Walter Hill’s original UNDISPUTED was an exaggerated look at the classic concept of the prison boxing league. UNDISPUTED II showed that the same thing is going on in Russia, but with full-on mixed martial arts. Naturally UNDISPUTED III: REDEMPTION takes it to the next level by creating an international tournament for the champions from all different prisons. Part 4 might have to send them into space.
But the true genius of director Isaac Florentine’s two DTV UNDISPUTED sequels is that each one stars the villain of the previous chapter. In UNDISPUTED II: LAST MAN STANDING Michael Jai White took over for Ving Rhames as the asshole accused rapist heavyweight champ George “The Iceman” Chambers. He was the last man standing of the title. Part III, which comes out on DVD Tuesday, is about the next-to-last man standing. Scott Adkins returns as the man whose knee the Iceman crushed, disgraced Russian prison champion and convicted double-murderer Uri Boyka. (read the rest of this shit…)
THE CLONES OF BRUCE LEE is based on the true story of actor and martial artist Bruce Lee (b. 1940) and his unexpected death in 1973. It does take some dramatic liberties, for example they say he died of a heart attack (in reality it was a brain problem, specifically a cerebral edema) and also an agency called the Special Bureau of Investigation takes blood samples from his body and uses it to make three clones of him and use them as secret agents (in real life they only made two, and one of them came out lumpy so they couldn’t use it).
We here in Seattle are very proud of Bruce Lee. We claim him as our own. He’s one of our icons like Jimi, Cobain, and… well, I’m not gonna say Sir Mix-a-lot. I don’t know. Quincy Jones?
It just occurred to me that there’s a Fred Williamson movie I could’ve reviewed to go from GAME OF DEATH to DEATH JOURNEY to WARRIOR’S JOURNEY. But we don’t got time for word games. Let’s get rollin.
Man, I hadn’t seen GAME OF DEATH in a long time. I forgot it was this ridiculous. It’s known for the yellow jumpsuit (homaged in BERRY GORDY’S THE LAST DRAGON, SHAOLIN SOCCER, KILL BILL VOLUME 1, etc.) and his fight against Kareem Abdul Jabbar while wearing it. But that’s only 11 minutes at the end, taken from the unfinished movie Bruce started directing before he took the opportunity to star in ENTER THE DRAGON. The other 90% is a bunch of filler bullshit trying to stretch those scenes out to feature length, with an entirely different plot that sleazily exploits the mystery surrounding Lee’s death.
There are a few people walking the earth, or in our memories, who are so good at what they do, so unique in their talents, that we almost mistake them for gods or super heroes. You could be born a prodigy and practice all your life, striving for excellence with every breath you take, and still not match Muhammad Ali, James Brown, Mozart or Michaelangelo. It takes more than training, more than talent. It takes a whole lot of both of those things, plus a drive to be the very best, plus… something else. If we knew what that something else was then everybody would dance like Michael Jackson.
This movie came out in 1979, but it opens with the hero doing moves in front of a black void like so many ’80s ninja and karate movies. Instead of having credits written on the screen this guy says them out loud, introducing himself and the name of the movie. And it’s a hell of a name. If a movie called THE DEADLY ART OF SURVIVAL was no good it would still have a leg up on most other movies, because most other movies aren’t called THE DEADLY ART OF SURVIVAL. I don’t know if “good” is the best word to describe what this is, but it’s at least interesting. 
As the founder and producer of Motown Records, Berry Gordy, Jr. created one of the most successful African American business enterprises in history, re-invented the sound of American music, discovered Smokey Robinson and the Miracles and signed such important artists as The Supremes, Marvin Gaye, The Temptations, The Four Tops, Gladys Knight & the Pips, Stevie Wonder and The Jackson 5. But music wasn’t enough to quench his thirst so he moved to L.A. and helped turn Diana Ross into a movie star, producing LADY SINGS THE BLUES and directing MAHOGANY.
FIST OF FURY aka THE CHINESE CONNECTION is Bruce Lee vehicle #2. This one is a period piece with much higher production values than THE BIG BOSS. Bruce comes into town wearing a white suit (looking like today’s pretty boy Korean pop stars, to be honest) and discovers that his master has just died. Bruce is playing the fictional character Chen Zhen, student to the real historical figure of Huo Yuanjia, who has become fictionalized in movies and legends. (For one version of Huo Yuanjia’s life story see FEARLESS, where he’s played by Jet Li.)
THE BIG BOSS would be a good one to watch on Labor Day, because it’s a scathing indictment of corruption within the Chinese ice industry. About time somebody blew the lid off that shit. Cheng (Bruce M.F. Lee) gets a job loading big blocks of ice, which the workers don’t realize have bags of coke inside (even though they saw one of the bags when one of the blocks broke open. But this was a more naive time). The foremen are extra-abusive, slapping people around and shit. To be frankly honest I think these particular workers are a bunch of whiners who don’t seem to work very hard, but they’re right to stand up for their rights when a co-worker gets hit or goes missing.
