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Posts Tagged ‘Martin Scorsese’

The Wolf of Wall Street

Monday, December 30th, 2013

tn_wolfofwallstreetTHE WOLF OF WALL STREET is the incredibly entertaining new movie from director Martin Scorsese (Michael Jackson’s BAD), based on the memoir of scumbag fraudulent stockbroker Jordan Belfort (executive producer of SANTA WITH MUSCLES), adapted by Terence Winter (writer of a 50 Cent video game and 2 episodes of The Cosby Mysteries). Leonardo DiCaprio (POISON IVY) plays Belfort in the saga of his meteoric rise from innocent Wall Street rookie to multi-millionaire cokehead innovator in greed and callous thievery. After THE GODFATHER and all these other classics that show how organized crime operates like a business, here Scorsese flips it around to show how business acts like gangsters.

Man, we take it for granted after so many big, showy movies with great directors – or we don’t want to admit it ’cause he’s still got kind of a baby face and we remember when he made the teenage girls faint in their pants – but jesus, DiCaprio sure has turned into a good actor. WOLF is Scorsese picture #5 for him, and it seems for a while like he’s mostly doing his usual moves. He’s got the intensity, the energy, the accent that’s old timey and not very naturalistic but he goes so all-in that I buy it, the face that teeters between boyish and Benicio Del Toro. Early in the movie he even crash-lands a small aircraft and stumbles away, as if he’s doing callbacks to THE AVIATOR. He should do that in all his movies, it could be his “I’ll be back.” (read the rest of this shit…)

All Ages Cinematic Tryptych #3 of 3: Hugo 3D

Tuesday, December 6th, 2011

tn_hugoHUGO is the new “picture” from Martin Scorsese (GOODFELLAS). Like HAPPY FEET TWO it’s in 3D and like THE MUPPETS it’s a nostalgic revival of bygone popular entertainment and involves visiting a long-since-given-up former legend and getting him to reluctantly think about the old days. But in this case it’s the work of early cinema pioneer George Melies. So the history lesson seems more appropriate here. I wasn’t convinced that we needed to be reminded what the Muppets are, but when it’s silent film, yeah, maybe explain some of that shit, Scorsy. (I don’t feel comfortable calling him ‘Marty,’ so I use ‘Scorsy.’)
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Shutter Island

Monday, February 22nd, 2010

tn_shutterislandSHUTTER ISLAND is alot like JURASSIC PARK. Outside experts are called in to a remote island where some unusual shit goes down. They’re shown the operation, the security setup, the layout. Then there’s a big ass storm so they can’t get off the island, the electric fences go down and the captives get loose and it’s bedlam. But it’s the criminally insane instead of dinosaurs, and it’s the guy who plays GANDHI instead of the director of GANDHI who’s their guide on the island. There are other minor differences, like for example this one is less about people staring in awe at dinosaurs and more about piecing together the traumatic events that haunt the hero, and figuring out how they tie into this mystery which unfolds in a surreal horror movie atmosphere and within the context of the 1950s, with the lingering horrors of WWII still in people’s minds as well as the fear of the hydrogen bomb and of communism, and most importantly during the psychiatric community’s bumpy transition from barbaric surgical methods to more modern psychotropic drugs and verbal forms of therapy. Otherwise though it’s pretty much the exact same movie, a blatant ripoff. (read the rest of this shit…)

Bringing Out the Dead

Thursday, January 28th, 2010

tn_bringingoutthedeadBRINGING OUT THE DEAD is Martin Scorsese at his most nightmarish and hallucinogenic, a movie almost entirely in helicopters-overhead-paranoid-end-of-GOODFELLAS mode. That’s ’cause it’s about night shift EMT workers, which I think we can safely assume is probly a pretty stressful job. The movie is written by Paul Schrader based on one of those “this job is fucked and we’re all on drugs” type exposes, like Kitchen Confidential was for chefs.

Man of the hour Nic Cage plays Frank Pierce, who doesn’t get enough sleep and thinks he sees the ghosts of everyone he’s failed to save. He has a hard time feeling like a hero since most of the calls he gets are DOA or false alarms. He’s always doing CPR on dead babies or begging the hellishly overcrowded hospital to take in a vegetable. He’s so tired of bum-out cardiac arrests (“COME ON, PEOPLE!” he scolds) that he’s happy dealing with the notoriously foul-smelling drunk Mr. O, who calls in every time he’s wasted. The one time Frank does succeed in resuscitating a guy he feels guilty about it and imagines the man telling him to let him die. (read the rest of this shit…)

Bad (a film by Martin Scorsese)

Saturday, August 29th, 2009

tn_badIt’s Michael Jackson’s birthday. Would’ve been his 51st, and if all had gone perfect he would’ve been 17 shows into his run at the 02 in London. Hard to picture. It really feels to me like this country is going through a time of massive change, like the tectonic plates are shifting beneath us. It figures that the same year we have our first black president we also have to lose Michael and the last Kennedy brother. All earlier than I expected, but maybe we’re ahead of schedule. The big live news events of the year: an inauguration and two memorial services. And both Kennedy and MJ instantly reborn as beloved legends.

Now you’re really gonna think I’m a weirdo (though I’ve never owned a chimp) but the truth is I would’ve known it was Michael’s birthday anyway. For some reason it’s a date I always remember, so I usually watch at least a little bit of MOONWALKER. But this year, during all the mourning and memorializing, I picked up the MICHAEL JACKSON VIDEO GREATEST HITS – HISTORY dvd. I had been obsessing over the dancing in his videos. MTV had a marathon, but they kept showing the shorter versions. I was jonesing to see that scene they cut out of “Black Or White” where he smashes the car while grabbing his crotch and yelling. It’s on this DVD (the cover calls it “the controversial ‘Panther’ version”).

But the highlight for me was the “never-before-seen 18-minute long version of ‘Bad’.” (read the rest of this shit…)