Posts Tagged ‘Stephen King’

The Running Man

Tuesday, May 12th, 2009

tn_runningman1Arnold Schwarzenegger is… THE RUNNING MAN. That’s actually what it says on the credits, which makes me feel good, makes me proud to be an American. In fact, I’m gonna make a new tag for this review called “is…” If you can think of some other movies where the star “is…” the title, let me know. But only if it’s in the actual opening credits, not just the trailer or the poster, at least for now. We’ll see how many we can find.

THE RUNNING MAN was a book Stephen King wrote in 1982 when he was on the lam and hiding out under the alias Richard Bachman. I read it back in the ’80s so I don’t remember it in much detail, but I’m pretty sure it wasn’t the same kind of goofy cartoon shit as the movie. It was about a brutal game show of the future where contestants tried to get across the country without being killed. I think there were bounty hunters after them, but also they’d become famous through the show and regular people would try to kill them to collect a reward. It’s like American Idol except instead of participating by calling in you do it by shooting at the guy. The main character was kind of like Kowalski in VANISHING POINT, he ended up capturing the hearts of everybody at home and they started rooting for him to get away.

The book was written before “reality TV” even existed. There wasn’t even COPS or THE REAL WORLD. It could’ve been influenced by DEATH RACE 2000, but I still give King credit for predicting this type of shit. When THE AMAZING RACE started I thought shit, we’re half way there. Just cross this with AMERICA’S MOST WANTED.

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Pet Sematary

Friday, October 31st, 2008

This month I’ve done a pretty good job of picking out the best mid-level Stephen King pictures, the INCBIS’s (it’s not CARRIE, but it’s solid). I didn’t think PET SEMATARY would hold up very well, but I was wrong, this was another good one. Good job, PET SEMATARY. Here’s a treat.

It’s a relief to see a Stephen King story where the main guy is not a writer and his marriage is not in trouble. This is the story of happily married doctor Louis Creed and his family of 2 kids and a cat moving to a new town in a house right along a popular trucking route. The road is so dangerous there’s a large pet sematary (sic) nearby, so they start worrying about their cat Winston Churchill. Their worries are not unfounded. But also they should keep an eye on their youngest kid in my opinion. (implied spoiler)

So you got pets and children getting run over, a real fun time at the movies, right? But wait, there’s more. The ghost of a guy the doctor tried to help has been warning him in his nightmares about how he should not do this one thing which, coincidentally his across-the-street neighbor (Herman Munster) shows him how to do: he buries his cat in a Native American burial ground so it will later come back to life.

The cat does come back (the very next day, they thought it was a goner, etc.), but now it’s mean and its eyes glow and it smells like shit. Not sure if it’s cat shit or regular shit but the point is Church smells terrible. Not a fitting tribute to the noted statesman and orator. This zombie cat situation is no good, but at least Dr. Louis didn’t have to admit to his daughter that her cat was dead. So it’s a mixed bag. (more…)

Cujo

Saturday, October 18th, 2008

Everybody loves dog movies if the dog is named Air Bud or is a descentdant of Air Bud, and he plays basketball or football, or rides a skateboard or wears sunglasses. But what if the dog’s sport was hunting, and furthermore what if his prey was THE ULTIMATE PREY – MAN. Same prey that Predator chose, in other words. Not so adorable now, is it?

CUJO is another solid Stephen King picture with a high concept about people with marital difficulties being terrorized, but for once it is not a haunted object that terrorizes them, it is a dog haunted only by a viral zoonotic neuroinvasive disease that causes acute encephalitis in mammals. Cujo got his rabies from a bat (the unsung villain of this piece, if you ask me) so now he’s kind of confused and taking his car chasing duties a little too serious. So when the mom from E.T. and the kid from “Who’s the Boss?” get stranded in their car on his property it creates a conflict. There is a strong disagreement about whether or not the dog should be allowed inside the car, basically.

