Archive for the ‘Thriller’ Category
Tuesday, September 23rd, 2025
OFF LIMITS is a couple different genres – serial killer thriller, buddy-cop action, Vietnam War movie. It centers on two military police detectives, Sergeants First Class Buck McGriff (Willem Dafoe between PLATOON and THE LAST TEMPTATION OF CHRIST) and Albaby Perkins (Gregory Hines between RUNNING SCARED and TAP).
It’s directed by Christopher Crowe, who was the writer of NIGHTMARES, THE LAST OF THE MOHICANS and FEAR, but his only other theatrical directing gig was WHISPERS IN THE DARK. He also created a bunch of TV shows (including B.L. Stryker, B.J. and the Bear and The Watcher hosted by Sir Mix-a-Lot) and (no shit) designed the logo for Cheap Trick. I would’ve guessed it was made by more of a cinema veteran because, though I only think it’s pretty good, it has the muscular cinematistic confidence and atmosphere of A Real Fucking Movie. I mean, let me give you a few screengrabs I made to give you an idea of the fuckin vibes (TFV) in this thing:
(read the rest of this shit…)
Tags: Amanda Pays, Christopher Crowe, David Alan Grier, Fred Ward, Gregory Hines, Jack Thibeau, James Newton Howard, Keith David, Lim Kay Tong, Raymond O'Connor, Scott Glenn, Vietnam War, Willem Dafoe
Posted in Reviews, Action, Crime, Thriller, War | 21 Comments »
Thursday, September 18th, 2025
After catching up with LOCKED I thought what the hell, I should also see that other recent high concept thriller I kinda meant to see. DROP is the one that Christopher Landon (HAPPY DEATH DAY, FREAKY) went and directed after leaving SCREAM 7 because he didn’t have a movie anymore after the producers (Spyglass Entertainment) fired the star for posting about the genocide in Gaza. (Specifically because she was against it.) I’m not sure what Landon thought about that but he went and worked with the… hopefully at least less evil production company power couple of Blumhouse and Platinum Dunes.
Landon usually writes his movies, but this one is by Jillian Jacobs & Chris Roach (TRUTH OR DARE, FANTASY ISLAND). It feels a little different from his other stuff, being about people in their thirties, but I think you can still feel his sensibilities in it. (read the rest of this shit…)
Tags: Blumhouse, Brandon Sklenar, Chris Roach, Christopher Landon, Gabrielle Ryan, Jeffery Self, Jillian Jacobs, Michael Shea, Platinum Dunes, Reed Diamond
Posted in Reviews, Thriller | 12 Comments »
Wednesday, September 17th, 2025
Remember the 2013 movie LOCKE starring Tom Hardy? It’s not a thriller, it’s a drama, but the gimmick is that the whole thing is Hardy driving to a hospital and making phone calls trying to straighten out a huge mess he’s made for himself and others. In my review I joked about it being the start of a franchise, but I assumed they’d have titles like LOCKE: OVERDRIVE and be about Locke making other phone calls on other drives. I didn’t know they’d just add an extra letter to the title and have a different chameleonic actor playing a different character alone in a car talking on the phone for a different reason.
Okay yeah maybe technically and legally speaking LOCKED is not a sequel to LOCKE, it’s just the Sam-Raimi-produced American remake of the 2019 Argentine movie 4×4*. It stars Pennywise/The Crow/the boy who killed the world/younger brother of Tarzan/the Northman himself Mr. Bill Skarsgård, looking like Pete Davidson with his bleached hair, tattoos, pink pullover hoodie under a jacket and vape pen. I think he filmed this right after NOSFERATU, so I bet being locked in a car didn’t seem that bad compared to doing six hours of makeup in the morning and Mongolian throat singing between takes. It probly felt like a vacation. I wonder if transitioning out of his Orlok era is also the reason his accent is less consistent here than usual. Early on I wondered if he was not playing American this time, but he settles in after a bit.
