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Posts Tagged ‘giant alligators’

Alligator II: The Mutation

Friday, July 16th, 2021

July 5, 1991

ALLIGATOR II: THE MUTATION is a surprisingly decent sequel – especially considering it was made for TV! It didn’t register as that when I was watching it (and there does seem to have been some sort of limited theatrical release), but an article that I found in my Fangoria collection while researching T2 quotes director Jon Hess (THE LAWLESS LAND, WATCHERS) as saying “more or less, it was made for ABC-TV.” Fangoria’s David Szulkin speculates that may be because “despite its nonperformance at the boxoffice, ALLIGATOR placed in the top 20 for network airings of theatrical films the year it first aired, outdoing such broadcast premieres as CLOSE ENCOUNTERS OF THE THIRD KIND.” But Hess maintained that returning producer Brandon Chase (THE SWORD AND THE SORCERER) was “a really strong independent producer, so ABC wasn’t looking over our shoulder, examining all the dailes. We shot on a very tight schedule with a feature sensibility, but at the same time, we knew we were going to hand the film in to ABC.”

Now that I think about it there’s not as much gore or especially sex as you would normally get in a ‘90s horror sequel, but like SOMETIMES THEY COME BACK earlier in the summer it has enough severed limbs to throw you off the TV movie scent. More importantly it has a real Larry Cohen sort of indie horror feel to the type of actors and characters that show up, giving it a personality that’s at least in the spirit of the original. (read the rest of this shit…)

Alligator

Thursday, July 15th, 2021

ALLIGATOR (1980) may not have knocked the world on its ass the way THE TERMINATOR did, but it’s another genre movie made by Roger Corman veterans in the ‘80s that holds up today. People often credit that to an allegedly satirical screenplay by John Sayles, who had already written the Corman classics PIRANHA and BATTLE BEYOND THE STARS and begun his indie auteur career with RETURN OF THE SEACAUCUS SEVEN. (He completely rewrote an earlier script by Frank Ray Perilli [THE DOBERMAN GANG, DRACULA’S DOG, LASERBLAST], who gets a story credit). But let’s not overlook the serious skills of director Lewis Teague. His NYU classmate Martin Scorsese had reportedly recommended him for the job at New World Pictures, where he’d edited COCKFIGHTER and done some second unit and editing on DEATH RACE 2000 and AVALANCHE. ALLIGATOR was his third time directing a feature, after DIRTY O’NEIL and THE LADY IN RED. He was also directing second unit for Sam Fuller’s THE BIG RED ONE around this same time, but I’m not sure if that was right before or right after the gator picture, so I can’t speculate how one gig might’ve informed the other.

ALLIGATOR opens with a teenage girl (Leslie Brown) on a family vacation to Florida watching a guy get mauled at a gator wrestling show. Despite this potentially traumatizing experience she buys a baby gator from the farm and names it Ramon. But when she’s back at home somewhere in Missouri her drunk dad flushes the poor thing down the toilet. Then we cut to 12 years later when Ramon is still alive in the sewer system, and has grown to unusual size and hunger from munching on the clandestinely dumped victims of illegal animal experiments, and is destined to bump heads with police detective David Madison (Robert Forster in his follow up to THE BLACK HOLE).

I would like to note that a news report on the radio places the toilet flushing during the ’68 Democratic National Convention, i.e. the time and place when in real life Forster was filming MEDIUM COOL. (read the rest of this shit…)

Crawl

Monday, July 29th, 2019

Both the weakness and the strength of CRAWL is how simple and slight it is. On one hand, I felt like it was already dissipating from my brain by the time I got home. On the other hand it’s refreshing to see something that just gets in there and gets it done and says “okay, bye.” It’s a monster movie meets disaster movie – alligators attack a house during a hurricane – but it doesn’t fuck around with any before and after or unneeded explanations.

When Haley (Kaya Scodelario, CLASH OF THE TITANS) gets out of the opening credits swimming practice, the hurricane is already approaching. When she tracks down her not-answering-his-phone dad (Barry Pepper, THE THREE BURIALS OF MELQUIADES ESTRADA) in the crawlspace under her childhood home, he has already been bitten by a huge alligator. I think only one sentence of dialogue is spent on speculating how the gators got in there (later confirmed visually), and not one word on why they’re so big. It takes place over one day, it’s all over in 87 minutes and it concludes with a freeze frame. No wind-down, epilogue or sequel tease. That’ll do, pig. (read the rest of this shit…)