This is not just the latest Dolph Lundgren picture, this is the passion project he’s been trying to make for years. He co-wrote the screenplay (IMDb says John Hyams did a rewrite), and originally planned to direct, but instead gave it to Ekachai Uekrongtham, who is best known for BEAUTIFUL BOXER.
At one point there were rumors that Seagal was going to co-star with Lundgren. Instead we ended up with the more acrobatic all-star team-up of Dolph and Tony Jaa (in his first English role). As you can see, Michael Jai White is also there in a supporting role, along with Peter Weller and Ron Perlman as the skin trader. According to IMDb we should also look out for Cary-Hiroyuki Tagawa and Conan Stevens. The second unit director/action and stunt choreographer is Dian Hristov was Dolph’s stunt double in THE EXPENDABLES 3 and ONE IN THE CHAMBER. He’s also been Seagal’s double through most of the DTV era.
You know, if I find some funk record I never heard of I look at the year, if it came out between 1970 and 1976 then I get higher hopes. ’77 and later is risky. This is a similar concept. There’s still a few Dolph Lundgren pictures I haven’t seen, but I figured COVER-UP was the most promising one because of where it came in his filmography: 1991, that glorious time between the late ’80s and mid-’90s when American action movies were reaching their peak fitness levels, their maximum potential. Dolph did THE PUNISHER and I COME IN PEACE, then this, then SHOWDOWN IN LITTLE TOKYO and UNIVERSAL SOLDIER.
Well, turns out there’s a reason why you hear those ones mentioned occasionally and this one never. It’s not that memorable. But it has moments. I like moments.
It’s directed by Manny Coto (DR. GIGGLES, STAR KID) who is now mainly known as a writer and producer on 24. This was probly pretty good practice for that. Writer William Tannen is usually a director, he did HERO AND THE TERROR. (read the rest of this shit…)
THE EXPENDABLES 3 is another Expendables movie, like any other. It’s got a cast that indicates it should be the ultimate action movie, but ends up being penultimate at best. It’s a weird mix of satisfying appearance of favorite faces and tropes and disappointing execution of these elements. I call that feeling satisppointment, or expendablation. Just like the others I enjoyed it, but with a nagging feeling that this should be something actually great.
But the first stretch had me thinking it might blow the other ones out of the water. It opens mid-mission as our old Expendapals Barney (Sylvester Stallone), Lee Christmas (Jason Statham), Gunner (Dolph Lundgren) and Toll Road (Randy Couture) are in a chopper chasing after a Russian prison transfer train to bust out an original team member who’s been locked up for 8 years. That prisoner is none other than Wesley The Daywalker Snipes as “Doctor Death,” and it’s an excellent welcome home party for the man. He’s got a crazy beard and hair and a spaced out look in his eye, and instead of going with the rescue party he runs across the train, does a slide and a bunch of acrobatics, kills a bunch of his captors and causes the train to crash into the bastard in charge. (read the rest of this shit…)
In BATTLE OF THE DAMNED, Dolph Lundgren fights zombies, and I’ll give it this: it’s way better than AGAINST THE DARK, the one where Steven Seagal fights vampires. There are two main reasons for this:
1) AGAINST THE DARK is Seagal’s worst movie ever
2) BATTLE OF THE DAMNED also has robots
It’s almost the same story: group of mercenaries led by beloved action icon of the ’80s and ’90s (in this case Dolph) patrols through a quarantine zone where a plague turns everybody into violent monsters (in this case running zombies instead of vampires) while a group of bland survivors walks slowly and talks about boring shit in a large building. They kill a bunch of the monsters, splattering that CGI blood that dissolves in the air, and there is some running around and stuff. Seagal used a sword, Dolph doesn’t, but he does meet a guy named Elvis (Jen Kuo Sung of NO RETREAT, NO SURRENDER 3 and BLOODMOON) who does. And he knows the military plan to bomb the whole area to stop the virus so he bands together with the survivors he meets and they try to get out of there before it’s too late. The end. (read the rest of this shit…)
Craig R. Baxley’s DARK ANGEL – or, as we Americans proudly call it, I COME IN PEACE – hit the ray of blu today courtesy of the great Shout Factory. You can read my review of the new disc over on The Daily Grindhouse.
