"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Reviews’ Category

American Graffiti

Thursday, December 3rd, 2015

tn_americangraffitilucasminusstarwarsI honestly had never seen this movie until now. So this will likely be the last George Lucas directed movie for me, unless he ever goes through with making those inaccessible art movies he always says he wants to make. AMERICAN GRAFFITI is different from the other ones he directed  because it’s the only one that’s not in space or in a futuristic dystopian worker colony under the earth. At least as far as is revealed in the text. Also it’s his only directorial work that has, like, wall-to-wall jams by Frankie Lymon and the Teenagers and The Platters and people like that. Maybe he shoulda done that trick on ATTACK OF THE CLONES to make the young love go down easier.

Yeah, it’s weird that this is a really distinctive, personal and hugely influential film that was Lucas’s big breakthrough in Hollywood, and then he never did anything much like it again. He just let other people make Happy Days and shit while he was tinkering in the FX lab.

I’m not sure what the title means exactly, but it’s kinda too bad they used it for this because it would’ve made WILD STYLE seem more epic and important. This is the story of a bunch of Los Angelenos Modestenos graduating high school in 1962, and having one last night out together before some of them leave to begin their adult lives. Curt (Richard Dreyfuss playing a teenager just two years before JAWS!) is supposed to leave for college on the East Coast the next day, but he’s getting cold feet. Steve (Ronny Howard, later star of Happy Days) is also leaving and wants to convince his younger girlfriend Laurie (Cindy Williams, later star of Happy Days spin-off Laverne & Shirley) that they should still technically be together but also see other people. Terry (Charles Martin Smith, later in THE BUDDY HOLLY STORY) is a huge nerd who borrows Steve’s awesome car to drive around and impress people. And John Milner (Paul Le Mat) isn’t going to college, so to him it’s another night as the tough guy cruising for girls in the area’s most badass yellow drag racer. But then he gets tricked into picking up somebody’s little sister Carol (Mackenzie Phillips), cramping his style. (read the rest of this shit…)

THX 1138

Wednesday, December 2nd, 2015

tn_thx1138So, we got this new STAR WARS movie coming up at the end of the month. The world has breathed a sigh of relief that the Star Wars story and characters have been liberated from the tyrannical grip of their creator and are finally where they belong: as a trademarked intellectual property of the Walt Disney corporation to hire different less visionary/uppity directors to make authorized fake versions of every year forever.

But what do we really know about former Star Wars creator George Lucas, other than that he is one of history’s greatest monsters and childhood rapers? Not much. We know he moved millions of people for generations with his Star Wars movies, revolutionized the technology of special effects and theater presentation, sold his creations for $4.05 billion (actual number, not funny exaggerated one) and then donated almost all of that to charity. That’s kind of nice trivia, but of course it doesn’t change the sinister fact that he altered a bunch of things in his beloved movies years after the fact and then made three new movies that some people thought were bad, making him the boogie man of twenty first century pop culture.

But perhaps there is a way for us to separate the artist from the special editioner. Exhaustive research has uncovered evidence of Lucas’s name in the credits of other films that do not even take place in space. Outlawvern.com is prepared to EXCLUSIVELY report that George Lucas had a hand in some movies that weren’t about any star wars at all. And though it may be painful, though it may be politically uncorrect, I thought maybe they would be worth getting to know and understand. How do we prevent this from happening again, etc.

So, throughout this next month or two, depending on how long it takes me, I will be doing LUCAS MINUS STAR WARS, reviewing every non-Star-Wars movie released by his company Lucasfilm (note: I already reviewed HOWARD THE DUCK so I might skip that one) and a few others that he had a hand in outside of his company, starting with his directorial debut THX 1138. (read the rest of this shit…)

Ewoks: Caravan of Courage / The Battle For Endor

Tuesday, December 1st, 2015

tn_ewoksYou may not pick up on it, but I sense a strong anti-Ewok sentiment in our culture, even to this day. It might seem like an insignificant hatred compared to that of Gungans and Prequels, but it exists. I think it’s mostly people who were in their teens or early twenties when RETURN OF THE JEDI came out, and had to prove they were big boys by rejecting what they thought the kids liked. To this day they call this proud people who helped defeat the Empire “teddy bears” and other slurs. The Ewoks were just product placement to sell dolls and they ruined Star Wars by being too furry and cute, they say bitterly, before clicking “favorite” on an adorable cat video.

