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Posts Tagged ‘Wong Jing’

Naked Killer

Wednesday, November 11th, 2020


NAKED KILLER (not to be confused with NAKED GUN or NAKED LUNCH) is a 1992 Hong Kong action movie, one of the good ones that colors outside of the lines of reasonableness. An unhinged plot, extreme behavior and acrobatic, sometimes gory action make it fun, especially since those qualities tend to overlap.

The film’s central theme is a collision of violence and sexuality – the female lead is an assassin trained to seduce men and then kill them, the male lead is a cop who has been impotent since accidentally shooting his brother to death. It’s kind of a romance, and how’s this for a meet cute? Tom (Simon Yam, BULLET IN THE HEAD, LARA CROFT is the TOMB RAIDER in THE CRADLE OF LIFE) and Kitty (Chingmy Yau, LEGEND OF THE LIQUID SWORD) are in the salon getting their hair cut at the same time. Another hairstylist is hitting on Kitty when his pregnant girlfriend comes in to confront him. Kitty pretends to take his side until she attacks him with a cigarette and stabs him repeatedly in the groin with his scissors. Tom chases her and she steals his gun, which triggers his trauma and makes him puke, so she feels sorry for him and gives it back. This story would make an amazing wedding toast! (read the rest of this shit…)

Naked Weapon

Monday, April 6th, 2020

I rented NAKED WEAPON (2002) by “Tony” Ching Siu-Tung, the great director (A CHINESE GHOST STORY trilogy, THE SWORDSMAN trilogy, THE SORCERER AND THE WHITE SNAKE) and choreographer (A BETTER TOMORROW II, SHAOLIN SOCCER, HOUSE OF FLYING DAGGERS) of Hong Kong action movies, because I thought I heard it was really good. But in retrospect I think I was mixing it up with NAKED KILLER (1992), which is not by Ching and is unrelated, though it’s by the same writer, Wong Jing (MERCENARIES FROM HONG KONG).

No matter. NAKED WEAPON is an odd one, with lots of Ching’s outlandish kung fu and gun violence, and it’s one of those Hong Kong movies made for international audiences that I find so fascinating. It seems to be filmed mostly in English, with primarily Asian-American leads, but filmed in Hong Kong and Manila, with a Hong Kong crew. (read the rest of this shit…)

The Seventh Curse

Monday, October 21st, 2019

Let me try to explain this in pizza terms. You know how every once in a while you might get a pizza, and it’s not of the highest possible quality? They got all the ingredients there, but maybe the proportions are a little off, or it was cooked too much or too little or something, so it’s not the greatest, but at the same time it has crust and sauce and cheese and toppings and those ingredients together are always gonna taste pretty good? THE SEVENTH CURSE is like that. It’s kind of too gooey and falling apart but it has pineapple, fake ham and jalapenos, and that’s pretty much my favorite toppings. (I’ve come to prefer Mama Lil’s Peppers*, but this one needed more spice.)

It’s a supernatural action adventure with Chow Yun Fat playing the pipe-smoking occult expert Wisely (called Wesley on the subtitles of the DVD I rented), a character from a series of 156(!) novels. In this one he’s kind of a supporting character because it’s based on another book series centered on his colleague Dr. Yuen, here played by Chin Siu-ho (TAI CHI MASTER, FIST OF LEGEND). The books are by Ni Kuang, who in between writing enough novels to make Stephen King look like a lazy no good piece of shit also found the time to bang out screenplays for DIRTY HO, THE 36TH CHAMBER OF SHAOLIN, HEROES OF THE EAST, THE 8 DIAGRAM POLE FIGHTER, and literally hundreds of other movies.

He didn’t write this one (that was Wong Jing [MERCENARIES FROM HONG KONG] and Yuen Gai-chi [DRUNKEN MASTER II]), but would you believe he hosts it? It opens with him, playing himself, surrounded by women and talking to the camera.

(read the rest of this shit…)

Mercenaries From Hong Kong

Wednesday, January 31st, 2018

You know who had a hell of a studio? Those Shaw Brothers. As far as a company that develops a formula and evolves an artform into a recognizable “brand,” those guys were tops. Within their voluminous catalog are hundreds of period martial arts films, including some of the best ever made, THE 36TH CHAMBER OF SHAOLIN and THE 8 DIAGRAM POLE FIGHTER being my favorites of the small percentage I’ve seen. I’m sure I’ll be watching these for the rest of my life and never see all of the good ones or get tired of their approach.

But it’s still a special treat, an exotic delicacy, a rare limited edition collectors item when you see one that breaks out of the usual template. For example I love SUPER INFRA-MAN, their version of a kaiju movie. MERCENARIES FROM HONG KONG – the third film directed by Wong Jing, who recently did CHASING THE DRAGON with Donnie Yen – isn’t as unique as that, but it’s a beautiful thing: the talents of the Shaw Studios stunt teams and choreographers applied to a contemporary ’80s story with guns, grenades and motor vehicles. It came out in 1982, same year as FIRST BLOOD, but seems to predict that post-RAMBO-2 period with its Vietnam vets putting the team back together and returning to the jungle to fight drug lords. I wouldn’t say it’s as good as Sammo Hung’s amazing EASTERN CONDORS, but it’s a similar vibe of seeing tropes we love from American action being elaborated upon using techniques unique to Hong Kong cinema. (read the rest of this shit…)