"CATCH YOU FUCKERS AT A BAD TIME?"

Archive for the ‘Action’ Category

China Strike Force

Wednesday, May 15th, 2019

Some of the great western martial artists have a Hong Kong movie or two under their belts. Cynthia Rothrock did YES MADAM, ABOVE THE LAW, etc. For Brandon Lee it was LEGACY OF RAGE. Darren Shahlavi had TAI CHI II and IP MAN 2. Gary Daniels had CITY HUNTER. Scott Adkins was in that movie EXTREME CHALLENGE. Michael Jai White was in SILVERHAWK.  And of course Paul Rudd stars in GEN-X COPS 2: METAL MAYHEM.

I’ve already noted the heavy Hong Kong cinema influence on Mark Dacascos movies including CRYING FREEMAN and DRIVE, but in this Hong Kong production filmed in Shanghai for the international market he actually got to be for-real directed and choreographed by the legendary Stanley Tong (SWORDSMAN 2, SUPERCOP, SUPERCOP 2, RUMBLE IN THE BRONX, FIRST STRIKE).

It was filmed in both English and Cantonese, so most of the characters don’t seem dubbed. Dacascos plays the lead villain, Tony Lau, a young gangster who’s trying to get his mentor Uncle Ma (Lau Siu-Ming, ABOVE THE LAW, A BETTER TOMORROW II, POLICE STORY 2) to add drug imports to his criminal portfolio. Uncle Ma is dead set against it – he’s able to pay off the police partly because he stays away from drugs – but he agrees to meet with Tony’s American friend (Coolio, BATMAN & ROBIN, DAREDEVIL) about it out of politeness. (read the rest of this shit…)

Sanctuary

Tuesday, May 14th, 2019

SANCTUARY (1998) is not The Great American Mark Dacascos Vehicle, but it’s pretty enjoyable classical DTV (or in this case straight-to-cable, I believe) action, the kind that made me fall in love with the format in the first place. Yes, it’s messy, at times confusing or befuddling. It’s kinda gloomy looking, sometimes there are iffy line deliveries, and there are definitely parts that I laugh at that I’m not supposed to. But also there’s some showcasing of a cool actor I like, pulpy traditions of the genre are exercised, and when something really cool happens there’s a sense of underdog achievement. You’re really pulling for it to be good.

It has a convoluted chronology: it starts with our Catholic priest hero Luke Kovak (Dacascos a year after DRIVE) in a Vatican interrogation room being questioned in Italian about what happened six days ago when he got attacked by some killers from his secret past. From the story of six days ago it keeps flashing back to the larger backstory of his former career doing dirty deeds for the government and why he went into hiding to get away from it. A few times he even remembers his childhood, when a priest was his role model until Dyson (Alan Scarfe, CATHY’S CURSE, IRON EAGLE II, LETHAL WEAPON 3) took him and some other orphans and raised them to be experts in martial arts, guns and spycraft. (read the rest of this shit…)

Kickboxer 5: The Redemption

Monday, May 13th, 2019

“He’s a butcher. A madman. His charm and intelligence make him more dangerous than a cobra.”

Life is cheap in the world of KICKBOXER. Every time the hero doesn’t do a sequel, he gets unceremoniously murdered. It happened to Kurt Sloane (by way of a lookalike) in KICKBOXER 2, and now it happens to David Sloane (through the medium of silhouetted double) in KICKBOXER 5. David (offscreen) refuses to join a new South African kickboxing league, and they have him beaten to death. At least he manages to break the leg of one of his attackers (Tony Caprari, TARZAN AND THE LOST CITY), who will be on crutches for the rest of the movie.

Also worth very little in this series: subtitles. Maybe THE ROAD HOME has legitimate interpretations, and THE ART OF WAR could apply to pretty much anything, but THE AGGRESSOR was a headscratcher and THE REDEMPTION has no practical plot application. Maybe that’s where the American distributors got the idea to rename THE RAID.