As I’ve argued before, this viewpoint is ludicrous. The cuteness is a deliberate juxtaposition – they’re cuddly, but they try to roast Han on a spit, they bludgeon Stormtroopers to death with rocks and use their helmets as drums. Saying they shouldn’t be cute is like saying Rocket Raccoon shouldn’t be a dumb little raccoon, he should be a big muscular tiger man. It’s missing the point. Furthermore, it’s not the first time this trick was used in the Star Warses. The Jawas were cute little dudes who make adorable squeaky noises, but also they were sleazy Droid-poaching pricks. It’s a Star Wars thing.

So I am staunchly pro-Ewok, but I can’t really defend CARAVAN OF COURAGE (or THE EWOK ADVENTURE as I seem to remember it being called when it was a TV movie in November, 1984). Still, I thought it would be worth revisiting before Disney’s Star Wars Episode 7 The Force Awakens rewrites history so that the war never ended, robbing the Ewoks of their signature victory.

(read the rest of this shit…)

Creed

Monday, November 30th, 2015

tn_creedThe world is hard and shitty sometimes, but also sometimes it’s beautiful, and with some luck, some talent and some very hard work, unlikely things can happen. For example, what are the chances that director Ryan Coogler, after his true story police shooting drama FRUITVALE STATION won awards at Sundance and Cannes, would want to use his window of opportunity to pitch a movie about Apollo Creed’s son? And then what are the chances he’d convince Sylvester Stallone to play Rocky Balboa in it and a studio to make it? And finally what are the chances that it would both honor the history of the ROCKY movies and chart its own path to be something new? I don’t know what the odds are, but CREED beat ’em.

Michael B. Jordan (who also starred in FRUITVALE) plays Adonis “Donnie” Johnson who, as an orphaned teenager in and out of group homes, discovered he was the son of the most famous boxer in the world. Moving to the Creed mansion with his father’s wife Mary Anne (now played by Phylicia Rashad instead of Lavelle Roby or Sylvia Meals) takes his life straight from ROCKY to ROCKY III. Hungry to comfortable. As an adult he’s successful in a corporate job, but sneaks off to Tijuana for small time fights.

At his dad’s home gym Delphi in Los Angeles (who must’ve inherited some money from him if that’s supposed to be the same gym from III) nobody will train Adonis. It may be at Mrs. Creed’s request or maybe they just don’t believe in him, but they think it’s too dangerous. His father died in the ring. I love how much of this film’s drama comes specifically from what happened in the most ridiculous sequel. Maybe this will redeem IV for those who think it ruined the series by removing Apollo from it. (read the rest of this shit…)

Assault On Precinct 13

Wednesday, November 25th, 2015

tn_assaultonprecinct13“Hey, this is regular vanilla. I wanted vanilla twist.”

PROGRAMMING NOTE: I sincerely thought CREED was coming out last Friday and wanted the ROCKY reviews to run right into my review of that. But now I ran out of ROCKYs and I don’t want to leave you guys with nothing new to read on the day before Thanksgiving. So here’s one that has a minor connection to the ROCKY series that will come up later. This movie is based on westerns, and the characters who represent the cowboys and the Indians don’t even come close to eating sweet potatoes together, but I still think this is a good one for Thanksgiving. This year (as in many years) we’ve lost some really extraordinary people who inspired and entertained me over the years. That really reminds me not to take for granted the directors and movies I love, for example John Carpenter and ASSAULT ON PRECINCT 13. Thank you, people who make great movies, and thank you all for being here with me to share in their celebration.

Of all the John Carpenter movies that are like westerns, ASSAULT ON PRECINCT 13 is the most like a western. You’ve got a lieutenant (Austin Stoker, BATTLE FOR THE PLANET OF THE APES, MACH 2) who’s like a sheriff, holed up in an about-to-be-shut-down police station that’s like a jailhouse. You’ve got a prisoner transfer and a siege where the lieutenant and a notorious killer (Darwin Joston, THE FOG, ERASERHEAD) have to work together, and they sort of become friends. The hostile territory is a ghetto, Anderson, California, and the Indians are a WARRIORS-like multi-ethnic gang. They even do a bloodletting ritual before the siege.

