Well, here we are with another new layer forming on top of The Mystery of Wesley Snipes. As of this writing Mr. Snipes recently started his 3 year bid for misdemeanor failure-to-file charges. This is the first but not last of his in-the-can DTV productions.
Unfortunately it’s not worth getting excited about. But when it was first announced it seemed promising, because it was gonna be directed by Abel BAD LIEUTENANT: ORIGINAL PORT OF CALL Ferrara, who last worked with Snipes on KING OF NEW YORK. That’s a guy with a strong voice and raw gritty feel, who at the very least you wouldn’t expect to make it generic. And he’d have a soundtrack by Schooly D. Unfortunately Ferrara left, the schedule was shortened and the script reworked on the fly for Italian TV director Giorgio Serafini.
Daft Punk are those two French guys who played the robotic club DJs in 
Jeff Bridges makes a great Rooster Cogburn – weird froggy voice, sloppy beard, aura of laziness, legitimately kind of disgusting as he’s introduced taking a shit and later casually pisses himself. If you don’t know the character from the novel by Charles Portis, or from John Wayne’s Academy Award winning portrayal in the 1969 version, or from the considerably less Academy Award winning sequel, or perhaps Warren Oates in the TV movie version, or obviously the episode of Scooby-Doo where Rooster has to figure out which Harlem Globetrotter has been replaced by an evil Moon-man, then let me fill you in: Reuben “Rooster” Cogburn is an eccentric, one-eyed civil war vet turned U.S. Marshall who “really knows how to pull a cork” and has a reputation for unnecessary but high quality shootings of suspects. So he’s the bounty hunter of choice for 14-year-old Mattie Ross, who wants to “finish [her] father’s affairs” by chasing down the drunken ranch hand who killed him and fled into Chocktaw territory with the Lucky Ned Pepper gang.
In the popular song and cartoon RUDOLPH THE RED-NOSED REINDEER, “reindeer games” are the fun group activities that all the popular reindeers enjoy but Rudolph is excluded from due to his low social caste. In the movie REINDEER GAMES the character “Monster” (Gary Sinise) uses it as a synonym for “funny business,” something that he threatens Rudy (Ben Affleck) not to participate in. This misuse of Christmas terminology doesn’t bother Rudy or probly occur to him, but it does bug him when Clarence Williams III keeps referring to “Santa’s dwarves.” So he does have a certain amount of respect for Christmas tradition.
Everybody knows about Christmas horror (
THE SILENT PARTNER is a Christmas-time bank robbery thriller directed by one Daryl Duke and written by Curtis Hanson (director of L.A. CONFIDENTIAL and 8 MILE, writer of 
CHRISTMAS EVIL started life as YOU BETTER WATCH OUT, but 
Here’s a movie I never heard of until Criterion released it a couple years ago. It’s a real raw, pulpy, hard boiled crime deal, low budget, filmed independently and released in 1961. It’s about a hitman from Cleveland coming into New York, staking out his target. Because it’s black and white and full of hard-nosed tough guy narration it makes you think of old noir movies, but because it was made in the ’60s it’s a more modern, realistic approach to dialogue and acting, all done in real locations, on real city streets, not always with permits.
Remember TRON? The 1982 live action Disney fantasy from director Steven Lisberger (ANIMALYMPICS, HOT PURSUIT) about a dude magically sucked into a video game to play frisbee and ride bikes? It’s memorable for its only-in-1982 approach to design, its one-of-a-kind black light type look, its pioneering computer effects (which still look surprisingly cool today) and a weird electronical score by Wendy Carlos (A CLOCKWORK ORANGE). The only major problem I have with it besides it being boring is the entire silly premise of a guy going inside a computer and the “programs” are alive and they battle each other.