For comparison’s sake here’s my original review of the movie from about 7 years ago.
THE PACKAGE continues two DTV trends that I enjoy:
1. Stone Cold Steve Austin, possible heir to the DTV throne, co-starring with all the other icons of the DTV Action Era. This is his Dolph Lundgren movie. Previously he did his Michael Jai White movie TACTICAL FORCE, his Danny Trejo movie RECOIL and his Steven Seagal movie MAXIMUM CONVICTION. He’s still got to do a Van Damme, an Adkins and a Cuba Gooding Jr.
2. Dolph doing colorful supporting roles where he gets to goof around more. He also stole the show in ONE IN THE CHAMBER and THE EXPENDABLESes and I haven’t seen STASH HOUSE or SMALL APARTMENTS but I bet it’s true of those too. Maybe all these roles where he gets to experiment more will bring something new to him next time he’s the leading man again. (read the rest of this shit…)
MASTERS OF THE UNIVERSE is a Golan and Globus production starring Dolph Lundgren, but it’s a little more mainstream than that implies because it’s for the children, it’s based on action figures and on a cartoon based on action figures. I was looking for that same authorial voice and unique perspective we saw represented in the TRANSFORMERSes and GI JOE, but it turns out that’s Hasbro, this one is based on the works of Mattel. That’s like mixing up H.P. Lovecraft and Edgar Allan Poe. I feel like an idiot.
I guess Cannon was trying to make their version of a STAR WARS type fantasy sci-fi-deal. You can tell that when a character says “You got us here, you Thumerian wurbat, now get us home,” but it was already clear from the opening credits over a starfield and the STAR WARSy themes by Bill Conti. Then the credits explode into a shower of sparks. How could this not be exciting? (read the rest of this shit…)
William Kaufman is one of the elite few DTV directors whose names I remember in a positive way. So far he’s not an identifiable master of a style like Hyams or Florentine, and doesn’t have as many under his belt as Roel Reine, but he’s done enough that I keep an eye out. THE HIT LIST is a real solid Larry Cohen-esque high concept thriller that could’ve been a theatrical release if it starred somebody more theatrical-release friendly than Cole Hauser. SINNERS AND SAINTS is messier but earnest and with some distinctive touches. Both have a little bit of a political subtext that hints at an authortational type voice.
ONE IN THE CHAMBER is Kaufman’s newest, and has his best cast so far, by which I mean Dolph Lundgren is in it. Unfortunately I don’t think this one is really a step forward. Story-wise it’s more direct than SAINTS AND SINNERS, but not nearly as clever or gripping as HIT LIST. It’s about a war between Russian crime families (never really a good subject for a DTV movie) in Prague. Cuba Gooding Jr. plays Ray Carver, not the author of Short Cuts (I don’t think) but an elite killer who’s hired to off some guys but fails to shoot one because the guy uses a woman as a shield and Carver has human feelings, etc., so that gets him fired. His replacement is Aleksey the Wolf, played by Dolph. He’s not in the first 25 minutes of the movie, but as soon as he shows up he steals the whole thing. (read the rest of this shit…)
PREVIOUSLY, ON UNIVERSAL SOLDIER:In 2009 John Hyams, fine sports documentarian and son of the director of OUTLAND, knocked the world of DTV flat on its ass with a grim and shockingly great part 3 (or part 5 including the made for cable 2 and 3). It is one of its decade’s best American action movies and a classic example of a hungry artist taking a disrespected medium far beyond its perceived limitations. Also Dolph Lundgren makes a hell of an impression with a small appearance, the Alec-Baldwin-in-GLENGARRY-GLEN-ROSS-of-DTV.