Anyway he plays Eddie Barrish, a real fuckup. Eddie’s baby mama (Gabrielle Walsh, PARANORMAL ACTIVITY: THE MARKED ONES) is on his ass about failing to pick up his daughter Sarah (Ashley Cartwright, A GODWINK CHRISTMAS: MIRACLE OF LOVE) but he’s helpless because he can’t get his van back from the garage because he doesn’t have the money he owes and he can’t get the money because he can’t make deliveries without the van. Not that he’s averse to dishonest work. When, in desperation, he steals a wallet and starts trying the door handles on parked cars it sure doesn’t seem like a first for him. But he’s nice enough to share his bottle of water with a dog locked in one of the cars – a “save the cat” moment that’s also foreshadowing. (read the rest of this shit…)
Tags: Anthony Hopkins, Bill Skarsgard, David Yarovesky, Michael Arlen Ross, Michael Eklund, remakes where I have to admit I never saw the original, Sam Raimi
Posted in Reviews, Thriller | 3 Comments »
Monday, September 15th, 2025
On August 29, 2005, Hurricane Katrina struck the greater New Orleans area.
On August 30th Kanye West released Late Registration, three days ahead of saying “George Bush doesn’t care about Black people” on a live Katrina telethon.
On August 31st THE CONSTANT GARDENER came out.
I had not seen this one before. It’s not quite my type of movie, but it’s a good one. The stylish Brazilian crime saga CITY OF GOD (released in the U.S. in 2003) had been a sensation and its producer, Walter Salles, came to Hollywood to make DARK WATER. Meanwhile its co-director Fernando Meirelles was making this British movie set and filmed partly in Kenya. Based on a then-recent (2001) novel by John le Carré (TINKER TAILOR SOLDIER SPY), adapted by Jeffrey Caine (GOLDENEYE), THE CONSTANT GARDENER is not exactly a spy movie, but a drama involving a murder mystery, a conspiracy, and international intrigue.
The first thing I noticed is that it’s kind of arty. Meirelles, cinematographer César Charlone (also following up CITY OF GOD) and editor Claire Simpson (C.H.U.D., PLATOON, BLACK BEAUTY) immediately create an aggressive style, following a brief opening at an airport with a puzzling collection of beautiful images of the aftermath of a car accident, shot from deliberately disorienting perspectives and angles, and intercut with hypnotic shots of a flock of birds.
(read the rest of this shit…)
Tags: Bill Nighy, Danny Huston, Fernando Meirelles, Hubert Kounde, Jeffrey Caine, John Le Carre, Lupita Nyong'o, Pete Postlethwaite, Rachel Weisz, Ralph Fiennes
Posted in Reviews, Drama, Mystery, Thriller | 9 Comments »
Wednesday, September 3rd, 2025
August 19, 2005
RED EYE is a simple thing: a tight and well-made PG-13 thriller, nothing deep, but entertaining to just about anybody. And it happens to be the only movie like that directed by the late great Wes Craven, and he made it post-SCREAM trilogy using all those chops gained from shooting Woodsboro scrapes and chases. But it’s really in more of a suspense vein than a horror one, and it starts out feeling like a DIE HARD type movie, with quick shots depicting some so-far indecipherable sinister plot (the stealing of a wallet, the preparation and delivery of a mysterious crate), and establishing a set of characters in the bustle of the airport while a bunch of flights are delayed.
