"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Tom Hedley’

Fighting Back

Thursday, February 1st, 2024

FIGHTING BACK (1982), a.k.a. DEATH VENGEANCE a.k.a. STREET WARS, is another vigilante drama produced by Dino De Laurentiis, obviously wanting to follow up on his success with DEATH WISH after selling that off to Cannon. DEATH WISH II came out about three months before this, but if Laurentiis was trying to take the wind out of its sails, he was not successful. Cannon kept all the wind and this one remains fairly obscure, despite a nice blu-ray release from Arrow.

But it has some good people behind it. It’s directed by Lewis Teague between ALLIGATOR and CUJO, written by Tom Hedley (FLASHDANCE) and David Zelag Goodman (STRAW DOGS, LOGAN’S RUN, THE EYES OF LAURA MARS, FREEDOM ROAD). Rather than a badass like Charles Bronson it stars the more everyman-ish Tom Skerritt (who would follow this with THE DEAD ZONE, TOP GUN and SPACECAMP) and it seems to be going for a less pulpy, more down to earth approach… except in the important matter of the inciting incident. For that they provide us with as hysterical of a “crime is out of control these days” exaggeration as we could ever ask for. (read the rest of this shit…)

Flashdance

Wednesday, December 8th, 2021

If all you care about is plot, FLASHDANCE isn’t very good. There’s not much to it, just two central threads, both lightly sketched. First is the story of a talented young dancer who wants to apply to a ballet academy, but believes that her modern style will be rejected by snobby gatekeepers. We’ve seen so many more detailed variations on that theme in BREAKIN’, STEP UP, CENTER STAGE, STREET DANCE, etc. that this doesn’t seem like much.

The second thread is a romance between her and her boss, who’s twice her age, is completely transparent that he’s interested in her because he saw her do a sexy dance, is not particularly hot himself, keeps hitting on her after she says no, pisses her off by secretly using his connections to get her an audition she wanted to earn, and is forgiven without ever doing anything to make amends. At best, you understand her having a fling she’ll regret later, and hope she broke it off within the week. It’s hardly a romance for the ages.

And yet I kinda loved FLASHDANCE, because it feels like every other thing besides the plot goes above and beyond. In the case of the cinematography it goes above and beyond and loops back under and then goes above again. It’s Donald Peterman, who had shot WHEN A STRANGER CALLS and a couple others. He later became Ron Howard’s guy (SPLASH, COCOON, GUNG HO, HOW THE GRINCH STOLE CHRISTMAS) and Barry Sonnenfeld’s guy (ADDAMS FAMILY VALUES, GET SHORTY, MEN IN BLACK) and he did STAR TREK IV: THE VOYAGE HOME. Okay, I’m not sure what to make any of that, but he also did POINT BREAK, and that’s an impressive credit. (read the rest of this shit…)