"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

Triple Frontier

Tuesday, March 19th, 2019

TRIPLE FRONTIER is last week’s straight-to-Netflix-no-theaters release from director J.C. Chandor (MARGIN CALL, ALL IS LOST, A MOST VIOLENT YEAR). This one is higher profile than most such releases because it floated around various big name directors and studios before Netflix bought it with the bottomless money supply their CEO famously received by catching a magic fish, and it stars Oscar Isaac (SUCKER PUNCH), Ben Affleck (ELEKTRA, director’s cut only), Charlie Hunnam (KING ARTHUR: LEGEND OF THE SWORD), Garrett Hedlund (TRON LEGACY) Pedro Pascal (THE GREAT WALL) and Adria Arjona (PACIFIC RIM UPRISING). It’s such a big deal for the company that they made the uncharacteristic choice of promoting its existence!

Isaac plays Santiago “Pope” Garcia, an American advising the Colombian military in violent raids on drug gangs. His informant/sometime-girlfriend Yovanna (Arjona) claims to know the location of a jungle fortress where cartel boss Lorea (Reynaldo Gallegos, MONKEY TROUBLE) hides out with all his money. So Pope goes back to the states to recruit some of his old retired spec ops buddies as a team to go in and do reconnaissance and pocket a percentage of the money the police ultimately seize.

At least that’s what he says until they get there, and then it becomes clear that the police don’t know anything about it yet. He wants his buddies to do a heist with him. Ah, shit, Pope. Are you kidding me with this shit? (read the rest of this shit…)

Timecop

Monday, March 18th, 2019

Recently when I ranked all the ’90s comic book movies for Polygon I rewatched TIMECOP for the first time since that decade. I decided to disqualify it when I read on the production notes extra that it was originally written as a script and then made into a Dark Horse Comics series, but I’m glad I watched it first, because it’s better than I remembered.

Jean-Claude Van Damme (BREAKIN’) plays Max Walker, a regular cop who’s about to be recruited to a new secret government agency that travels back in time to stop other time travelers from changing history. Knowing the future presents ample opportunities for get-rich-quick schemes (for example, in the opening a guy uses a futuristic machine gun to steal gold from the Confederate Army), but the government worries this could butterfly-effect shit up, so they try to control it. (read the rest of this shit…)

Triple Threat

Friday, March 15th, 2019

TRIPLE THREAT is the long-awaited international co-production that teams Tony Jaa (ONG BAK, THE PROTECTOR, KILL ZONE 2), Iko Uwais (THE RAID, HEADSHOT, THE NIGHT COMES FOR US) and Tiger Chen (MAN OF TAI CHI, KUNG FU TRAVELER). That in itself is an event, but wait until I tell you who plays the villains. Directed by Jesse V. Johnson (THE BUTCHER, SAVAGE DOG), it’s not an envelope-pusher like some of the modern classics each of those three have under their belts, but it’s a solid action romp with tons of clearly shot fighting, taking advantage of all the possible match-ups and varying martial arts styles.

Jaa is first billed and shown first, but Uwais is the protagonist and the one with the best hair*. Jaa and Chen play mercenaries duped into a “humanitarian mission” that’s actually an attack on a village in which Uwais’ character’s (very briefly glimpsed) wife and friends are killed. Seeking revenge, he tracks the two to their day jobs as underground fighters… and gets beat up. But they recognize him from the village, explain themselves and become his on again, off again allies as he uses them to try to lure out the criminal syndicate responsible. Meanwhile those two try not to be killed by the gang for knowing too much, as well as to protect a Chinese heiress (Celina Jade, LEGENDARY ASSASSIN, SKIN TRADE, WOLF WARRIOR 2) they discover is being targeted by them. (read the rest of this shit…)

The Hard Way

Monday, March 11th, 2019

THE HARD WAY starring Michael Jai White is not a remake of THE HARD WAY starring Michael J. Fox. It’s a totally different story and he’s co-starring with Luke Goss and Randy Couture in a picture that as far as I can tell has gone straight to Netflix (no disc release). I gotta be honest, I had low expectations, because I first heard of it in an awkwardly worded tweet from co-writer Thomas J. Churchill (LAZARUS: APOCALYPSE), illustrated with key art that looks like the cover for a self-published Christian thriller novel. The director and co-writer is Keoni Waxman, who has churned out more Seagal movies than anyone else (THE KEEPER, A DANGEROUS MAN, MAXIMUM CONVICTION, FORCE OF EXECUTION, A GOOD MAN, ABSOLUTION, END OF A GUN, CARTELS, CONTRACT TO KILL and eight episodes of True Justice). He also did the Stone Cold Steve Austin movie HUNT TO KILL. (read the rest of this shit…)

Iron Eagle On the Attack

Wednesday, March 6th, 2019

IRON EAGLE ON THE ATTACK is part IV of the IRON EAGLE saga, made at a time when the series had transcended numbers. And theatrical releases. Specifically that time was 1995, so this is a little movie over on the fringes trying to keep the dream of the ’80s alive while DIE HARD WITH A VENGEANCE, GOLDENEYE, DESPERADO, CRIMSON TIDE, HEAT, BRAVEHEART, UNDER SIEGE 2: DARK TERRITORY, RUMBLE IN THE BRONX, SUDDEN DEATH and yeah, sure, MORTAL KOMBAT were keeping us occupied in theaters. So I guess I didn’t notice it.

According to IMDb, ON THE ATTACK went straight to cable in the U.S., but it doesn’t feel like as huge a step down in quality as some of the other TV sequels such as DIRTY DOZEN: NEXT MISSION or FIRESTARTER REKINDLED. It feels legit. Sydney J. Furie returns to the director’s cockpit, this time with a new writer, Michael Stokes (JUNGLEGROUND, NO CONTEST II, Paw Patrol).

