"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Devin Ratray’

Kimi

Thursday, February 17th, 2022

KIMI is the new straight-to-HoBoMax Steven Soderbergh joint. This one is a tight little thriller written by David Koepp (MISSION: IMPOSSIBLE, SNAKE EYES, PANIC ROOM) with all the breeziness and smarts you expect from Soderbergh, plus that knack he has for style that simultaneously seems retro and more of-this-very-moment than anything anybody else is making. Like, it seems like it’s shot pretty run-and-gun with modern, lightweight digital cameras and natural lighting and stuff, but the staging, framing (and credits) sometimes remind you of how the ‘70s suspense classics were crafted.

We could call it a techno thriller because the titular “Kimi” is a Siri or Alexa type device through which our heroine, Angela Childs (Zoë Kravitz, THE BRAVE ONE, ASSASSINATION OF A HIGH SCHOOL PRESIDENT), accidentally hears a murder. Her job is to listen to recordings of times Kimi didn’t understand what people were asking for, figure out what the miscommunication was (a regional term, a pop culture reference, a word used incorrectly) and add new information to improve the algorithm. When she hears something disturbing in the background of a recording she does some sleuthing, tries to navigate the company’s dense protocols for handling such a situation, and becomes a target. (read the rest of this shit…)

Hustlers

Wednesday, December 18th, 2019

HUSTLERS is a true crime movie with some grit and some emotion and some style. It stars Constance Wu (ALL THE CREATURES WERE STIRRING) and Jennifer Lopez (ANACONDA) as the center of a ring of dancers (they don’t call themselves strippers, according to the source material) who started hanging out with rich guys so they could drug them and run up their credit cards. Wu’s character Destiny tells the story from seven years later, when she seems to have settled down, and is cautiously, suspiciously answering questions for a magazine writer (Julie Stiles, SAVE THE LAST DANCE).

When Destiny starts working at Moves she’s green, rubbing up on guys all day and going home with less money than that’s worth. There’s a great introduction to the place where the camera follows her and the other new girls from the back, out onto the stage to be introduced and down a ramp onto the floor where some asshole gets her attention by calling her Lucy Liu. Reminded me of one of my favorite shots in CREED, when it follows him to the ring and makes you feel like you’re there in his entourage, practically giving you stage fright. This has a similar feeling. You feel like you’re her, as much as a movie can do something like that.

Then she sees Ramona Vega (Lopez) entering the room like a pharaoh, dropping every jaw in the room, leaving the stage looking like it snowed one dollar bills. The Michael Jordan of the pole. Later, Destiny takes a rooftop smoke break at the same time as Ramona, who’s up there laid out like she’s doing a calendar shoot, and introduces herself. Destiny is in lingerie and it’s cold, so Ramona has her come curl up inside her big fur coat. I felt this was maybe a love story, but if so it always stays at or below this level of unacknowledged sexual chemistry. So they might just be friends who cuddle. (read the rest of this shit…)

R.I.P.D.

Wednesday, August 30th, 2017

a survey of summer movies that just didn’t catch on

July 19, 2013

Most art is derivative of something or other, but jesus christ is it uncomfortable how flagrant R.I.P.D. is about trying to repackage MEN IN BLACK. Instead of a secret government agency investigating aliens who secretly live among us it’s a secret police department investigating dead people who secretly live among us. But you got the younger guy recruited and learning about this real world beneath our sugar-coated topping and partnering with an older, grumpy guy and they have goofy ray gun looking guns and go around questioning weird informants who turn into crazy cartoon special effects creatures (though Rick Baker is retired, so they’re mostly digital). I swear RIPD even has a headquarters that looks like they built it over the set from MiB.

The young guy is Nick Walker (Ryan Reynolds, BLADE TRINITY), in life a Boston PD detective betrayed by his partner Bobby Hayes (Kevin Bacon, ELEPHANT WHITE) over some kind of gold treasure they stole from a crime scene. Nick was having regrets and wanted out so Bobby shot him in the face during a raid. Instead of Heaven or Hell, Nick goes to RIPD to continue as a cop and help them round up “deados” who illegally stick around on Earth. Not really a noble calling, in my opinion. (read the rest of this shit…)

Blue Ruin

Wednesday, July 30th, 2014

tn_blueruinI don’t know what this has to do with BLUE JASMINE, but it’s pretty good as a standalone.

I saw alot of film festival acclaim for BLUE RUIN as a movie about how bad and ugly revenge actually is. I gotta tell you I was skeptical, because I didn’t want to hear some joyless lecture about the wrongness of something most of us never experience, especially as punishment for our inherent enjoyment of classic action movie formula. DEATH SENTENCE and others prove you can make that point and still have fun.

Luckily my assumptions were unfounded. As the writer Harry once told Flavor Flav, “Don’t believe the hype.” BLUE RUIN isn’t trying to teach us a lesson, it’s actually a fairly traditional and enjoyable thriller about a murder and ensuing mess, spiraling out of control like that time the Cat in the Hat came over and ate cake in the bath tub. It’s just that it comes from young independent filmatists so it feels more like it’s happening to some dude you know than the usual slick Hollywood players. It’s quiet, naturalistic, and you have to piece together the backstory from what’s happening, you don’t get alot of obvious exposition. The avenger is a pretty non-descript nerd named Dwight (Macon Blair). Big, sunken eyes, a little doughy, bad haircut, no cool motorcycle jacket or shades or nothin. Just a normal guy. Could work at Best Buy or something.
(read the rest of this shit…)