SHE NEVER DIED (2019) is… kind of a sequel to HE NEVER DIED, the really good, dryly funny 2015 horror-action movie with Henry Rollins as an ancient being whose peaceful but depressing life is upended when an encounter with gangsters revives his habit of eating humans and absorbing their strength. From what I understand, the script by HE NEVER DIED’s Jason Krawczyk started as a continuation, but was rewritten for director Audrey Cummings (TORMENTED, DARKEN) to follow a different, similar character called Lacey, played by Olunike Adeliyi (SAW 3D, A CHRISTMAS HORROR STORY).
Like Rollins’ Jack, Lacey lives in an unnamed city (filmed in North Bay, Ontario), eats at a diner and lacks social skills. But she’s straight up homeless, barely talks and has no qualms about killing people – bad people, at least – and tearing off pieces to eat later. When we first see her she’s busting into a nefarious warehouse looking for a particular man who wears lots of rings, and settles for a guy who’s about to play Russian roulette with a dog for one of those sicko livefeeds that exist in the darkest corners of movie-world.
That’s also when veteran detective Godfrey (Peter MacNeill, CATHY’S CURSE, Droids, A HISTORY OF VIOLENCE) first spots her. He sees her leave with a bullet wound in her head and then sees her the next day, completely healed. And he’s after the same guy so when he meets her even though he realizes she’s a cannibal he decides to set her up with his unused flophouse (with refrigerator for storing fingers and ears and stuff) and give her the DEATH WISH 3 style unofficial sanction. (read the rest of this shit…)
A CHRISTMAS HORROR STORY is a misleading title because 1) it’s not a horror version of A CHRISTMAS STORY and 2) it’s more than one Christmas horror story. It’s an anthology of several but it jumps around between them like 
