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Posts Tagged ‘Steve Railsback’

The Golden Seal

Thursday, August 24th, 2023

August 19, 1983

THE GOLDEN SEAL is a PG-rated movie about a 10-year-old boy named Eric (Torquil Campbell) who befriends a seal matching the description of one from Aleutian myth and local poacher legend. It’s directed by Disney-animal-movie veteran Frank Zuniga and written by John Groves (TARANTULAS: THE DEADLY CARGO), based on the book A River Ran Out of Eden by James Vance Marshall (a.k.a. Donald G. Payne, whose novels were also turned into SANTA FE, WALKABOUT, and THE ISLAND AT THE TOP OF THE WORLD).

I expected this to fit somewhere in that cloying kid-and-animal subgenre we know today, and yeah, there’s a section in the middle with montages of seal frolicking. But it kinda leans more on being an old fashioned family adventure movie. There’s a remote island, a violent storm, a rope bridge, a cave, some rescuing, some father and son conflict. I kinda liked it. (read the rest of this shit…)

Deadly Games

Tuesday, March 22nd, 2022

DEADLY GAMES (1982) – not to be confused with the much better DEADLY GAMES (1989) a.k.a. DIAL CODE SANTA CLAUS – is a slasher movie that I guess was very rare on video until now. I never came across it during my Slasher Searches, but now Arrow put it out on a nice blu-ray.

This is hardly one of the greats, but you know me, I’m a scholar, and I like seeing all the different variations and permutations of the formula. This one is interesting in that it takes place in a little bit more of a world of adults than most of them. And it’s not one of those crude regional movies – for the most part the production values and acting are slick and professional. And Steve Railsback is in it! If Steve Railsback is in it it’s a real movie.

The deadly games begin when Linda Lawrence (Alexandra Morgan, THE HAPPY HOOKER GOES HOLLYWOOD) is alone in her fancy hillside house and gets creepy phone calls from a strange man (calling from a phone booth improbably located in sight of her isolated home). She’s scared, then convinces herself she’s fine. She talks to a boyfriend on the phone and tells him, “No, I don’t look like Janet Leigh” before getting in the shower. Always the PSYCHO shower scene references in these things. Anyway, a guy in a ski mask attacks her and she falls out the window. (read the rest of this shit…)

Alligator II: The Mutation

Friday, July 16th, 2021

July 5, 1991

ALLIGATOR II: THE MUTATION is a surprisingly decent sequel – especially considering it was made for TV! It didn’t register as that when I was watching it (and there does seem to have been some sort of limited theatrical release), but an article that I found in my Fangoria collection while researching T2 quotes director Jon Hess (THE LAWLESS LAND, WATCHERS) as saying “more or less, it was made for ABC-TV.” Fangoria’s David Szulkin speculates that may be because “despite its nonperformance at the boxoffice, ALLIGATOR placed in the top 20 for network airings of theatrical films the year it first aired, outdoing such broadcast premieres as CLOSE ENCOUNTERS OF THE THIRD KIND.” But Hess maintained that returning producer Brandon Chase (THE SWORD AND THE SORCERER) was “a really strong independent producer, so ABC wasn’t looking over our shoulder, examining all the dailes. We shot on a very tight schedule with a feature sensibility, but at the same time, we knew we were going to hand the film in to ABC.”

Now that I think about it there’s not as much gore or especially sex as you would normally get in a ‘90s horror sequel, but like SOMETIMES THEY COME BACK earlier in the summer it has enough severed limbs to throw you off the TV movie scent. More importantly it has a real Larry Cohen sort of indie horror feel to the type of actors and characters that show up, giving it a personality that’s at least in the spirit of the original. (read the rest of this shit…)

Rest Stop: Don’t Look Back

Monday, February 25th, 2019

I remember REST STOP (2006) being a decent DTV horror movie. I remember nothing else. I thought maybe it was about a slasher who hides in a rest stop restroom or something. I don’t know. So the opening of the sequel, REST STOP: DON’T LOOK BACK (2008) was a little befuddling. It starts in 1972 on “The Old Highway,” when a “Yes Jesus Loves Me” singing family picks up a hitchhiker in their RV. Weirdo mother Diane Salinger (CREATURE) ends up seducing him and then screaming in delight when her husband (Michael Childers, SOUTHERN JUSTICE) catches them together and kills the guy. The family – also consisting of twin sons and a disfigured dwarf – delightedly bury the body at a (the) rest stop, but suddenly the guy they’re burying appears, chops them all up, and buries their bodies.