But the scary thing about these gangsters is they don’t talk, and they keep coming. We mostly see them in the distance, at night, scurrying behind trees for cover. Then we see their hands reaching through the windows, or their bullets hitting windows, walls, cops. It’s such a good approach because there are so many ways these types of characters could’ve been silly. If the guy who looks like Che were talking to the cops he would probly use dated slang, have some corny line delivery, make us laugh. It would be fun to watch, but he’d be less menacing. As a silent force he’s much more effective. (read the rest of this shit…)

Rocky Balboa

Tuesday, November 24th, 2015

tn_rockybalboaI already reviewed ROCKY BALBOA when it came out, but it’s such a great movie I wanted to checked in on it again.

It’s hard to believe this humble character drama is Stallone’s directorial followup to the rock n roll tall tale ROCKY IV. The style, the content, the tone, even the character are from different planets. This one has zero (0) Survivor songs in it and it reminds me less of ROCKY IV than of later Clint Eastwood directorial works: quiet, mournful, wintery colors, gentle piano scoring, character driven, raw. And the trashy people who give Rocky a bunch of shit at a bar could be family members from MILLION DOLLAR BABY.

This is a more pure ROCKY I throwback than ROCKY V was because Rocky’s life is simple, humble and gentle again. He’s not poor – he owns a restaurant called Adrian’s – but that’s not exactly high roller shit. He actually runs the place, seems to be there every day to greet customers, does the hiring and shops for some of the ingredients himself. It’s small, and Paulie makes fun of his “Italian food made by Mexicans.”

That Adrian has died since part V is crucial. Even in V, when Rocky lost “everything,” he didn’t lose Adrian. Rocky is alone again, but seems to take it in stride, because he’s Rocky. Although the beginning is specifically about marking the anniversary of Adrian’s death by visiting important places like the ruins of the skating rink where they had their first date, I get the feeling that the shot of him sitting contently at her grave in a folding chair is a pretty regular occurrence. And I love that Paulie lingers uncomfortably on the perimeter just like he did in II when she was in the hospital. He’s very aware that he’s an asshole and doesn’t deserve to be near her as much as Rocky does. He’s tormented by how he treated her. (read the rest of this shit…)

Rocky V

Monday, November 23rd, 2015

tn_rockyvI think ROCKY V is the least enjoyable of the ROCKY pictures, but I admire its intentions. This is actually my first time watching it, and maybe it plays better when you watch them all close together. I know it was poorly received when it came out, and I’m sure some people were confused that it wasn’t more of the mountain-conquering commie-smasher Rocky had turned into when we last saw him five years earlier. But like I said, the ROCKY series evolves with the times. Allow me to submit to you an acknowledgment that appears on the end credits:

“We wish to express our gratitude to the Soviet government for granting us the use of their Aeroflot jet.”

With Reagan and the Cold War in the rear-view mirror and Survivor on indefinite hiatus, Stallone decided to shed some of the ’80s-style excess of the last two sequels. The world had changed again. People didn’t even care about Rambo anymore. Stallone’s last movie had been TANGO & CASH, which did okay, but was a troubled production and got poor reviews. He was obviously itching to try something different, because he followed ROCKY V with OSCAR and STOP! OR MY MOM WILL SHOOT. But first he felt it was time to put the tiger jacket in the closet and bring back the underdog. This was his first attempt, before ROCKY BALBOA, to go back to Rocky’s roots as well as to deal with his advancing age. (read the rest of this shit…)

Rocky IV

Thursday, November 19th, 2015

tn_rockyiv“Yo, can you turn your robot down?”