Dee Wallace’s character is married to Daniel-Hugh Kelly, but having an affair with Christopher Stone (the man who put the Stone in Dee Wallace Stone). She just broke off the affair, but also her husband just found out about the affair, so both of the men are pissed at her right now. And the Pinto needs repairs, so she brings it out to the mechanic who owns Cujo and who, it turns out, is not available (i.e. dead). So the car breaks down in the driveway and there’s nobody to help.

Cujo is named after the leader of the Symbionese Liberation Army, played by Ving Rhames in PATTY HEARST. But the dog does not share those radical views. He just likes chasing rabbits and, sometimes, people. Like Bruce Wayne he stumbles across a bat cave and it changes his life forever. But instead of channeling the experience into good Cujo just gets slimy and bites some people to death. (more…)

1408

Wednesday, October 15th, 2008

To be honest I had written off the possibility of good Stephen King-based movies a while back. It seemed like that whole thing had run its course, but then I saw THE MIST and that was an enjoyable one. So I gave 1408 a shot, what the hell.

John Cusack plays a writer of haunted places guidebooks travelling around to allegedly haunted rooms, testing them, staying the night and writing about them. But he’s kind of a dick about it and doesn’t even believe in ghosts. And it’s indicated that something tragic happened in New York that caused him to leave his wife. But now he wants to go back to New York for the first time to stay in this room he found out about, 1408 at the Dolphin, where a whole bunch of people have killed themselves. And of course he gets in, the room terrorizes him for real, he learns about himself and explores the traumas of his life and faces why he left his wife. Spoooooky.

This is kind of off-topic here, but over the last year or so I have found myself in strong opposition to the sarcastic “really?” You know, let’s say someone is riding their bicycle on the sidewalk and they crash into you, and they say, “Hey, watch where you’re going!” You would turn your voice real snooty and seay “Really? You’re riding your bike on the sidewalk and you’re really gonna blame me for this?” That’s the sarcastic “really?”, and in that case it’s kind of justified. But more often than not the technique is being abused, used to feign incredulousness at things that aren’t that extreme. It’s overused. Some of my friends use it too much, John Stewart uses it too much, Saturday Night Live Weekend Update even has a whole segment based around it. Really? You’re really gonna do a whole segment called “Really?” I say quit it. (more…)

The Mist

Thursday, March 27th, 2008

THE MIST is called THE MIST because it’s a cool and refreshing vapor of soothing horror quality in a sea of crappy bombast. Also because it’s about a mysterious mist that surrounds a small town and when they go into it there’s monsters. The small town is Castle Rock, Maine and you know what that means: based on a Stephen King story. The weird thing is the hero, Thomas Punisher Jane, is not an alcoholic writer, he is a guy who paints movie posters exactly like Drew Struzan (he even painted the poster for THE THING, just like Drew Struzan did, and came up with the same poster). So this is real new territory for Stephen King.
After a storm wrecks Tom Jane’s painting, his window, his boathouse, and his asshole neighbor’s Mercedes he takes his son and the neighbor (the great Andre Braugher of TV’s HOMICIDE: LIFE ON THE STREET) to the Food House grocery store. The place is chaotic with everybody stocking up in case of more storm and you can imagine how much worse it gets when The Mist traps everybody inside. By the way, even though this is Stephen King the grocery store is not possessed, not even the mist is possessed, it’s just mist that happens to surround monsters, which may or may not be possessed. I’m not really sure if monsters can be possessed or not, I have not considered this before.

