THE LOVED ONES is a 2009 Australian horror picture about five teenagers on the night of the End of School Dance. Brent (Xavier Samuel) is a broody long-haired dude haunted by a recent personal tragedy. He goes for a walk before the dance and disappears, his mom and girlfriend figure something bad happened to him and try to find him. Only we know that a local psycho (John Brumpton) hit him over the head and brought him home for his daughter Lola (Robin McLeavy), who had asked Brent to the dance and been turned down.
This is yet another twist on the TEXAS CHAIN SAW MASSACRE setup: once again a victim (this time male) wakes up to find himself a forced participant in a demented parody of a traditional family dinner. Instead of force-feeding him human meat they give him what you could reasonably assume was roadkill of some kind. In this one there’s a prom theme, so he’s been put into a tux and there’s a disco ball. (read the rest of this shit…)
This is gonna surprise the shit out of you when I tell you this, but CROCODILE DUNDEE IN LOS ANGELES is what they call a fish-out-of-water comedy. The fish is Crocodile Dundee, the water is Australia, the place outside of the water is Los Angeles. Actually Dundee might be more of an amphibian, he’s somewhat familiar with L.A. and is able to show his son and his pal around and teach them some things about the urban American way of life. But also he’s from the outback or whatever so he has lots of misunderstandings that lead to clotheslining people or stabbing things like they do constantly in Australia. (read the rest of this shit…)
“Alice, have you seen my gun? I thought I packed it with the photos.”
That’s the first line in RED HILL. It describes kind of a random, odd occurrence, but it also tells us alot. Shane Cooper (Ryan Kwanten) is a cop, he’s just moved, his gun is as important to him as his family memories– or he thought it was, but then he misplaced it. Now he’s looking for it because shit, he has to get to his first day of work here in the small town of Red Hill and he’s gonna look like an idiot if he shows up with no gun.
The cover for the upcoming American DVD of ANIMAL KINGDOM says “Australia’s answer to GOODFELLAS.” As if the U.S. released GOODFELLAS and said, “What say ye, Australia?” And Australia comes back, “Australia has no response to GOODFELLAS at this time.”
Twenty years pass, not a word. Suddenly, out of the blue, America’s phone rings.
“Thank you for calling America, how can I help you?”
“We have Australia on the line. Please hold.”
“Okay.”
“Hello?”
“Yes. This is America. To whom am I speaking, please?”
“Australia calling. We have prepared an answer re: GOODFELLAS. It’s called ANIMAL KINGDOM.” (read the rest of this shit…)
Watching the remake of LONG WEEKEND today something seemed awfully familiar. I mean not just the movie itself. It was the opening credits. Flying over Australian trees and bodies of water, gently pulsing electronic tones, for a second I thought I forgot to change the DVD because it seems like the exact same credits as the last movie I watched, STORM WARNING. I knew it was the same writer, Everett De Roche, but it turns out it’s the same director too, Jamie Blanks (also editor and composer). So he must’ve been on a De Roche kick just like I am. (read the rest of this shit…)
In my review of LONG WEEKEND I mentioned that the same Australian, Everett De Roche, had written that one, RAZORBACK, ROAD GAMES and LINK, and because a track record like that is rare for a non-director screenwriter I would definitely have to watch some of his other works. Since I am a man of honor and what not I’ve already done that with the much more recent STORM WARNING (2007). I’ve found references to the script being 25 years old, but I think De Roche worked with them to make the movie, they didn’t just find it in a closet somewhere and shoot it without telling him. (read the rest of this shit…)
Peter (John Hargreaves from DEATHCHEATERS) and Marcia (Briony Behets) are a couple who are really pissed off at each other when they decide to go camping on a beach out in Middle of Nowhere, Australia. There have been some serious betrayals and traumas that they’re still dealing with and spending the 3-day weekend together is supposed to maybe help, but only seems to be exacerbating things. You know these two aren’t the best for each other when Peter is introduced watching Marcia through a rifle scope. He also likes to fake at hitting her when she has her back turned to him. This guy might be kind of an asshole, I’m thinking. (read the rest of this shit…)
LINK is a really unusual horror picture that starts out like a normal monster movie (POV of unknown beast crawls into a little girl’s room at night) but succeeds by avoiding any of the obvious formulas. Terence THE LIMEY Stamp plays Dr. Phillip, an eccentric professor at London College known for his books and lectures about primates. Academy Award nominee Elizabeth Shue (PIRANHA 3D, THE HOLLOW MAN) plays Jane, an American student who wants to learn from him and manages to become his assistant, staying at his remote property where he does IQ experiments with his apes Imp, Voodoo and Link. (read the rest of this shit…)
THE HORSEMAN is an Australian revenge picture out on DVD in the U.S. today. At the start this guy’s daughter has already died of a heroin overdose just after filming a porno. It’s a low budget deal shot in a boxing gym – she’s not a Vivid girl or nothing. He doesn’t really know what happened but he blames the porn people for her death, so he’s tracking down everybody involved, burning them alive, etc. (read the rest of this shit…)
WAKE IN FRIGHT is a fever dream of a movie from Australia circa 1971 and director Ted Kotcheff (FIRST BLOOD). It stars Bond… Gary Bond as a teacher leaving for Christmas break from a school he’s stuck teaching at out in the middle of nowhere in the outback. He hates it and is desperate to make it back to Sydney and see his surfer girlfriend. But it’s a long trip and while staying the night in a town called “The Yabba” he goes out for a drink. And it turns out to be a long fucking night. (read the rest of this shit…)
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Recent commentary and jibber-jabber
CJ Holden on The Thing (1982): “A few days ago I bought a random Techno compilation from 1992 at a thrift store. The first track was…” Oct 31, 03:20
Dreadguacamole on One Battle After Another: “Oh, thanks! I got him mixed up with the guy who inducts Lockjaw, and thought he was being sent out…” Oct 31, 02:36
pegsman on The Thing (1982): “Nice input on one of my favorite films, Miguel. A masterpiece indeed. And perhaps the best remake ever. As a…” Oct 30, 23:40
Curt on Night of the Reaper/Random Acts of Violence/Jack-O: “Zack Carlson, co-author of Destroy All Movies: The Complete Guide to Punks on Film (which y’all may remember Vern reviewing…” Oct 30, 16:29
Kit on One Battle After Another: “I really didn’t need to see the christmas society rich dude going assassin and becoming a villain Smith and Throckmorton…” Oct 30, 12:51
Miguel Hombre on The Thing (1982): “Just got around to watching this for the first time in 5 or so years. A few thoughts – I…” Oct 30, 12:03
Daniel Strange on Black Phone 2: “I liked this too. I wasn’t planning to see it (I didn’t see the first one), but a friend invited…” Oct 30, 11:02
Daniel Strange on It Chapter Two: “Exactly. I couldn’t understand the raves the first movie got, because it threw away anything interesting from the book and…” Oct 30, 10:46
Bill Reed on Buck and the Preacher: “Finally got the chance to watch this, and really dug it. Thanks for the rec, Vern. I like– and am…” Oct 30, 05:33
Franchise Fred on Night of the Reaper/Random Acts of Violence/Jack-O: “I always confuse Jack-O with the killer snowman Jack Frost (not the heartwarming Michael Keaton snowman dad). But I’ve never…” Oct 29, 22:44