"KEEP BUSTIN'."

Posts Tagged ‘Peter Mensah’

Snake Eyes: G.I. Joe Origins

Tuesday, January 4th, 2022

I had been pretty excited for SNAKE EYES: G.I. JOE ORIGINS, but I was skeptical about director Robert Schwentke (R.I.P.D.) so when it came out and everybody said the action scenes were unwatchable I put off seeing it. I don’t know if the tempering of expectations helped, but catching up with it on video I found it was pretty much the enjoyable studio b-movie I had been hoping for.

Maybe there’s a better word for that, but it’s a category I appreciate: mainstream studio theatrical releases with huge budgets compared to the DTV stuff we love, but without any expectations of either being giant hits or critical successes. Unpretentious, crassly commercial movies, sometimes seemingly out of touch with what is considered cool at the moment, all generally seen as lowbrow also-rans, whether or not their creators had higher aspirations. Stuff like non-FAST Vin Diesel movies, most of the video game and/or Milla Jovovich movies, fantasy sword guy movies, Rob Cohen and P.W.S. Anderson movies. I know not to hold them to my normally stringent artistic standards and just hope for a satisfying mix of pretty cool, kinda stupid, hopefully excessive in some goofy way, maybe in some ways better than most people were gonna give them credit for. (read the rest of this shit…)

Jason X

Tuesday, October 19th, 2021

“Guys! It’s okay! He just wanted his machete back!”


JASON X came out almost 20 years ago, and I reviewed it here (well, on Geocities) at the time, which means I too am a frozen relic of the distant past awakened by somebody having sex and destined to be upgraded with a cool metal mask and robot body parts. Or at least I hope so. That would be cool.

I was in a minority at the time who loved the movie (“Definitely my favorite in the series although I also enjoyed the 3-D one,” I wrote). I also correctly predicted that HALLOWEEN: RESURRECTION (which apparently had its trailer playing on JASON X) would not be as good.

I gotta say, Jason’s eyes in closeup are prettier than I expected.

It opens with SE7EN-inspired credits over what looks like the Hell from fellow New Line Cinema movie SPAWN (fire and chains and ancient ruins) that transitions into veins and fluids in a bloodshot eye on which is reflected a doctor with a syringe that plunges into the rubbery rotten flesh of Jason Voorhees (Kane Hodder, STEEL FRONTIER), before the camera passes into the interior of his brain as the drug enters his bloodstream. I much prefer the title sequences of the earlier films, but this is an elaborate digital age one, and a fun way to set up the premise that Jason has been sedated, strapped and chained in an underground facility. (“Crystal Lake Research”!) We later learn they gave up after electrocution, gas, hanging and other execution methods proved inadequate for ending Jason’s life. (read the rest of this shit…)