"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Reviews’ Category

Everly

Wednesday, April 29th, 2015

tn_everlyEverly (Salma Hayek) is one of these sex slaves who doesn’t know Liam Neeson or Tony Jaa, so she has to take justice into her own hands. Her movie starts right in the thick of things, but we quickly start to piece some of her story together: she’s been kept woman to a Yakuza for four years, taken away from her young daughter, and she can’t stand it anymore. She had an escape planned with a police officer she trusted, but he hasn’t shown up. Now she’s here in the bathroom with one stashed gun and a bag full of money, so she can either kill herself or take that one opportunity that Eminem talks about in that one song.

In a way this is a DIE HARD type movie. It’s one person fighting off many criminals in a contained location, in this case the fancy apartment she’s been stuck in. It’s even Christmas time, though she is not bare foot, so in that sense it’s more like DIE HARD 2. And she can fight better than we probly could, but it’s all tenacity, she’s not a super woman. She gets shot, cut, stabbed, she cries, she messes up, but she keeps fighting. (read the rest of this shit…)

Ex Machina

Tuesday, April 28th, 2015

tn_exmachinaHere’s one of those classical science fictional tales, like THE ISLAND OF DR. MOREAU or JURASSIC PARK, where an outsider comes to a remote estate or island and sees the game-changing technological breakthrough of an eccentric genius working outside of the constraints of societal and ethical norms. You know what, I’m gonna go ahead and make the generalization that if a helicopter is required to get to the location of the experiment then you’re in trouble. That’s what I’ve learned.

Caleb (Domhnall Gleeson, TRUE GRIT) is a lowly code-writer for the giant search engine Bluebook who wins a contest and/or is mysteriously summoned to spend two weeks with the reclusive company founder Nathan (Oscar Isaac, THE NATIVITY STORY) at a high tech laboratory/compound/bachelor pad out in The Middle of Fuckin Nowhere, Norway. It turns out here’s there because Nathan has built an artificially intelligent robot and wants someone to talk to it and test if he considers it to be conscious or not. (read the rest of this shit…)

Skin Trade

Monday, April 27th, 2015

tn_skintradeSKIN TRADE (actually written as SKINTRADE on screen) is the long-awaited passion project of Dolph Lundgren, who produced and wrote the screenplay with Gabriel Dowrick (an editor and sometimes director) and Steven Elder (an actor who was in GALLOWWALKERS). Over the years Dolph had sometimes planned to direct it himself, sometimes not to act in it, at one point possibly to have Steven Seagal co-star. Eventually he handed over the reins to Ekachai Uekrongtham, director of BEAUTIFUL BOXER and PLEASURE FACTORY, which is about the sex industry in Singapore. To Dolph SKIN TRADE is an attempt to raise awareness about the problem of sex trafficking. For me it is an achievement in having a movie that stars Dolph Lundgren, Tony Jaa and Michael Jai White.

Dolph plays Nick Cassidy, an NYPD detective who gets himself into trouble by gunning down Serbian gangster Dragovic (Ron Perlman, sort of reprising his character from POLICE ACADEMY: MISSION TO MOSCOW)’s prettiest son two seconds after he yells “I will prove to you… I AM MY FATHER’S SON!”

Just another day on the job, you would think, but next thing you know some dudes fire an RPG into Nick’s living room window and he wakes up in the hospital with the side of his face melted and no wife or daughter in his burned down house.

Meanwhile Tony Jaa plays Tony, an undercover cop on a crusade against Dragovic’s sex slavery ring in Cambodia and Thailand. We first meet him wearing a nice suit and being threatened at gunpoint to have sex with a young kidnapped child. He fakes like he’s gonna do it but instead he pulls out his belt to use as a weapon to beat up every sorry sex slaving piece of garbage in the room and dangle their cowering leader (Gigi Velicitat, ELEPHANT WHITE, THE MARINE 2, STREET FIGHTER: THE LEGEND OF CHUN LI) off the side of the building until he tells them where their next shipment of human cargo is headed. And then he drops him anyway. The guy probly shouldn’t have offered him that freebie on sex slaves in my opinion. That was his mistake. (read the rest of this shit…)

Stalking Danger (aka C.A.T. Squad)

Thursday, April 23rd, 2015

tn_stalkingdangerSTALKING DANGER is the video title for C.A.T. SQUAD, a 1986 TV movie directed by William Friedkin. You can tell it’s TV by the cheap video titles, the 4:3 composition (even though it’s shot by Wes Anderson’s Academy Award nominated cinematographer, Robert Yeoman) and the “guest starring” in the credits, but otherwise it’s very cinematic. It even has a blood-pumping score by Ennio Morricone.

