Archive for the ‘Action’ Category
Tuesday, January 4th, 2022
I had been pretty excited for SNAKE EYES: G.I. JOE ORIGINS, but I was skeptical about director Robert Schwentke (R.I.P.D.) so when it came out and everybody said the action scenes were unwatchable I put off seeing it. I don’t know if the tempering of expectations helped, but catching up with it on video I found it was pretty much the enjoyable studio b-movie I had been hoping for.
Maybe there’s a better word for that, but it’s a category I appreciate: mainstream studio theatrical releases with huge budgets compared to the DTV stuff we love, but without any expectations of either being giant hits or critical successes. Unpretentious, crassly commercial movies, sometimes seemingly out of touch with what is considered cool at the moment, all generally seen as lowbrow also-rans, whether or not their creators had higher aspirations. Stuff like non-FAST Vin Diesel movies, most of the video game and/or Milla Jovovich movies, fantasy sword guy movies, Rob Cohen and P.W.S. Anderson movies. I know not to hold them to my normally stringent artistic standards and just hope for a satisfying mix of pretty cool, kinda stupid, hopefully excessive in some goofy way, maybe in some ways better than most people were gonna give them credit for. (read the rest of this shit…)
Tags: Andrew Koji, Anna Waterhouse, based on a toy, Bojan Bazelli, Eri Ishida, Evan Spiliotopoulos, Haruka Abe, Hasbro, Henry Golding, Iko Uwais, Joe Shrapnel, Kenji Tanigaki, Peter Mensah, Robert Schwentke, Samara Weaving, Steven Allerick, Takehiro Hira, Ursula Corbero
Posted in Action, Martial Arts, Reviews | 32 Comments »
Wednesday, December 29th, 2021
“I’m sorry. How could I know this would happen?”
“We didn’t understand all of it back then. No more than we do now.”
(you have entered THE SPOILERTRIX)
When I saw the first trailer for THE MATRIX RESURRECTIONS, it wasn’t what I expected. That is to say that it seemed like the sort of thing you would expect from a normal 2020s “legacy sequel” to an old series: bringing back some of the original stars, addressing that they are older now, stripping away some of the excesses of previous sequels, visually and otherwise referencing famous scenes specifically from the first movie. Which is all fine and good, but I figured they must be hiding something, because I didn’t believe Lana Wachowski (working without Lilly, who wanted to take time away from the industry) would come back to THE MATRIX after 18 years just to do something normal. I was betting on her having come up with some weird approach that even if I didn’t like it very much I would respect, as was the case with CLOUD ATLAS and JUPITER ASCENDING.
RESURRECTIONS might be the most accessible movie a Wachowski has made since the original MATRIX, but I don’t think I was wrong. This is a filmmaker making the movie she wants to and not what she thinks anyone else wants, therefore ending up with something no one else would’ve made. And I’m happy to say that I more than respected it. I kind of loved it. Though I wasn’t sure at first. (read the rest of this shit…)
Tags: Andrew Caldwell, Carrie-Anne Moss, Chad Stahelski, Christina Ricci, Daniele Massaccesi, Erendira Ibarra, Jada Pinkett Smith, Jessica Henwick, John Toll, Jonathan Eusebio, Jonathan Groff, Joshua Grothe, Keanue Reeves, meta, Neil Patrick Harris, Scott Rogers, Tiger Hu Chen, video games, Wachowskis, Yahya Abdul-Mateen II
Posted in Action, Reviews, Romance, Science Fiction and Space Shit | 68 Comments »
Monday, December 20th, 2021
COPSHOP is the latest smart-alecky, artfully lowbrow violencefest from director Joe Carnahan (rewriting a script credited to Canadian financial advisor Kurt McLeod, story by Mark Williams [HONEST THIEF]). I tend to like Carnahan’s work more than dislike it, and I like that he seems to have settled on Frank Grillo (THE GREY) as his main guy and gotten a little better grip on the collar of that SMOKIN’ ACES chaos he likes to set loose. In both this and last year’s time-loop movie BOSS LEVEL Carnahan has found a good balance between the macho rowdiness, the cleverness and touches of sentimentality, and given Grillo a good sleazy-likable-asshole-antihero-fuckup to play.
I guess he’s more anti and less hero in this one. It’s clearly a modern western, and if it’s THE GOOD, THE BAD AND THE UGLY he sure ain’t the good. But his main motivation throughout the movie is to warn his ex-wife and daughter that they’re in danger, so how could we completely hate him? He plays Teddy Murretto, a Vegas (or Reno?) fixer on the run with a bag of something valuable. On foot with time running out, enemies closing in and nowhere to go, he punches a random cop so that he can hide out in a jail cell. (read the rest of this shit…)
Tags: Alexis Louder, Chad L. Coleman, contemporary western, Frank Grillo, Gerard Butler, Joe Carnahan, Jose Pablo Cantillo, Kurt McLeod, Ryan O'Nan, Toby Huss, Tracey Bonner
Posted in Action, Crime, Reviews | 15 Comments »
Thursday, December 16th, 2021
When the second half of the 2-part MATRIX sequel begins, our hero Neo and antagonist Agent Smith are both displaced from their regular realities. Smith has somehow transferred his computer-program-consciousness into the organic human body of Bane, only survivor of the destroyed Nebuchadnezzar, now in the sick bay of the Hammer next to comatose Neo, whose mind is trapped in a purgatorial subway station in a virtual world separate from The Matrix.