Okay, so it’s a ghost movie, I don’t remember this at all. (read the rest of this shit…)

Disturbing Behavior

Tuesday, August 28th, 2018

July 24th, 1998

is when SAVING PRIVATE RYAN came out. I wrote about that a while back. Here’s a review of a different movie that came out that day.

I don’t consider DISTURBING BEHAVIOR a very good movie, and I’m not aware of anybody it’s meaningful to, but in a certain way it’s a decent time capsule of where we were at in 1998. The gloomy drizzle and ferries made me wonder if fictional Cradle Bay, filmed in Vancouver, B.C., was meant to evoke Washington state. It would be fitting, because it sort of plays like the disaffection of the so-called grunge scene trickling out in late ’90s teen sci-fi, like chemicals that were spilled into a sewer, overflowed into the Sound, made their way into the plants growing along the shore and were eaten and shat out by animals.

Steve (James Marsden, ACCIDENTAL LOVE) is the new kid in school, moved into town eight months after the trauma of his brother (Ethan Embry from CAN’T HARDLY WAIT)’s suicide. In the cafeteria, stoner outcast Gavin (Nick Stahl, MIRRORS 2) appoints himself rope-show-er and gives him an elaborate take on that time honored teen movie trope, the explanation of all the school’s cliques. Screenwriter Scott Rosenberg (BEAUTIFUL GIRLS, CON AIR, ARMAGEDDON, HIGHWAY, PAIN & GAIN) seems to be going for a cross between Shakespeare and Daniel Waters, in my opinion missing the mark on both. He uses a structured format where Gavin lists the awkwardly named groups (“Blue Ribbons,” “Micro Geeks”), describes them, says their “drug of choice,” and then his spaced out sidekick U.V. (Chad Donella, FINAL DESTINATION, TAKEN 3) makes a rhyme about what kind freak they are: “freaks who fix leaks,” “freaks who squeak,” “freaks in sneaks.”

(read the rest of this shit…)

Barb Wire

Wednesday, February 1st, 2017

“Do I look disenchanted to you?”

I think it’s important to be honest, so here it is: I saw BARB WIRE years before I ever saw CASABLANCA. So now that I’ve finally seen the Humphrey Bogart one I thought I should rewatch to find out if the Pamela Anderson one really is loosely based on it.

Actually, not that loosely! It’s kind of a sci-fi world, based on a little known comic book, and it’s gender-swapped: Barb Wire (Pamela Anderson, BORAT) is the Rick character, the supposedly not-taking-sides military veteran running a club where dangerous people congregate. Curly (Udo Kier, BLADE) is the waiter guy. Police Chief Willis (Xander Berkeley, WALKER) is the pain in the ass but sort of sympathetic cop raiding the club and kissing the ass of the visiting assholes. Instead of Nazis those guys are “Congressionals” from Washington DC. But their uniforms look like the Gestapo and their leader, Colonel Pryzer (Steve Railsback, LIFEFORCE) likes to torture people. (read the rest of this shit…)

Lifeforce

Monday, September 19th, 2016

tn_lifeforceLIFEFORCE is a crazy fuckin movie, my third or fourth favorite from director Tobe Hooper. Three years after POLTERGEIST and one before THE TEXAS CHAINSAW MASSACRE 2 he made this distinctly weird but effective sci-fi horror film, his first of three Golan and Globus productions.