The first thing you need to know about ON THE ATTACK: it’s the IRON EAGLE movie that sources its pilot team from a reform school. So it’s got the DREAM WARRIORS teen underdog thing going for it. (read the rest of this shit…)

Aces: Iron Eagle III

Tuesday, March 5th, 2019

ACES: IRON EAGLE III is an impressive sequel because it brings back Louis Gossett, Jr. as Colonel Charles “Chappy” Sinclair in yet another humble day job, and then recruits him for yet another off-the-books missile-run into foreign lands, yet it switches the scenario around enough to still feel very new. See, this time he’s not mentoring a young hot shot – if anything, he is the young hotshot. He works at an aviation show with an international squad of surviving WWII pilots who perform simulated combat firing red paint bullets at each other. (Yes, a bad guy later replaces some of the paint bullets with real rounds.)

When the chips are down these grumpy old man space cowboy tough guys come out of retirement for one last job to prove that pilots were better before all these fancy pants doodads and what not. “Agh, flying computers, Captain. In our day it used to be the man, not the machine.”

They convince their boss, (Fred Dalton Thompson, DIE HARD 2) to let them soup up their air show planes even though he says they’re “priceless antiques” – he seems less concerned that the pilots are too – and they fly into action. (read the rest of this shit…)

Iron Eagle II

Monday, March 4th, 2019

I don’t think I’ve ever seen any IRON EAGLE sequels, and I always love to see how the franchises unfold, so let’s do it. Part two came two years later, in 1988, with director Sydney J. Furie returning after SUPERMAN IV: THE QUEST FOR PEACE. The script once again is credited to Furie and Kevin Elders (Albert Pyun’s RAVENHAWK).

I was glad to see Jason Gedrick back as Doug Masters, now graduated from the academy that Chappie got him into at the end of part I. Oddly call-signed “Thumper,” he’s still popping in the rock ‘n roll cassette tapes to inspire his F-16 hotshottery. I was less glad to realize a couple scenes later that it was supposed to be his jet that got blown up in an encounter with Russian MiGs when they accidentally went into Soviet air space while fucking around, and that part II is about his just-introduced best friend Captain Matt “Cobra” Cooper (Mark Humphrey, FAMILY OF COPS II-III). (read the rest of this shit…)

Iron Eagle

Thursday, February 28th, 2019

I always remembered IRON EAGLE as a chintzy ripoff of TOP GUN, but in fact it came out six months earlier. Shame on you, TOP GUN. Did you think we’d never find out the truth? You’ve got alot to answer for.

Both movies involve hot-shot rule-breaking F-16/F-14 pilots who have run-ins with Russian MIGs, but IRON EAGLE is the only one that uses a stencil font at the beginning. That means it’s a legit b-action movie and therefore follows two tried and true traditions:

1) the UNCOMMON VALOR/RAMBO FIRST BLOOD PART II/MISSING IN ACTION off-the-books P.O.W. rescue mission

and

2) the RED DAWN/TOY SOLDIERS teens-take-matters-into-their-own-hands wish fulfillment adventure (read the rest of this shit…)

Iron Protector

Wednesday, February 27th, 2019

a.k.a. THE BODYGUARD
a.k.a. SUPER BODYGUARD

IRON PROTECTOR (2016) is a fun and pulpy if not groundbreaking modern Chinese martial arts picture with a little bit of a throwback feel. The opening credits are throbbing with kung fu, c.g., three dimensional letters, fire and explosions, and the movie maintains that level of shameless flash, but it’s old school in the sense that it has lines like “Brother, your iron fist has improved alot,” and “Brother, everyone in my bodyguard company is a champion in his own right,” and “I let you help me start my bodyguard company because I wanted to develop the spirit of the Iron Kick,” and “You must live on for the spirit of the Iron Kick.” Also they make a big deal about writer/director/star Yue Song doing all his own stunts and not using wires.

It’s style is not unimpeachable. It has a cheesy transition effect that I think is supposed to remind you of a comic book. I always hate that shit. I guess that’s why reviews like this one on Cinapse call it a superhero movie, but it doesn’t seem to me like super powers as much as just classical martial arts mythology. Our hero Wu-Lin (Song) is the last master of a secret fighting style, the Iron Kick. His feet have stayed encased in metal boots for ten years as part of mastering the technique, so that’s where the Iron comes in. (read the rest of this shit…)

Nightshooters

Thursday, February 21st, 2019

NIGHTSHOOTERS is a low budget 2018 UK action movie that starts out feeling like a broad indie comedy but turns deadly serious when its regular non-warrior characters start getting killed. It takes place over one night as a small guerrilla film crew shooting without permission in an about-to-be-demolished office building happen to witness gangsters setting a guy on fire and have to fight for their lives.

Like so many movie-within-a-movie movies, it opens with their horror movie in progress, a zombie action film called DAWN OF THE DEADLY. It’s interesting because there are plenty of horror movies about people making a horror movie and encountering real horror (DESTROYER, SHADOW OF THE VAMPIRE, DIARY OF THE DEAD, CUT, THE DEAD HATE THE LIVING, FURRY NIGHTS), but I don’t know of any other action ones. And this very much has the feel of a homegrown horror movie, from the type of characters (a little overly dickish, but eventually turning sympathetic) to the references to favorite movies. In this case, though, they’re not tipping the hat to horror movies – they talk about wanting their cinematography to look like JOHN WICK, and their star brags about being in a scene with Scott Adkins. It’s a weird feeling to see movie characters who know who Scott Adkins is. Even in the real world you gotta run in the right circles for that. (read the rest of this shit…)