Yeah, the sequels get complicated. We learn that programs inside The Matrix are regularly deleted, but some try to escape that fate. The subway is a black market means of smuggling exile programs in and out of the Matrix or the Machine City (01?) mainframe. This is all overseen by the Merovingian, with the subway itself operated by his employee The Trainman, a scary dude played by Bruce Spence, a.k.a. the Gyro Captain in THE ROAD WARRIOR and Jedediah in MAD MAX BEYOND THUNDERDOME. (read the rest of this shit…)
Tags: Bernard White, Bruce Spence, Carrie-Anne Moss, Collin Chou, Hugo Weaving, Ian Bliss, Keanu Reeves, Laurence Fishburne, Mary Alice, Monica Bellucci, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 20 Comments »
Wednesday, December 15th, 2021
THE MATRIX RELOADED may have been the most highly anticipated but immediately rejected sequel of my lifetime. I’m not just excluding PHANTOM MENACE for being a prequel – whatever happened in the rest of the world, I honestly didn’t experience many people hating it until months later, at least. With RELOADED it was pretty instant.
It was the only MATRIX movie I reviewed upon release, so you can click here to see my kinda dumb, mostly still applicable 2003 thoughts on the matter. I seemed to be fielding a backlash against the original MATRIX movie as well as people hating RELOADED, but it was only the latter I found myself feeling I had to defend over the years.
I do think I partly understand why people were disappointed. THE MATRIX ends on a perfect note of letting us imagine what’s next in the “world where anything is possible.” Any definitive answer of what happens next has a hard time competing with the electric feeling of not knowing. Especially when part 1 was a carefully constructed machine of concept, explanation and payoff, while part 2 kind of wanders through a labyrinth of tangential notions and questions before it gets to the battle it’s been promising. And it cuts off in a cliffhanger well before said battle. (read the rest of this shit…)
Tags: Anthony Zerbe, Carrie-Anne Moss, Cornel West, Daniel Bernhardt, Gina Torres, Gloria Foster, Harold Perrineau, Harry Lennix, Helmut Bakaitis, Hugo Weaving, Ian Bliss, Jada Pinkett Smith, Keanu Reeves, Lambert Wilson, Laurence Fishburne, Monica Belluci, Nathaniel Lees, Nona Gaye, Randall Duk Kim, Tiger Hu Chen, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 31 Comments »
Monday, December 13th, 2021
THE MATRIX is, I continue to believe, one of The Great Movies. It absolutely holds up today, and also it reminds me so much of then. I will always remember what it felt like when this was a new movie, and our entire understanding of the MATRIX story. When we all imagined where it would go next, and then we had a couple years enjoying or rolling our eyes at all the movies obviously influenced by it, whether that means corny outfits and techno music or that brief, glorious window when Hollywood actors could be convinced to spend months preparing for action scenes with the great Hong Kong choreographers. But mostly I like to remember what it felt like to be surprised by it. Going in wondering if it would be good and then coming out knowing it was this.
I did have hopes. I had come to respect Keanu Reeves’ taste in movies after SPEED and, say what you will, JOHNNY MNEMONIC. I liked BOUND and it was exciting to see directors like that doing a sci-fi movie. And then a day or two before it came out I heard something about there being kung fu in it? So it wasn’t completely out of the blue that it was good. But I don’t think I was expecting something that a couple decades later would still be thought as highly of as the fucking MATRIX is. (read the rest of this shit…)
Tags: Bill Pope, Carrie-Anne Moss, Chad Stahelski, cyberpunk, Joe Pantoliano, Joel Silver, Keanu Reeves, Laurence Fishburne, Tiger Hu Chen, Wachowskis, Yuen Woo-Ping
Posted in Action, Martial Arts, Reviews, Science Fiction and Space Shit | 58 Comments »
Monday, December 6th, 2021
Mario Bava’s DANGER: DIABOLIK stars John Phillip Law, who to me will always be Pygar, the blind angel of love from BARBARELLA. This one came out earlier the same year, 1968, and kinda seems like BARBARELLA’s evil crime movie cousin. It is in fact another Dino De Laurentiis international co-production based on a comic book, and reportedly uses some of the same sets (though I’m not sure which ones). It feels very much like a super hero movie at the beginning: we hear police talking about Law’s character Diabolik as some kind of legendary figure, he first appears in a long black car (Jaguar, not Batmobile), he shows up in a mask, does his thing, makes an escape to a secret entrance to an amazing hidden base inside a cave. But this guy is no super hero, he’s just a thief with a whole lot of flair.