This is another secret agent counter-terror thing, with badass Doc Burkholder (the Michael Douglas-esque Joe Cortese)  appointed to put together his own team to catch an assassin called Carlos (Eddie Velez, THE HUNTED, BLACK DAWN). It’s not supposed to be Carlos the Jackal, by the way,  just standard, human Carlos I believe.

We know who the guy is because we watch him come in disguised as a priest, see how he sets up in a tower, crosses himself after he snipes the guy, gets away. And possibly we realize that the reason he looks so familiar is because he played “Dishpan” Frankie Santana, the best special effects man in Hollywood who joined the A-Team in the last season. But if not we are excited to learn that from IMDb.

Then we switch to Doc going around recruiting each member of his group (always a favorite part of this type of story), following leads, doing surveillance, poring over the photos, comparing everything to what else they know. ZERO DARK THIRTY shit. Eventually they catch on that it’s this guy and they go look for him. They follow him on the street, he tries to lose them down alleys, goes through different apartments and out the back door, that kind of stuff. (read the rest of this shit…)

A Girl Walks Home Alone At Night

Wednesday, April 22nd, 2015

tn_agwhaanA GIRL WALKS HOME ALONE AT NIGHT is being called “the first Iranian vampire spaghetti western,” but only the “vampire” part is strictly accurate. For one thing, it doesn’t have much in common with spaghetti westerns other than the setting of a barren, quiet town and a scene with some obvious Morricone-inspired music. As for the other part, it is true that the characters are all Iranian and the dialogue is in Persian, and it takes place in Iran. It’s interesting because it looks very different from how you expect the landscape of Iran to look, it will really change your idea of what that place is like. In my opinion that’s because it was filmed outside of Bakersfield, California, where Iranian-American writer-director Ana Lily Amirpour grew up.

So I think technically it’s an American movie made in America by Americans for American audiences, but obviously what I have described here is an uncommon cross-cultural mix, which does give the movie a certain flavor. And it needs that flavor, ’cause there’s not that much soup here.

The title refers to “The Girl” (Sheila Vand), a quiet, lonely young vampire woman who from some angles looks strikingly like Winona Ryder. She wears a striped shirt and a black veil, which cuts quite an image in the film’s nice black and white cinematographism by Lyle Vincent (Sesame Street: Elmo Visits the Doctor) as she spookily skulks in the shadows and follows people or just stands there watching them like a creep or a Michael Meyers or an it follows. (read the rest of this shit…)

The Man With the Iron Fists 2

Tuesday, April 21st, 2015

tn_mwtif2My friends, I don’t know about you, but I count myself lucky to live in a world where one of my favorite hip hop producers, the RZA, not only got to write, direct and star in a legit kung fu movie, but got to do a DTV sequel directed by one of the leaders of the form (Roel Reiné, THE MARINE 2, DEATH RACE 23, SCORPION KING 3, 12 ROUNDS 2: RELOADED). If I somehow slipped and fell into an alternate dimension that’s okay. I’m not going back.

Filmed in Thailand with about a third of the first film’s budget, THE MAN WITH THE IRON FISTS 2 is much more normal and low key than the first one, I want to warn you of that up front. There are fewer colorful gimmicks, no crazy Russell Crowe performance, comparably grounded (both literally and figuratively) martial arts, and no mention of the cliffhanger from the director’s cut where I think he had to team up with the X-Blade to save his wife that got snatched by the Falcon Clan and put in a big nest on top of a mountain or something like that. But for me it’s still a very enjoyable sequel because it maintains the most important ingredient: the complete sincerity of the RZA. (read the rest of this shit…)

Fortress

Monday, April 20th, 2015

tn_fortressFORTRESS is one of those rare b-movie (or B+ movie?) gems that you come across every once in a while that has everything: good cast, great gimmicks, unexpected emotion and substance, cyborgs. It’s a 1993 sci-fi action movie, but clearly without a summer blockbuster budget, so it feels somewhere between Paul Verhoeven and ROBOT JOX. And that makes sense, because it’s the same director. Man, why did I never see this before? Didn’t I know it was a Christopher Lambert movie directed by Stuart Gordon? Don’t I believe in the auteur theory?

Lambert plays Brennick, an ex-soldier (“the most decorated captain of the Black Berets, yet you quit in disgrace…”) busted with his pregnant wife Karen (Loryn Locklin) trying to sneak out of the country because it’s illegal to give birth twice. They both end up at the Fortress, a giant underground, privately owned prison. The convicts become property of the Men-Tel Corporation and used for prison labor. Their job: to keep building further into the ground, making more room for more convicts to build even further. That’s my favorite concept in the movie because it so deviously illustrates the problem of the prison industrial complex. Zed-10, the computer program that runs the place (voice of the director’s wife Carolyn Purdy-Gordon), keeps saying the Men-Tel slogan “Crime does not pay.” But of course for them it does. (read the rest of this shit…)

The Babadook

Friday, April 17th, 2015

tn_babadookBABADOOK, BABADOOK, BABADOOK. Man, that’s all anybody talks about ever since this movie played the A, B or C Film Festival last year. At first I just ignored it, ’cause I thought it was some Howard Stern thing. But when I found out it was an Australian horror movie I knew that aligned with my interests.

