"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Rachel McAdams’

Doctor Strange (2016)

Tuesday, November 29th, 2016

tn_doctorstrangeIn his latest vehicle, the King of DTV Action Scott Adkins plays “Lucian / Strong Zealot,” the right (or possibly left) hand man to a dark master of mystical world-bending sorcery magic spell power beams named Kaecilius (Mads Mikkelsen, VALHALLA RISING). Kaecilius was once a student of The Ancient One (international martial arts superstar Tilda Swinton, CONSTANTINE) but now suspects she is siphoning dark magic to extend her life and therefore steals a magic ritual from a special book of ancient something something, etc. So Lucian / Strong Zealot and another person are sent after The Ancient One’s new student Dr. Stephen Strange (Benedict Cumberbatch, WAR HORSE) to try to destroy his magic apartment in New York and they have a fight in a hospital where they’re both ghosts but it’s kind of weird because (SPOILER IN FIRST PARAGRAPH OF REVIEW) Benedict Cumberbatch defeats Scott Adkins.

screen-shot-2016-11-27-at-8-35-50-pm
And Scott Adkins as “the ghost of one of the minions.”

Okay, the truth is this is not a Scott Adkins movie. His character is small enough that when his big scene is described in an Entertainment Weekly article they don’t bother to credit him. It’s weird that as Marvel Studios continue to build this vast universe of re-usable characters they chose to use

1) Idris fucking Elba as “magic bridge operator”

2) Ray god damn Stevenson as “one of Thor’s friends that he has back home”

and now

3) Scott mother fuckin Adkins as “henchman who gets beat up by magic cape” (read the rest of this shit…)

Spotlight

Tuesday, February 23rd, 2016

tn_spotlightbestpictureSPOTLIGHT is another one of the best picture nominees. I’d already seen it anyway. It doesn’t seem to me like signs are pointing to it as a potential winner, but it definitely feels like your traditional perfectly-good-movie-that-wins-best-picture-and-makes-you-resent-it. Unlike BIRDMAN or ARGO it is not about actors or Hollywood, except in the sense that it allows actors to shine in a big cast with mouthfuls of dialogue. But the appeal is they get to portray professionalism, a courageous Fight Against the System, and a true story about a heavy topic: the massive cover-up of child sexual abuse among Catholic clergy.

It’s an ALL THE PRESIDENT’S MEN type deal. The Boston Globe‘s “Spotlight” team of reporters who do long-term investigative journalism sort of stumble across this thing, an old story that no one paid much attention to that has bigger implications. They talk to victims, look at records, connect the dots, do the math, and start to suspect that the atrocity is much bigger than anyone realized. If it’s 3% of priests, let’s see, how many priests are in Boston? And 3% of that is… HOLY SHIT, that’s too many molesters in my opinion.

They discover lawyers who were involved with settlements between the families and the church. The families were led to believe the church would punish the abusers and getting some money for the kid to live off of would be the best thing to do. Whoops. They just made them move and let them keep working. (read the rest of this shit…)

Passion

Thursday, November 7th, 2013

tn_passionHoly shit, Brian De Palma made a new movie. It’s a remake of the 2010 French thriller LOVE CRIME, but it’s still a new Brian De Palma movie. Rachel McAdams from MEAN GIRLS plays Christine, a grown-up mean girl high up in an advertising firm. Isabelle (Noomi Rapace, DEAD MAN DOWN) has a big career opportunity coming to Christine’s place to work on a smart phone campaign. She’s nervous but they get along well. Christine seems to be a cool boss and collaborator until she brazenly takes credit for the ad that Isabelle came up with and created entirely without her. Even worse she convinces Isabelle that it was okay to do that to her because they’re a team and one’s success makes the whole team look good or some bullshit like that.
(read the rest of this shit…)

Red Eye

Tuesday, August 30th, 2005

Under normal circumstances Wes Craven’s new picture RED EYE would be nothing special. But his last one was that horrible werewolf travesty called CURSED so this is sort of an event. Wes Craven made a movie and it’s kind of good.

I believe this is a first for Wes Craven: not a horror movie, and yet not about a white lady teaching inner city kids to play violin. What it is is a suspense thriller type deal that takes place on a plane. It is the first in the slew of plane-fear-sploitation movies that I guess are inevitable both in the aftermath of 9-11 and in the leadup to SNAKES ON A PLANE. (read the rest of this shit…)

Vern says, ‘F–k WEDDING CRASHERS!’ Do you think he liked it’

Friday, July 8th, 2005

SPOILER ALERT !!

Ahoy, squirts! Quint here with our man Vern who is… mighty unhappy with a certain Vince Vaughn/Owen Wilson comedy right now. You see, he… well… Shit, Vern can tell you…

Boys –

First off, congratulations on the kid, Moriarty. I hope he doesn’t have too many problems being named after some freak from FORBIDDEN ZONE. But congratulations and in my opinion some credit should also go to the wife, who I bet performed some of the more difficult aspects of the birthing process unless there is something Harry is not telling us.

Second order of business, I saw some movie called WEDDING CRASHERS. Owen Wilson and Vince Vaughn play a couple of dickheads who like to sneak into weddings because somehow it causes them to automatically get laid. When I first saw the trailer for this one I felt insulted. It seemed like one of those premises that would maybe seem funny when you first think of it but then you would realize before you got a chance to even write it down that it was not funny enough for anybody to actually make or especially watch. The trailer didn’t show any of the plot but I assumed it would be one of those generic romantic comedies where the protagonist lies and tricks people but then to his surprise he meets someone who he really falls in love with, and there are montages and flirting and laughing and they become close but it’s all based on a lie so then suddenly she finds out the truth and he has to admit that he’s a scumbag but then he publicly humiliates himself and proves to her that he really loves her and then… oh shit, what if in this one they got MARRIED AT THE END? Would that be ironic or what? The hunter becomes the huntress, or whatever. (read the rest of this shit…)