Police Inspector Ginko (Michel Piccoli, THE DISCREET CHARM OF THE BOURGEOISIE) is determined to not let Diabolik steal the $10 million that needs to be transported, going out of his way to deliver decoy money and send the real shipment in a Rolls-Royce with cops disguised as diplomats. But that car finds itself engulfed in plumes of multi-colored smoke and then lifted up by a crane operated by by Diabolik. The camera zooms in on him for a diabolical laugh when the title comes up. (read the rest of this shit…)
Tags: Carlo Rambaldi, Dino De Laurentiis, Ennio Morricone, fumetti, John Phillip Law, Lamberto Bava, Mario Bava, Marisa Mell, Michel Piccoli
Posted in Action, Comic strips/Super heroes, Crime, Reviews | 25 Comments »
Thursday, December 2nd, 2021
I’m still catching up with these RUROUNI KENSHIN movies. I really recommend RUROUNI KENSHIN PART I: ORIGINS (2012), and I watched RUROUNI KENSHIN II: KYOTO INFERNO (2014) a while back and then this one. I got caught up and didn’t finish that review until now but I wanted to finish before I watch this year’s final two installments.
RUROUNI KENSHIN PART III: THE LEGEND ENDS (2014) continues from the cliffhanger of part II, in which our no-longer-believing-in-killing samurai hero Kenshin (Takeru Satoh, SAMURAI MARATHON) had leapt from the pirate ship of aspiring-Japan-conqueror Shishio (Tatsuya Fujiwara, BATTLE ROYALE), failed to save his pacifist sword master friend Miss Kaoru (Emi Takei, TERRA FORMARS), and washed ashore on some beach, to be discovered by a mysterious dude. But the story slows down for a while, correctly judging that part II has earned the filmatists our trust and the right to take a breath and dig into the characters and the melodrama for a while. (read the rest of this shit…)
Tags: Emi Takei, Keishi Ohtomo, Kenji Tanigaki, Masaharu Fukuyama, Munetaka Aoki, Ryunosuke Kamiki, Takeru Satoh, Tatsuya Fujiwara, Yosuke Eguchi, Yu Aoi, Yusuke Iseya
Posted in Action, Comic strips/Super heroes, Martial Arts, Reviews | 2 Comments »
Wednesday, December 1st, 2021
GUARDIAN ANGEL is a 1994 Cynthia Rothrock joint from PM Entertainment, directed by Richard W. Munchkin (RING OF FIRE) and written by Joe Hart (REPO JAKE, STEEL FRONTIER). It’s not one of the better crafted Rothrock pictures, but it’s a worthwhile grade of ridiculousness.
Rothrock stars as Christine McKay, who’s working as a cop when we first meet her. And she’s at a great place in her life. Staking out a public park undercover as “lady standing next to ice cream truck,” she shows off her engagement ring to her partner and confesses that she never thought she’d marry a cop. Then the shit goes down: two groups totaling around 25 people show up at the park to discuss a counterfeiting transaction.
McKay makes the very questionable choice to run by herself toward these gangs firing her gun in the air. The sound causes them to start fighting and shooting at each other. She personally beats the shit out of several of them before backup arrives. (read the rest of this shit…)
Tags: Aharon Ipale, Art Camacho, Cynthia Rothrock, Daniel McVicar, Joe Hart, John O'Leary, Ken McLeod, Lydie Denier, Marshall Teague, PM Entertainment, Richard Norton, Richard W. Munchkin
Posted in Action, Martial Arts, Reviews | 4 Comments »
Monday, November 29th, 2021
HYDRA (2019) is a modest Japanese crime movie that I enjoyed for its simplicity. It begins harshly, with a very efficient killing and disposal of a guy in a public restroom. The very human detail that the victim can’t stop peeing as he’s stabbed and dragged from the urinal to a stall ups the disturbing factor by about 150%. And that’s before we see a man wearing tight swimming trunks (Takashi Nishina, GAMERA 3: REVENGE OF IRIS) so he can chop up the body and then hose himself off before giving a few chunks as treats to his piranhas. Seems like he’s got the process down pat.
They have a whole system, because this is some kind of organization that murders crooked cops. Reading other people’s reviews maybe this is a vigilante anti-corruption kind of thing, but I got the impression from the dialogue that it was more like a coverup, getting rid of the guys who go so far they become liabilities. (read the rest of this shit…)
Tags: Hi-Yah! Exclusive, Masanori Mimoto, Naohiro Kawamoto, Takashi Nishina, Tasuku Nagase
Posted in Action, Crime, Martial Arts, Reviews | 3 Comments »