It’s immediately captivating. It has a stylish look, kinetic editing and interesting faces on its two primary characters, the lonely widow Amelia (Essie Davis, who of course played Maggie in both MATRIX sequels [okay honestly I don’t remember who that character is]) and her weird little son Samuel (Noah Wiseman), who’s about 7 years-old but is introduced testing powerful catapults and dart guns and talking about bashing a monster’s head in with a rock.

There’s some Sam Raimi-esque flourishes here and there, and it’s easy to picture a cutesy horror comedy where the kid goes Ash, saves Mom from a monster with home-made weapons and traps, furrows his brow and says some one-liner, charming the socks off the midnight film festival crowds and twentysomething writers for movie websights. And I would’ve been okay with that if it was done well, but I like that writer/director Jennifer Kent (you know, “Lab Lady” from BABE: PIG IN THE CITY) chose a less obvious path. (read the rest of this shit…)

Martial Law

Tuesday, April 14th, 2015

tn_martiallawI gotta admit, I didn’t know what Chad McQueen looked like, or that he starred in this, so I thought “Who the fuck is this?” when he showed up undercover as a pizza delivery man to defuse a hostage situation at Crown Diamonds. Those dumb fucks shoulda known the cops wouldn’t allow a real Domino’s dude to walk in there. Even in Seattle, where we’ll have a $15 minimum wage in a couple years, it wouldn’t be worth it, and this is Los Angeles circa 1990. (The 25th anniversary is on the 16th of next month, so get the balloons ready.) Also, fuck these guys for not insisting on giving him a huge tip when they believed he was a legit employee. Not cool at all, gunmen.

Anyway, he’s really a cop, so he karates them. He’s playing Detective Sean Thompson, nicknamed Martial Law. It took me a while to catch on that it’s because he’s a lawman who does martial arts. We learn that after his dad died in 1983 he took off to Hong Kong for a few years “to prove how tough I was.” He regrets it because he left his younger brother Michael (Andy McCutcheon) behind and now the kid wears a leather jacket, has two DUIs, crashed their mom’s car and steals sports cars. (read the rest of this shit…)

Accidental Love

Monday, April 13th, 2015

tn_accidentallove“Have you ever been to a military-media moonbase event before?”

I don’t know if you guys remember this, but a long time ago David O. Russell was supposed to be doing a new comedy called NAILED, about Jessica Biel getting a nail stuck in her head. This was about seven years ago actually, so at the time Russell was coming off of I HEART HUCKABEES, which I really liked, but it didn’t seem like he was on the verge of becoming one of the big directors. I’m talking five years before he directed Jennifer Lawrence in an Oscar winning performance, when she was still playing the daughter on The Bill Engvall Show. That’s how long ago this was.

He was filming and everything but he kept having disasters with the financiers going bankrupt, not having enough money to pay the cast and crew, who repeatedly walked off. Eventually it got so bad Russell decided he had no choice but to close up shop with a day or two of filming left. He just gave up and took his first for-hire directing gig, subbing for Darren Aranofsky as a favor to Mark Wahlberg… but then that was THE FIGHTER, and all the sudden he had an Oscar nomination for best director, and then he did SILVER LININGS PLAYBOOK and AMERICAN HUSTLE so he had three of those nominations and all the sudden he’s more known as that guy with the glasses at the Oscars than that mean guy who yelled at Lily Tomlin. Things are so good for him now he probly sometimes forgets that he wasted years of his life almost making NAILED.

But now all the sudden there’s this movie called ACCIDENTAL LOVE that’s on V.O.D. and will be on actual video soon. It’s written and directed by one Stephen Greene and it happens to have the exact same cast and premise as NAILED. You may be thinking “Stephen Greene, you hustlin sonofabitch, how the fuck did you achieve what three time Academy Award nominee for best director David O. Russell could not?” Actually my immediate assumption was that some guy named Stephen Greene did that last bit of shooting, slapped the thing together and credited himself as the director. But it turns out there is no Stephen Greene, he’s like Keyser Soze. They let Russell use a pseudonym for this release, which from what I hear takes some doing.

Ha. Both the director and the movie itself wanted to use pseudonyms. (read the rest of this shit…)