2010

tn_scannersSCANNERS is a story about mutants with psychic powers, a generation of babies messed up by a medicine their mothers took, now grown and finding their brains too powerful, causing them to hear other people’s thoughts, and giving them dangerous powers like they can drop you to the ground with a nose bleed just by thinking about you too hard. If you get a greeting card from a scanner that says “Thinking of you,” take that as a threat. (more…)

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The Dead Zone

Monday, December 3rd, 2007

Revisiting THE DEAD ZONE for the first time since the ’80s is kind of a trip. I didn’t know who David Cronenberg was back then so I didn’t know it was one of the most commercial movies he’d ever make. No weird phallic lumps, all vaginas presumably in the right spots. It’s an eery thriller with a cold, wintery atmosphere and a good idea from Stephen King. If you don’t remember, Chris Walken is a guy who gets into a car accident, wakes up from a coma and soon starts having premonitions. Sometimes when he touches somebody he finds himself in some traumatic future event. So he uses this to save children, catch a killer, etc., and becomes a local hero.

Walken of course is real good. He’s such a weirdo, but he gets to joke around, be kind of a charmer, and also be pissed off at this turn of events that people tell him is a “gift” even though it’s ruined his life. Cronenberg plays up the tragic love story. Walken and his old girlfriend still love each other, but while he was in the coma she got married and had a kid. So it’s tough. Not much you can do there that’s gonna make you happy in the long run.

It’s definitely up there with the better Stephen King movies, but I gotta say it’s no CARRIE. Both have these events you never forget, but no matter how many times I watch CARRIE it still gets me in the gut because you know exactly the horrible thing that’s gonna happen and De Palma wrings every drop of tension he can from it, taking his sweet time, making you waaaaaaaaaaaaait for it. Very. Very. Slowly. As good as Cronenberg is he’s not that masterful with DEAD ZONE. It’s a cool idea – he sees a vision of a senatorial candidate starting WWIII and decides he has to assassinate him – but it happens pretty quick and then it’s over with. You kind of expect it to be drawn out more.

The weird thing about the movie that I didn’t remember is there are two crazy things that happen that I just can’t buy in this somewhat down-to-earth story. I’m not talking about the part where a guy commits suicide by propping up a pair of scissors and lowering his mouth onto it. That’s how you know it’s a Cronenberg movie, but it works perfectly well in context. There were a couple other things that were too much though. (more…)

Only 1 person likes this post. Kinda sad.

Rabid and Fast Company

Sunday, November 11th, 2007

I always wanted to watch all of Dave Cronenberg’s movies in order, or at least the ones I haven’t seen or don’t remember very well, and I’m finally giving that mission a shot. This is only #2 and #3 here though so don’t start congratulating me yet. But here’s a look at some early Cronenberg.

RABID is typical of Cronenberg’s early work, because it’s about a girl who gets all worked up and bites people to death with the vagina she has in her armpit. FAST COMPANY is the least typical of all Cronenberg movies because it’s about funny car racing. That wouldn’t be a surprise if they were funny cars shaped like vaginas, but these are just regular funny cars with wheels and seats and everything. Driving fast. On race tracks. Etc.

RABID is alot like SHIVERS, an uncomfortably strange horror movie with a freaky venereal disease, and with a little bit of making fun of the Canadian bourgeoisie of the ’70s. SHIVERS took place in a fancy highrise apartment complex, this one is at a plastic surgery clinic. Marilyn Chambers (whose work with John Holmes we are all very, very familiar with, obviously) plays a woman in a fiery motorcycle accident and she could die before they could get her to a real hospital so they bring her to the plastic surgery clinic, and those assholes try to show off and do some experimental business on her and it’s a long story but basically it grows into the biting vagina armpit deal I mentioned earlier. No, they do not intentionally graft a vagina onto her armpit, but they do cause it to grow there. See, politicians always complain about “frivolous lawsuits” but in my opinion doctors gotta be accountable for this shit. You grow the armpit vagina, you pay up. Simple as that.

(By the way did you notice I looked up how to spell bourgeoisie correctly? Then I totally just dropped it in there. But now that I looked it up it turns out it doesn’t mean exactly what I thought it meant, so I should’ve just said upper middle class. But that was so awesome when I dropped bourgeoisie in there, so fuck it, I’m keepin it.) (more…)

Shivers

Tuesday, October 30th, 2007

I cannot in good conscience recommend SHIVERS to everybody. In fact, I saw it a long time ago and didn’t get into it, but recently I felt like watching the early Cronenbergs again and this time around I enjoyed it. It’s Cronenberg’s first feature film and it is also known as THEY CAME FROM WITHIN, but should be called ZOMBIE PERVERTS or even FUCKED BY ZOMBIES.