But if we follow my usual rule of going by what it says on the opening titles, it’s just THE REDEMPTION, no KICKBOXER in the title at all. And for what it’s worth, the fake David Sloane smashes that title with a flying kick. (read the rest of this shit…)

Kickboxer 4: The Aggressor

Thursday, May 9th, 2019

The time has finally come to return to the original KICKBOXER series. We’ve had fun with the new ones, KICKBOXER: VENGEANCE (2016) and KICKBOXER: RETALIATION (2018). And of course we know and cherish the 1989 original in which Jean-Claude Van Damme as Kurt Sloan clashes with the psychotic Muay Thai champion Tong Po, who had paralyzed his brother in the ring. KICKBOXER 2: THE ROAD HOME (1991) has both Sloan brothers gunned down and introduces a third, previously unmentioned brother named David (Sasha Mitchell) to bring back the family tradition of defeating Tong Po for revenge. That’ll teach him to murder.

I admit I had somewhat forgotten KICKBOXER 3: THE ART OF WAR (1992), but it mixed it up in a fun way by having David and mentor Xian go vigilante and rescue young women from sex traffickers while in Rio for a championship match.

KICKBOXER 4: THE AGGRESSOR (1994) brings back part 2 director Albert Pyun (CYBORG) and opens with a 4-minute clip show as David recaps the events of parts 1-3 in a letter from prison. Much more time seems to have passed in the story than the two years between direct-to-video releases. Since we last saw David Sloan he apparently fell in love, got married, opened a martial arts school, worked for the DEA “trying to bring a major dealer to the U.S. for trial,” but got busted for killing the guy. “It was him or me. Tong Po saw to that,” he explains, if that counts as explaining. (Other times he says Tong Po framed him.) (read the rest of this shit…)

Nowhere to Hide

Tuesday, May 7th, 2019

The humble 1987 action drama NOWHERE TO HIDE opens with soldiers playing war games in the woods, wearing camo and motorcycle helmets, shooting each other with paint pellets. One participant is clearly dominating, creeping around, popping out of hiding places, “killing” them all off one by one. And there’s no point in a dramatic de-helmeting – we can already see that this is a woman winning this game. A small one.

Did she even have a team when they started? Or was this some major handicapping? I don’t know, but she wipes the other side out and takes their Major captive… and then the two of them take their helmets off and kiss. This is Barbara Cutter (Amy Madigan, THE DARK HALF) and her husband Rob (Daniel Hugh Kelly, CUJO).

Before they get into their helicopters to leave, Rob looks up into the hills and muses that “He’s up there.” We will later learn that he’s talking about his hermit brother Ben (Michael Ironside around the time of EXTREME PREJUDICE and PROM NIGHT II), who indeed lives with a couple of dobermans in an isolated cabin on the edge of a cliff above a waterfall, accessible by rope bridge. (read the rest of this shit…)

Miss Bala (2019)

Monday, May 6th, 2019

SPOILERS for both MISS BALAs

You may find this shocking, but the American remake of the great 2011 Mexican film MISS BALA is not as good as the original. Director Catherine Hardwicke (THIRTEEN, LORDS OF DOGTOWN, THE NATIVITY STORY) doesn’t Hollywood it up quite as much as the trailer made me think she might, but maybe she should’ve. She stays maybe 75% faithful to the original, maybe more, but the normal, slick style severely blunts the impact of the story compared to the previous suspensefully long, unblinking takes and documentary-like realism. It goes from an intense CHILDREN OF MEN type of style that puts you in the middle of it all with the protagonist to just some random, normal TAKEN sequel or something. And the major story changes that do happen are, in almost all cases, less interesting than the earlier version.

It might seem okay if I hadn’t seen the original. Gina Rodriguez (ANNIHILATION) is quite good in the lead. In this version her name is Gloria Fuentes and she’s an American citizen returning to Tijuana to visit her friend Suzu (Cristina Rodlo, The Terror) and help her with her makeup when she tries out for the Miss Baja California pageant. After an audition they go to a party where her friend tries to flirt with the corrupt chief of police (Damian Alcazar, MEN WITH GUNS), who supposedly has some sway over who wins the pageant. So they’re there when members of the Las Estrellas gang come in to massacre the police, and Gloria, having seen them sneak in while she was in the bathroom, escapes alone. (read the rest of this shit…)

