Late last year there was this new entertainment websight or lifestyle brand or whatever that was kind enough to recruit me for a bi-weekly column about the films of badass cinema. After twelve installments I decided to quit, and a couple weeks later they closed up shop, because what would be the point of doing it without my column, and/or there was an unrelated scandal involving the company that owned them. But they were nice enough to give the writers permission to put up our pieces on our own blogs and what not.
Meanwhile, the Criterion Collection is on this very day releasing a Bruce Lee box set. And I believe they will accomplish something I’ve been trying to do for years now: get people to watch all the Bruce Lee movies. In fact, that was the goal of my first Profiles in Badass column. So for those of you who didn’t go through the Rebeller pay wall to read it back in January I am proud to present column #1 to you absolutely free of charge and without any corny anti-PC stuff next to it.
PROFILES IN BADASS #1: BRUCE LEE
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Everyone knows who Bruce Lee is. Kind of. They know the flying kick guy on the posters, the philosophical inspirational quotes guy, the nunchaku guy, the DJ on Tony Stark’s t-shirt. Maybe they’ve even seen Enter the Dragon, or heard about Lee’s concept of “using no way as way” being a precursor to today’s mixed martial arts, but I think that’s as far as it goes for many.
It doesn’t have to be that way! I believe many people who are only familiar with the idea of Bruce Lee would enjoy finally sitting down and watching his movies. And it’s an easy fix. Though the multitude of alternate titles, documentaries, lookalikes and posthumous-footage-extrapolations could give the impression that it’s an inaccessible “Where do I even start?” body of work like Sun Ra or Frank Zappa or somebody, set aside his work as a child actor and his TV appearances and there are really only 4 1/2 true Bruce Lee films. I know you watch more than that in a weekend when a new season of a streaming show drops. You can do this! Let me guide you.

IP MAN 4: THE FINALE is from the makers of the IP MAN trilogy, according to the giant standee in the multiplex lobby that made me aware of its Christmas day release. I’m grateful to be able to see movies like this on the big screen.
ONCE UPON A TIME… IN HOLLYWOOD is an odd and beautiful movie from… Quentin Tarantino. It’s undeniably one that only he could or would make – it’s even in his now-trademark ‘wish-fulfilling rewrite of a historical atrocity’ mode – but it’s different. It’s not as mean and angry as the last three, or as carefully plotted as any of them. It’s sort of a hang out movie, a day-in-the-life of two friends, and a gentle tale of surviving a mid-life crisis, wrapped in a love letter to Los Angeles of the late ’60s, and to the then-fading leading men of the ’50s, with a chaser of gruesome violence. The fun kind, though. The cathartic kind.
I’ve watched and enjoyed all the movies made about Ip Man so far, but IP MAN 3 is the first one I’ve seen on the big screen. A really big screen at a multiplex with only four other people in the audience. I feel like I should send AMC a thank you card.

Speaking of weird animated martial arts videos, this week for my column on Daily Grindhouse I investigated a weird VHS tape I found of a 1976 animated movie purported to have Bruce Lee in it. Or a cartoon of him. It’s called CHINESE GODS, aka THE STORY OF THE CHINESE GODS. Bruce has a third eye and he fights a nine-tailed fox lady and that sort of thing. You know how it is.
We here in Seattle are very proud of Bruce Lee. We claim him as our own. He’s one of our icons like Jimi, Cobain, and… well, I’m not gonna say Sir Mix-a-lot. I don’t know. Quincy Jones?



