Based on a 1976 novel called Space Vampires by Colin Wilson, it is about exactly that. Astronauts on a British space shuttle mission to study Halley’s Comet find themselves landing on a weird flower-shaped object and discovering hundreds (maybe thousands) of dessicated corpses of giant space bats. But also they find three naked humanoids hibernating in glass cases, much like the underwear girls behind the front desk at the Standard Hotel.

Most people, including myself, sometimes refer to this as NAKED SPACE VAMPIRES. But another good title would be DON’T BRING SHIT BACK FROM SPACE. But this is a momentous discovery, so understandably the astronauts want to get some samples, including all three of the humanoids. And I don’t want to give anything away so I will just say it is possible that they will come to Earth and scientists will have many great breakthroughs from studying them and there will be numerous benefits for mankind. That is one possibility. (read the rest of this shit…)

Trick or Treats

Tuesday, November 2nd, 2010

tn_trickortreatsWell, it was a pretty successful October of horror movie watching. I didn’t really get a chance to get into a serious marathon until the last couple days, and I still have a stack of leftovers rented. But I saw mostly enjoyable movies and a couple great ones that you guys were nice enough to recommend, like LONG WEEKEND and VISITING HOURS.

For actual October 31st viewing though I took a risk on one I never heard of before, just because it was an obscure one that took place on Halloween, TRICK OR TREATS from 1982. In my opinion in was not a good choice. But I did watch it, so it is my duty to document it.
(read the rest of this shit…)

The Stunt Man

Friday, May 15th, 2009

tn_railsback1My Steve Railsback double feature concludes with the odd 1980 movie-movie THE STUNT MAN.

I don’t know what I was expecting from THE STUNT MAN, but it wasn’t this. It opens with a shot of a dog licking his balls, which is appropriate because this is another movie about making a movie. Two cops are chasing Steve Railsback for crimes unknown. He gets away but, through a complicated series of events, winds up hiding out on the set of a WWII movie pretending to be a stuntman named Bert who is actually dead due to a stunt gone wrong. The identity-switch is arranged to cover the ass of the eccentric director (Peter O’Toole) and he quickly falls for the female lead (Barbara Hershey), who he considers famous because he recognizes her from a sexy dog food commercial.

The police keep hovering nearby and he continues to work on the movie as a stuntman, comparing his situation to a war buddy who stepped on a landmine and couldn’t step off because that’s how you get blown up. But strangely it never really goes back to the story of him being a fugitive. It’s just this really surreal, inventive story about his possessive love for Hershey, his friendship with O’Toole, and eventually his fear that it’s all a conspiracy to kill him in a re-try of the stunt that killed Bert. (read the rest of this shit…)

Turkey Shoot

Thursday, May 14th, 2009

tn_railsbackTime to get back to my ongoing study of the works of Brian Trenchard-Smith. This one will also be part 1 in a Steve Railsback double feature.

TURKEY SHOOT is one of the Brian Trenchard-Smith pictures I had heard of before I started going through his filmography, although I knew it under the American title ESCAPE 2000 (which is what it’s called on the Anchor Bay DVD). It takes place in a dystopian future where “deviants” have been locked up in camps to be brainwashed and abused. Not sure if this happens at all of them but at this particular one, Camp 42 I believe, they also let the inmates run around in some wilderness to be hunted by rich people. Hence the title “TURKEY SHOOT.” It’s kind of like in the U.S. a couple years ago what we would’ve called “DICK CHENEY PHEASANT HUNT.” Means the same thing.

Our heroes are naive Olivia Hussey, sexy Lynda Stoner, and defiant Steve Railsback. Railsback gets a pretty badass setup because the headmaster, Thatcher, lists all the different camps he’s escaped from, and you know he’ll be adding Camp 42 to the list soon. I love Railsback from ED GEIN, LIFEFORCE, etc. but to be honest he doesn’t have that great of a character in this one. He mostly just runs around. Not that he’s not good at running around, it’s just not that memorable a part. (read the rest of this shit…)