Which is stranger: that a legit, best-picture winning sports drama like ROCKY would eventually have a part IV that was this ridiculous, or that such a part IV could still stand apart from the series as a classic of a totally different kind? IV goes all in on the Reagan-and-MTV glitz of part III, crafting a preposterous Cold War face-off with so many song montages in the second half it almost qualifies as a rock musical. In fact, the whole sound of the movie is different because I-III composer Bill Conti and his inspirational brass section are replaced with a cool synth score by Vince DiCola (TRANSFORMERS: THE MOVIE) that was “one of the first to exploit the Fairlight CMI and Synclavier II computers’ sequencing capabilities” according to DiCola’s websight. I guess that’s fitting for the ROCKY where the first new scene is about Rocky giving Paulie a robot for his birthday. The robot will occasionally pop up to force Apollo or Rocky’s driver to barely suppress a “these crazy white people” look, or to be used as a boombox. So if you were hoping III was a fluke, and that this one will be gritty again, I got bad news.

It’s tradition to replay part of the fight from the end of the previous movie. This one not only reminds us of the fight with Clubber Lang, but also the private, no witnesses rematch between Apollo and Rocky. Of course it was ambiguous like the Toretto-O’Connor rematch, or King Kong vs. Godzilla or Freddy vs. Jason, it froze just as they were swinging at each other. But now for the sequel they’re replaying it, so we must be about to finally find out who– ah, never mind. Freeze frame again. I’m not sure why they had to replay that.

(read the rest of this shit…)

Rocky III

Wednesday, November 18th, 2015

tn_rockyiiiSome important and possibly relevant events happened in the world during the three years between ROCKY II and ROCKY III. Disco records were blown up at baseball games, Pac-Man and Donkey Kong were released, some motherfucker shot J.R. and the U.S. boycotted the Olympics in Moscow. Minutes after Ronald Reagan (THE KILLERS) was sworn into office the Iran hostages were totally coincidentally released, and the next day the first DeLorean DMC-12 was built. Later MTV went on the air. All the sudden it was 1982.

Movies had been changing too. ROCKY was the biggest movie of ’76, but of course ’77 brought us STAR WARS, and since then we’d also had THE EMPIRE STRIKES BACK and RAIDERS OF THE LOST ARK. It would be quite some time before another drama was the #1 movie of a year (not until RAIN MAN in 1989 I believe).

The ROCKY series evolves with the times, and the transition to the ’80s is a drastic one. After the traditional Bill Conti fanfare (title scrolling over championship belt) and end-of-the-last-one recap we get a moment of contemplation and then… jugga jugga jugga jugga BRRRMMMMP!…BRRMMP BRRMMP BRRMMP! electric guitars and fireworks. “Eye of the Tiger” by Survivor is as purely, un-self-consciously motivational-speakerish as “Gonna Fly Now,” and even more audaciously grooving and tackily emblematic of its era. The song is so ridiculous it’s kind of a betrayal of the dirty, street level reality of the series so far, but it’s dead perfect for this slick new ROCKY of the aerobics-and-American-flags Reagan years. (read the rest of this shit…)

Rocky II

Tuesday, November 17th, 2015

tn_rockyiiAfter the success of ROCKY, screenwriter Sylvester Stallone became writer-director Sylvester Stallone with the period wrestling movie PARADISE ALLEY. And then after that practice run he was ready to direct the rematch.

ROCKY II starts right before where ROCKY left off, with about 5 minutes of Balboa vs. Creed. In other words “the end of ROCKY.” This type of recap used to be done in many sequels and never is now. You have to remember, there was no home video at that time. It seemed important to remind people what happened because the last movie was 3 years ago and people haven’t necessarily been able to see it since then.

So the first new footage is right where ROCKY left off, right after the fight, and we can compare and contrast it to the first movie’s scene after Rocky beat Spider Rico in the church. Instead of our hero and his opponent laying bloodied in a small back room waiting for the doctor to show up later, they are both rushed to the hospital in ambulances, and are welcomed there by crowds of fans and press. And instead of the two fighters being like friendly co-workers in-this-shit-together, Apollo starts barking in front of the cameras about a rematch and calling Rocky a punk. This confuses Rocky because, as we were reminded by the archival footage, the very first thing Apollo said after winning the fight was “No rematch.” He was very clear about it. They both agreed. (read the rest of this shit…)