Lady Snowblood: Love Song of Vengeance

Wednesday, May 1st, 2019

Recently Kazuo Koike passed away of pneumonia at the age of 82. A legendary and prolific manga writer, Koike’s comics were the basis of several movies I’ve reviewed: HANZO THE RAZOR: SWORD OF JUSTICE, LADY SNOWBLOOD, THE DRAGON FROM RUSSIA, CRYING FREEMAN, and most famously the LONE WOLF AND CUB series (for which he was also a screenwriter). I love his stories, which often combine interesting historical detail with colorful pulp concepts, and are always centered on characters who live casually, confidently extreme lives. Though some are hired killers and outlaws bitter toward a society that has betrayed and rejected them, they live by codes of honor that frequently lead them to fighting for the oppressed against the cruel and the corrupt. This is definitely the case in LOVE SONG OF VENGEANCE, the only sequel to LADY SNOWBLOOD. Criterion released the pair as a set a couple years ago and this sad occasion finally inspired me to pick it up. (read the rest of this shit…)

Drive

Thursday, April 25th, 2019

Unless you count an IMDb listing for an unreleased movie called SIRENS OF THE DEEP (2000), the final (so far) feature film directed by Steve Wang is the 1997 under-the-radar Mark Dacascos action romp DRIVE. Dacascos (ONLY THE STRONG) plays Toby Wong (a RESERVOIR DOGS reference?), reformed Chinese assassin on the run from a corporation trying to reclaim the advanced strength-and-acrobatics-enhancing implant they put in him. Attacked in a bar, he commandeers lonely divorcee Malik (Kadeem Hardison, DEF BY TEMPTATION) and his car, and the two end up becoming buddies, driving around the L.A. area trying to avoid a team of mercenaries led by redneck Vic Madison (John Pyper-Ferguson, who’s also in the Nicolas Winding-Refn movie called DRIVE) and his personal Bob the Goon, Hedgehog (Tracey Walter, CYBORG 2), who when not shooting at them hang out in a mobile home like Justified villains. Vic has long hair, wears a bolo tie and sunglasses seems too proud of his rock ‘n roll cowboy look. I was so relieved when he switched to pony tail and tactical gear. (read the rest of this shit…)

Guyver: Dark Hero

Wednesday, April 24th, 2019

“I prefer the second one because the first one I had no control over the content. I got into big fights with the producer because he wanted to make a kids film and I wanted to keep the tone of the original anime. In the end, the film turned out like crap in my opinion. I did GUYVER 2 on my own for less than 1/4 the budget of the first GUYVER, but in exchange, I had total control of the film.” –Steve Wang to Nerd Society, 2009

GUYVER: DARK HERO (a.k.a. THE GUYVER 2) not only improves on the Tokusatsu-inspired martial-arts-‘n-monsters fun of director Steve Wang’s earlier work, but does it with vastly improved cinematic storytelling and the confidence to take itself seriously. This is a legit sci-fi/martial arts movie that starts as a dark super hero vigilante story, veers into weird ancient alien alternate history, and builds to a bunch of monster battles that are kinda like Power Rangers except the monsters might get their eyeballs poked out or cough up a bunch of blood. I’m not saying an R-rated version of that is subversive, I’m just saying it’s fun to watch. (Note: stunt coordinator Koichi Sakamoto was and would continue to be a director, producer, writer and choreographer on Power Rangers shows for 20 years.) (read the rest of this shit…)

Guyver (a.k.a. The Guyver)

Monday, April 22nd, 2019

GUYVER, a.k.a. THE GUYVER is a 1991 sci-fi/martial arts b-movie that I saw back in the day and decided to revisit when I did that Polygon piece on ’90s comic book movies. The idea comes from a manga that had also been turned into anime, which is pretty apparent just from the look of the main character.

Jack Armstrong (STUDENT BODIES) plays Sean Barker, a blandly handsome karate student who finds an alien super weapon hidden in some garbage (much like Stanley finding a magic mask in the river in THE MASK) and it merges with his body, giving him the power to encase himself in bio-mechanical armor and weaponry. We know he’s mixed up in an ancient intergalactic war because of some detailed text and narration that opened the movie. It started by saying:

“At the beginning of time, aliens came to the Earth to create the ultimate organic weapon. They created Mankind. By planting a special gene into man they created the ZOANOIDS — Humans who can change at will into super monster soldiers.” (read the rest of this shit…)