Can John Hyams live up to our expectations with his sequel to the greatest DTV movie of all time? Well, it sure looks like he came up with something interesting and different. He’s go Van Damme looking like Captain Spaulding, Dolph making a speech and Scott Adkins kicking ass. Looks good to me.
But something tells me I won’t get a chance to see this in a theater. (Something = that narrator.) Hopefully Magnet Releasing will prove me wrong.
http://www.youtube.com/watch?v=USxQDDPwJ8Q
UPDATE: John Hyams contacted me (namedrop) to assure me that it will play in theaters. It will lay at Fantastic Fest in September, then will be on the video-on-demand October 26th and in theaters in the US November 30th. (Don’t worry, they’ve done that with other movies too.)
This trailer was cut when they thought it would be DTV, before Magnolia/Magnet picked it up. There will be another one cut by Hyams himself. I’ll try to contact the narrator to see if he’s working on his own cut.
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At one point there were rumors that Seagal was going to co-star with Lundgren. Instead we ended up with the more acrobatic all-star team-up of Dolph and Tony Jaa (in his first English role). As you can see, Michael Jai White is also there in a supporting role, along with Peter Weller and Ron Perlman as the skin trader. According to IMDb we should also look out for Cary-Hiroyuki Tagawa and Conan Stevens. The second unit director/action and stunt choreographer is Dian Hristov was Dolph’s stunt double in THE EXPENDABLES 3 and ONE IN THE CHAMBER. He’s also been Seagal’s double through most of the DTV era.
You know, if I find some funk record I never heard of I look at the year, if it came out between 1970 and 1976 then I get higher hopes. ’77 and later is risky. This is a similar concept. There’s still a few Dolph Lundgren pictures I haven’t seen, but I figured COVER-UP was the most promising one because of where it came in his filmography: 1991, that glorious time between the late ’80s and mid-’90s when American action movies were reaching their peak fitness levels, their maximum potential. Dolph did 
THE EXPENDABLES 3 is another Expendables movie, like any other. It’s got a cast that indicates it should be the ultimate action movie, but ends up being penultimate at best. It’s a weird mix of satisfying appearance of favorite faces and tropes and disappointing execution of these elements. I call that feeling satisppointment, or expendablation. Just like the others I enjoyed it, but with a nagging feeling that this should be something actually great.
In BATTLE OF THE DAMNED, Dolph Lundgren fights zombies, and I’ll give it this: it’s way better than 
THE PACKAGE continues two DTV trends that I enjoy:
MASTERS OF THE UNIVERSE is a Golan and Globus production starring Dolph Lundgren, but it’s a little more mainstream than that implies because it’s for the children, it’s based on action figures and on a cartoon based on action figures. I was looking for that same authorial voice and unique perspective we saw represented in the TRANSFORMERSes and GI JOE, but it turns out that’s Hasbro, this one is based on the works of Mattel. That’s like mixing up H.P. Lovecraft and Edgar Allan Poe. I feel like an idiot.
William Kaufman is one of the elite few DTV directors whose names I remember in a positive way. So far he’s not an identifiable master of a style like Hyams or Florentine, and doesn’t have as many under his belt as Roel Reine, but he’s done enough that I keep an eye out. 
PREVIOUSLY, ON UNIVERSAL SOLDIER: In 2009 John Hyams, fine sports documentarian and son of the director of OUTLAND, knocked the world of DTV flat on its ass with a grim and shockingly great part 3 (or part 5 including the made for cable 2 and 3). It is one of its decade’s best American action movies and a classic example of a hungry artist taking a disrespected medium far beyond its perceived limitations. Also Dolph Lundgren makes a hell of an impression with a small appearance, the Alec-Baldwin-in-GLENGARRY-GLEN-ROSS-of-DTV.
