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Posts Tagged ‘buddy movies’

Renegades

Thursday, June 20th, 2019

Maybe I’m out of touch, but I had never heard of RENEGADES. At first I assumed it was a western. It does reunite YOUNG GUNS stars Kiefer Sutherland and Lou Diamond Phillips (the original Woody & Wesley), but it’s a contemporary buddy/cop movie set in Philadelphia. And it’s as solid as you’d hope for from director Jack Sholder, following up ALONE IN THE DARK (1982), A NIGHTMARE ON ELM STREET 2: FREDDY’S REVENGE (1985) and THE HIDDEN (1987).

Sutherland (STAND BY ME) plays Buster McHenry, who is one of those guys who goes into a little diner and is on a first name basis with the old man behind the counter. You know the type. Like Dirty Harry, he happens to see a traffic stop turn into a hostage situation from the window while having some night time coffee. Like Riggs, he goes out and performs a crazy stunt, pretending to be a drunk guy wandering in the situation so he can take one guy’s gun, shoot two others, make one surrender. Then he slaps the commanding officer and spends a night in the drunk tank for it. He’s actually a cop but he’s on vacation, doing a private undercover case with the knowledge (but not official sanction) of his boss/mentor/dead dad’s friend Lieutenant Finch (Bill Smitrovich, BAND OF THE HAND). (read the rest of this shit…)

Satin Steel

Wednesday, May 17th, 2017

tn_satinsteelSATIN STEEL is a 1994 Hong Kong cops ‘n martial arts movie that starts off as a bit of a LETHAL WEAPON rip-off, but with women. I wish the heroine was actually named Satin Steel, but instead her name is Jade (Jade Leung, BLACK CAT 1 and 2). Like Riggs, Jade is a maverick police detective with a death wish. And it opens with a similar (though smaller scale) undercover bust where she does something insane to get her collar (it involves a grenade).

She takes crazy risks because she’s depressed that her husband was shot to death (and fell out a high window!) by assassins trying to kill her. We learn this when she’s outside smoking and brooding to a bluesy soundtrack and she witnesses a wedding in progress. When her flashback ends she’s holding her gun to her head. Luckily she snaps out of it, realizes she has caused a scene and goes over to congratulate the newlyweds, but in my opinion you can’t really recover from a faux pas like that. That is just plain poor wedding etiquette, I don’t care what the 2nd amendment says.

Although Jade is a cop who gets her man, she’s obviously hard to deal with, so the boss takes a getting-rid-of-Chris-Tucker-in-RUSH-HOUR type glee in sending her to Singapore to investigate an international arms dealing ring. And something about the American mafia and diamonds and a guy that was involved in the World Trade Center bombing. (read the rest of this shit…)

Alien Nation

Monday, January 9th, 2017

A premise like ALIEN NATION’s is as rare a mineral as unobtainium. It alchemically melds two seemingly unmixable genres (’80s cop thriller and sci-fi alien movie) in a way that organically lends itself to social commentary within pop entertainment. I wouldn’t say ALIEN NATION succeeds wildly in those goals, but it gets the job done and just the conception of it is so beautiful it can get away with coasting.

At its heart it’s a standard-issue interracial buddy cop movie. Like Dirty Harry and a million other movie cops, Detective Matthew Sykes (James Caan)’s partner dies, and he tries to solve the case with a new partner who happens to be from a different culture, and has a very different personality and approach to law enforcement. Like Tyne Daly in THE ENFORCER, Detective Francisco (Mandy Patinkin, DICK TRACY) is part of an advancement program to promote diversity, and is receiving rejection and resentment from the usual self-centered-backwards-afraid-of-change-knuckledragging-anti-progress assholes. Sykes isn’t any more enlightened than his bros, but he knows Francisco is on a case that might be related to the guys who killed his partner.

So Sykes says culturally insensitive things, insults his partner, makes a fool of himself, but starts to learn, they get to know each other, they bond with each other, he changes his perspective, starts to stand up against racism from the other cops, all while they go after the killers.

