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Posts Tagged ‘Herman Yau’

double feature: VAMPIRE EFFECT and TSUI HARK’S VAMPIRE HUNTERS

Wednesday, November 24th, 2021

You know how it is – sometimes the mood hits you for a little martial arts/horror combo, specifically the type found in Hong Kong vampire movies from the early 2000s, so you check out two of them. At least that’s how I dealt with the problem. The first one in my double feature, VAMPIRE EFFECT (2003) credits Dante Lam (BEAST COPS, THE STOOL PIGEON) as director and none other than Donnie Yen (HIGHLANDER: ENDGAME) as “co-director” and “action director.” Unsurprisingly, the action is the best part.

The original title is TWINS EFFECT, because it stars a pop duo called Twins, made up of Charlene Choi and Gillian Chung. But nobody knows what that is here and there are no twins in the movie, so I guess this is our equivalent to when Germany changed ROVER DANGERFIELD to ROVER & DAISY. And this is another one of those pop star vehicle movies that doesn’t really have an equivalent here exactly. I mean, you don’t see Tegan and Sara doing a vampire movie. So far.

Choi stars as Helen, a heartbroken young woman who, while grieving a breakup, hits it off with a vampire prince named Kazaf (Edison Chen, GEN-X COPS 2: METAL MAYHEM) who’s enjoying a glass of blood in a fancy restaurant. She doesn’t realize what he is, even though she has some knowledge of such matters because her brother Reeve (Ekin Cheng, YOUNG & DANGEROUS) is a vampire hunter. (read the rest of this shit…)

Ip Man: The Final Fight

Friday, August 30th, 2013

tn_ipmanfinalfight“A scholar and a warrior!”

Hey, you know what, how ’bout another movie about Ip Man? This is the fifth one I’ve seen in as many years. But this is THE FINAL FIGHT, so it’s the last one, at least until IP MAN: A NEW BEGINNING or WES CRAVEN’S NEW IP MAN.

This is from Herman Yau, the director of the least known but still good Ip Man picture, LEGEND IS BORN: IP MAN, and once again with an appearance by Ip Man’s actual son Ip Chun (a consultant on all of the Ip Man movies except THE GRANDMASTER). But this time the attraction is seeing Anthony Wong (HARD BOILED, HEROIC TRIO, INFERNAL AFFAIRS, EXILED, VENGEANCE, everything else) take over the Ip Man role and play him as an old man. In THE GRANDMASTER it ends up when the good old days are over and everybody’s opening kung fu schools left and right. That’s when this is, over a period of years but focusing on the early 60s, around the time Ip Man was giving Wing Chun lessons on the roof of a building. (read the rest of this shit…)