Well, they’re not technically zombies. It’s about a sexually transmitted disease. I didn’t do this on purpose, but this is yet another apartment complex based horror. It takes place at this upscale complex called Starliner Estates, which is actually on an island so it’s isolated and has its own medical facilities and armed security. The lead is not your typical horror movie lead. He’s a middle aged doctor, head of the Starliner Medical Department, and he has some of the mannerisms of Gary Shandling. When the movie starts the infection in the apartments has already began: a former teacher of the doctor is attacking a woman in a school girl outfit. And he kills her and burns her with acid. Not cool.

It turns out the killer doctor is being influenced by a weird parasite slug inside him that makes him super horny. Late in the movie an infected character explains the feeling: it makes you see that everything in the world is sexual. “That disease is the love of two alien kinds of creatures for each other. That even dying is an act of eroticism. That talking is sexual. That breathing is sexual. That even to physically exist is sexual.” So you want to stay away from these motherfuckers. If they see you they get a crazed look in their eye and they come after you. And even if you were into them it would be trouble because you would get the disease. (more…)

Only 1 person likes this post. Kinda sad.

Eastern Promises

Friday, October 5th, 2007

Viggo Mortensen is a damn contortionist of the face. He stretches and twists that motherfucker from regular Viggo face into badass Russian gangster face. His eyebrows and the lines on his forehead turn into an arch. His mouth twists and curls into an arrogant smirk. The slash-like lines on his cheekbones suck extra deep into his skull. I could’ve sworn the motherfucker even created a dimple on his chin somehow, like through some weird breathing technique, but I checked photos and it turns out he already had that. But it fits his character well. That’s just the chin dimple a Russian gangster like that would have.

After all those years of great supporting performances, and then hitting the lottery by being the king that returned in RETURN OF THE KING, now he is getting the roles he was born for. A HISTORY OF VIOLENCE is my favorite of his movies so far, so I’m glad he’s reteaming with Dave Cronenberg here. Hopefully they will continue to collaborate for at least one more movie, it could be known as “the Viggronenberg Gangster Trilogy.”

I think this is a really good, smart and original movie. But I don’t want to talk it up too much. Part of the appeal is the subtlety. It leaves alot of things unsaid, it’s pretty short and it’s small in scope. It deals with a family of Russian gangsters, but it doesn’t feel like an empire – they live in London, after all, and all the activity is centralized at one restaurant.

In fact I’m a little surprised that the reactions aren’t more divided. I heard nothing but good things from all the people I talked to who saw it before me, so I bet you’ll like it too. But still, you can’t go in expecting THE GODFATHER, which is what the critic’s quotes in some of the ads ask you to do. I heard a radio ad with a quote that was something like “Francis Ford Coppola. Martin Scorsese. And now David Cronenberg can be added to the list of directors of the greatest gangster movies of all time.” That’s kind of a cheating quote because it might be literally true but you fucking know it sounds like you’re saying this movie is as good as THE GODFATHER and GOODFELLAS. So you get to go into the hyperbole and then say you didn’t mean it. (more…)

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Crash (1996)

Sunday, January 29th, 2006

Since I recently watched that movie CRASH that Roger Ebert said was the best movie of 2005, I decided to finally go back and watch the original David Cronenberg version, which in my opinion is pretty fucking different.

This is the courageous story of a movie producer (James Spader) and his wife (Debora Kara Unger from STANDER and PAYBACK and THE GAME) and all the people they like to fuck from behind (various). The movie opens with Ms. Unger in an a hangar rubbing her nipple against an airplane while some dude licks her ass. And you can imagine where it would go from there (perverted car crashes, etc.). Very predictable, standard stuff.

Okay, if I must spell it out for you: The plot really kicks in when Spader causes a car accident that badly injures himself and Holly Hunter, and kills her husband. They later meet up at the junkyard where their wrecked cars are kept, and have sex in a car while (we find out later) Elias Koteas takes pictures.

The only way to accurately describe this movie is as a late night Cinemax movie gone horribly, disastrously wrong. Maybe this is the Shannon Tweed movie you’d watch on Videodrome.

Elias Koteas’s character Vaughn is sort of the leader of a weird subculture of people sexually obsessed with car crashes. Both James Spader and Holly Hunter met him while rehabilitating in the hospital, because he came in and took photos of their injuries. Later they go around together and find highway accidents and lecherously photograph them. (more…)

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