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Posts Tagged ‘Akira Ifukube’

Godzilla Minus One

Thursday, December 7th, 2023

My friends, I would be perfectly happy with just another cool Godzilla movie. That’s what I want to see. But it turns out the new one, GODZILLA MINUS ONE, is an actual masterpiece. I think you could say the same of 2016’s SHIN GODZILLA, a visionary take on the big guy. This one, from writer/director/special effects supervisor Takashi Yamazaki (RETURNER, SPACE BATTLESHIP YAMATO), is more of a sweeping emotional one. Set between 1945 and 1947, it’s a serious and very involving post-war melodrama about the opposite of a war hero.

As WWII is winding down, kamikaze pilot Koichi Shikishima (Ryunosuke Kamiki, RUROUNI KENSHIN: KYOTO INFERNO) lands on Odo Island with engine troubles. Or so he says. The mechanics all give him a look as their boss, Tachibana (Munetaka Aoki, BATTLE ROYALE II, HARA-KIRI: DEATH OF A SAMURAI, SAMURAI MARATHON) tells him they couldn’t find anything wrong with it. “What are you implying?” Koichi cries, and storms off.

Tachibana catches up with him and says that, for what it’s worth, he’s on his side. The government treats life as cheap. It makes no sense to give your life for a war that’s already lost. Yeah, we agree, but that’s not gonna wipe the shame off of Koichi. So you see, this is a movie about about a guy who chose to live, and feels tremendous guilt about it. (read the rest of this shit…)

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Posted in Reviews, Monster, Science Fiction and Space Shit | 23 Comments »

King Kong Escapes

Monday, April 5th, 2021

Since I dug revisiting the original 1963 version of KING KONG VS. GODZILLA I decided to watch the one other time Toho used King Kong, which I don’t think I’d ever seen before. I consider this to be Godzilla stepping aside to let his co-lead take the spotlight, but I suppose it’s possible that he just didn’t want to do another one and this is like Paul Walker doing 2 FAST 2 FURIOUS without Vin Diesel.

Like the original GOJIRA, plus KING KONG VS. GODZILLA and many other kaiju classics, KING KONG ESCAPES is directed by Ishiro Honda, with music by Akira Ifukube and effects by Eiji Tsuburaya. But it has a little different vibe, seemingly influenced by spy movies. Tsuburaya’s great model work is used to create lots of cool helicopters, hovercrafts, a submarine, and a structure to house a giant robot. There’s a colorful villain named Dr. Who (Hideyo Amamoto, YOJIMBO, THE SWORD OF DOOM) who wears a cape with a Dracula/Dr. Strange collar and he has a base at the North Pole and an army of employees in nehru suits, white Mickey Mouse gloves and construction helmets. In the American dub he’s voiced by Paul Frees, so you keep expecting him to ask “is this room actually stretching?” (read the rest of this shit…)

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Posted in Monster, Reviews | 7 Comments »

King Kong vs. Godzilla

Wednesday, March 31st, 2021

I can’t see the new GODZILLA VS. KONG in a theater, because we still have the pandemic here (and apparently slower vaccine distribution than some other states). But I’m excited to at least get to watch it on TV tonight. I don’t know if it will live up to my hopes, but I’m glad it inspired me to rewatch the original East-meets-West giant monster mashup, 1963’s KING KONG VS. GODZILLA.

In my mind it seems like this current GODZILLA series rushed to the KING KONG crossover pretty fast, but not really. KING KONG VS. GODZILLA was only the third film in the GODZILLA series (though it also followed the American productions KING KONG and SON OF KONG, both from 1933). As discussed in yesterday’s review, the series started with GOJIRA in 1954, and GODZILLA RAIDS AGAIN six months later. It wasn’t exactly a smash, so seven years passed before they brought the big guy back. Think about that – seven years is almost as long as the gap between BATMAN & ROBIN and BATMAN BEGINS. Or FRIDAY THE 13TH and FRIDAY THE 13TH PART VII. About the same as the gaps between A NIGHTMARE ON ELM STREET and FREDDY’S DEAD: THE FINAL NIGHTMARE, or FREDDY VS. JASON and the ELM STREET remake.

So after that wait Toho brought back original director Ishiro Honda, composer Akira Ifukube and effects director Eiji Tsuburaya (who held KING KONG dear since it had inspired his interest in effects) to revive Godzilla in this big crossover event that marked both monsters’ first appearances in color and in widescreen. Also their first movie that opens with a quote from Hamlet (at least in the American version, which I watched because I didn’t realize the original was hidden in the supplements of the Criterion box set). (read the rest of this shit…)

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Posted in Monster, Reviews | 20 Comments »

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