But Francisco is different from other cops who are different, because he’s not just a different race or gender from Sykes, he’s from a different planet. He’s a Newcomer, an alien. Three years ago they arrived in “an intergalactic slave ship,” but they’re genetically engineered to be highly intelligent and adaptable, so they’ve already integrated into human society much more than the ones in DISTRICT 9 did. They have large, bald heads with distinctive spots on their skin, but they’re humanoid so they just wear suits and ties and sunglasses and shit like anybody else, and they take on human names and jobs and try to fit in like any immigrant in America. (read the rest of this shit…)

Bullet to the Head

Friday, February 1st, 2013

tn_bullettotheheadWe all know Walter Hill is one of the greats of Badass Cinema, but it’s been a while, at least in theaters. Somebody told me that because he was a writer on ALIEN he gets so much money that he only works when he really feels like it. And what he’s felt like working on for the last decade was made-for-cable westerns: BROKEN TRAIL and episodes of Deadwood. His last theatrical release was UNDISPUTED in 2002. As much as I love the Wesley Snipes performance and the DTV sequels I don’t like the movie very much. Before that Hill took his name off of SUPERNOVA and before that he did the mixed bag that was LAST MAN STANDING. Like I said, it’s been a while.

I wasn’t sure about Sylvester Stallone in this either. I’ve enjoyed the EXPENDABLESes okay and RAMBO a little more, but each took away some of the faith I had in Stallone after the comeback of ROCKY BALBOA. His last starring role that wasn’t from one of those series was also in 2002, it was AVENGING ANGELO.

I never thought that in 2013 these two would collaborate on a buddy action movie. And yet here we are. And I’m happy to report that it’s a respectable effort for both, especially Stallone.
(read the rest of this shit…)

Red Heat (1988)

Thursday, June 17th, 2010

tn_redheatOne thing we’ve learned from the movies is that cops often come from faraway lands to follow a fugitive or transfer prisoners back to their jurisdictions, and when they do that they have to team with a screw-up from the local department and at first they hate each other and say ignorant things but over time the screw-up will learn from working with the foreigner and the foreigner will see something in the screw-up that no one else did and they will gain respect for each other and at the end they will be great friends to set up for the sequel that most likely will never come. Pat Morita came from Japan and did it in COLLISION COURSE, Jackie Chan came from Hong Kong and did it in RUSH HOUR, Clint Eastwood came from Arizona and sort of did it in COOGAN’S BLUFF, except he didn’t need the partner because he’s motherfuckin Clint. Well, here we got Schwarzenegger coming from Russia to Chicago to get the Georgian gangster who killed his partner and is bringing “the American poison” into their country. James Belushi has to escort him and Walter Hill has to escort the movie. (read the rest of this shit…)

The Rookie

Saturday, June 12th, 2010

tn_therookieTHE ROOKIE is a 1990 cop movie starring and directed by Mr. Clint Eastwood, that seems intent on passing the action movie torch to a new generation represented by… wait a minute, did I read this– yes, it says here represented by Charlie Sheen. From YOUNG GUNS. Huh.

But you know what, it only adds to Clint’s mystique that he so humbly shares the movie with this rookie and even allows the spotlight to shift over to him for a while while the old man is tied up in a warehouse getting raped by Sonia Braga (SPOILER). This is also the most DIRTY HARRY of Clint’s non-DIRTY HARRY pictures. In fact, it probly feels a little more DIRTY HARRY than SUDDEN IMPACT, the one actual DIRTY HARRY that he directed. (read the rest of this shit…)

Collision Course

Thursday, March 18th, 2010

tn_collisioncourseAs a Chris Tucker fan in a white-people-heavy part of the country I too often find myself defending the kind-of-funniness of RUSH HOUR. I don’t love the movie or anything (MONEY TALKS is the real classic) but I have to admit that every time I come across it on TV I find myself laughing at the shit Chris Tucker says and saying, “I forgot how funny this was.”

I realize that you all think I’m crazy for that, so I got a new argument in defense of RUSH HOUR, and it’s called COLLISION COURSE (1989). You think RUSH HOUR is such a terrible movie – well, what about the version where instead of Jackie Chan it’s Pat Morita, and instead of Chris Tucker it’s god damn Jay Leno? This is a generic mismatched buddy-cop picture only made novel by the rare hero role for the famous Tonight Show host/usurper. It’s funny – not in the sense that the jokes are funny, but in the sense that it’s sometimes interesting to look back at older movies and remember what was considered cool or funny at that time. (read the rest of this shit…)