There’s kind of a microcosm thing going on here. The story shows how people turn on each other due to fear. At first they band together and they trust the authority of the guys in uniform (strangely I’m talking about the guys with the Food House aprons, not the three uniformed soldiers who happen to be there). But as things get crazier tensions rise, they argue, they split into teams. Working class don’t trust college boys. Locals don’t trust out of town vacationers. Out-of-towners think locals are talking shit about them. The biggest split is religious when Marcia Gay Harden believes these are the end times, starts preaching, develops a flock. (more…)

The Dead Zone

Monday, December 3rd, 2007

Revisiting THE DEAD ZONE for the first time since the ’80s is kind of a trip. I didn’t know who David Cronenberg was back then so I didn’t know it was one of the most commercial movies he’d ever make. No weird phallic lumps, all vaginas presumably in the right spots. It’s an eery thriller with a cold, wintery atmosphere and a good idea from Stephen King. If you don’t remember, Chris Walken is a guy who gets into a car accident, wakes up from a coma and soon starts having premonitions. Sometimes when he touches somebody he finds himself in some traumatic future event. So he uses this to save children, catch a killer, etc., and becomes a local hero.

Walken of course is real good. He’s such a weirdo, but he gets to joke around, be kind of a charmer, and also be pissed off at this turn of events that people tell him is a “gift” even though it’s ruined his life. Cronenberg plays up the tragic love story. Walken and his old girlfriend still love each other, but while he was in the coma she got married and had a kid. So it’s tough. Not much you can do there that’s gonna make you happy in the long run.

It’s definitely up there with the better Stephen King movies, but I gotta say it’s no CARRIE. Both have these events you never forget, but no matter how many times I watch CARRIE it still gets me in the gut because you know exactly the horrible thing that’s gonna happen and De Palma wrings every drop of tension he can from it, taking his sweet time, making you waaaaaaaaaaaaait for it. Very. Very. Slowly. As good as Cronenberg is he’s not that masterful with DEAD ZONE. It’s a cool idea – he sees a vision of a senatorial candidate starting WWIII and decides he has to assassinate him – but it happens pretty quick and then it’s over with. You kind of expect it to be drawn out more.

The weird thing about the movie that I didn’t remember is there are two crazy things that happen that I just can’t buy in this somewhat down-to-earth story. I’m not talking about the part where a guy commits suicide by propping up a pair of scissors and lowering his mouth onto it. That’s how you know it’s a Cronenberg movie, but it works perfectly well in context. There were a couple other things that were too much though. (more…)

Christine

Saturday, January 1st, 2005

I don’t know if you remember this movie, it’s about a haunted car. In other words, it’s based on a Stephen King book. And that also means it’s a 50’s car that plays old Little Richard songs and crap while it kills people. I know the filmatists today are bad, they gotta put references to all the TV shows and movies from their childhood, but Stephen King is the original. This guy has been cannibalizing his childhood for decades. And also he’s been making up stories about inanimate objects killing people. Killer laundry machines and shit like that. Remember in the TV movie version of THE SHINING, there was a haunted fire hose that killed a guy? It’s alot like that only a car.

Actually, it’s a better movie than I remember it being when I saw it back in the ’80s, and I’m going to give most of the credit to Mr. John Carpenter. I’m not saying this is HALLOWEEN or THEY LIVE but it’s a good straightforward haunted car movie. The movie stars Keith Gordon (the kid from HOME MOVIES and DRESSED TO KILL) as a nerdy kid whose jock buddy tells him he needs to get laid now that he’s a senior and who gets his ass kicked in metal shop. They stab his sack lunch to death with a switchblade and he suffers the humiliation of everybody seeing that his mom packed him yogurt.

So what he does, he finds this old piece of shit car that he buys from a crazy old coot in a shack (Roberts Blossom, who was fucking brilliant in DERANGED). The old man doesn’t tell him that his brother just died in the car but he does tell him it’s named Christine. And that’s what the kid always calls it, “Christine,” not “my car.” And everybody acts like that’s normal, for some reason.

His parents don’t approve of the car so he gets a space in a garage inside a junkyard and starts fixing Christine up. This was before the invention of Pimp My Ride, so he puts the elbow grease in himself and he gets the job done. As he does it he becomes less nerdy, more manly, wears darker clothes, slicks his hair back, even starts wearing his collar up like he thinks he’s in the ’50s. Suddenly he has a girlfriend and he has the balls to call his dad “motherfucker” but nobody can really stand him because he’s obsessed with the fucking car. I mean Christine. (more…)