Lisa (Rachel McAdams, also the primary victim in WEDDING CRASHERS) was in Dallas for her grandma’s funeral, she’s headed home for Miami and already receiving calls from work. But she’s a self-declared “people pleaser, 24-7” so she doesn’t mind helping flustered hotel employee Cynthia (newcomer Jayma Mays, later in the SMURFS and PAUL BLART franchises) placate irate regulars the Taylors (Robert Pine and Teresa Press-Marx). (read the rest of this shit…)
Tags: Brian Cox, Carl Ellsworth, Cillian Murphy, Jack Scalia, Jayma Mays, Kyle Gallner, Loren Lester, Marco Beltrami, Rachel McAdams, Wes Craven
Posted in Reviews, Thriller | 13 Comments »
Monday, August 25th, 2025
I’ve been watching Spike Lee movies since I was a teenager in the late ’80s. Okay, I still haven’t seen SHE HATE ME, but otherwise I see all of them, and any new one is obviously gonna be an event for me. They’re pretty infrequent these days, though – it’s been five years since his last movie (DA 5 BLOODS), seven since his last theatrical release (BLACKKKLANSMAN). So I’m thankful that even though it was made for Apple TV+ the new one is playing at my favorite theater, SIFF Downtown, f/k/a Cinerama.
HIGHEST 2 LOWEST is, yes, a remake of Akira Kurosawa’s HIGH AND LOW (1963), itself based on the Ed McBain 87th Precinct Mystery King’s Ransom (1959). So that means it tells the story of an executive dealing with a kidnapping/ransom situation while also trying to take over control of his company. Instead of the shoe industry this time it’s the music industry, and instead of the guy who runs the factories he’s a Grammy winning, cover of Rolling Stone, “best ear in the business” producer/label owner/icon. Denzel Washington (RICOCHET) plays David King, founder of Stackin’ Hits Records, obviously. (read the rest of this shit…)
Tags: A$AP Rocky, Akira Kurosawa, Aubrey Joseph, Denzel Washington, Ed McBain, Elijah Wright, Howard Drossin, Ice Spice, Ilfenesh Hadera, Jeffrey Wright, Michael Potts, remakes, Spike Lee
Posted in Reviews, Crime, Drama, Thriller | 4 Comments »
Friday, August 8th, 2025
As some of you are aware I am an avowed triple-A (Ari Aster Appreciator). I loved his two hit horror movies (HEREDITARY and MIDSOMMAR) and then I loved his flop comedy (BEAU IS AFRAID) even more, so obviously I was gonna see his new one EDDINGTON no matter what. When it was announced it was described as a western, which is a stretch – nobody would put this in the westerns section at a video store. But yeah, it has feuds and jurisdictional disagreements between a small town sheriff, the mayor and the Native law enforcement just over the border, trouble in a bar, various groups trying to profit from a big construction project, things devolving into a big shootout. I get it.
Of Aster’s other movies it’s closest to BEAU, but it’s less surreal and, to me at least, not nearly as funny. In fact it might’ve made me laugh less than any of them. But there are certainly some good ones in there and I did laugh just thinking about some of its ideas while discussing it with friends.
What it definitely does achieve is a stressful portrait of what our lives have become in the last half decade. It’s set in May of 2020 and begins with a series of confrontations over mask ordinances. Eddington, New Mexico Sheriff Joe Cross (Joaquin Phoenix, U TURN) doesn’t want to wear a mask when officers from the Pueblo tribe insist he follow the law in their jurisdiction. Later he forces a grocery store to allow in a guy who refuses to mask (James Cady, “Train Conductor,” HOSTILES). Mayor Ted Garcia (Pedro Pascal, THE EQUALIZER 2) happens to be there and tries to calmly reason with Joe, who then goes outside and does a livestream announcing that he’s running against him in the next election. (read the rest of this shit…)
Tags: Amelie Hoeferle, Ari Aster, Austin Butler, Cameron Mann, Clifton Collins Jr., Darius Khondji, Deirdre O'Connell, Emma Stone, Joaquin Phoenix, Luke Grimes, Matt Gomez Hidaka, Pedro Pascal, William Belleau
Posted in Reviews, Comedy/Laffs, Thriller | 36 Comments »
Wednesday, May 28th, 2025
MISSION: IMPOSSIBLE – THE FINAL RECKONING does not necessarily seem like “well guys, that’s the last one” at the end, but as a whole it definitely does play like they’re trying to wrap things up. Though the seven previous films in the series have been mostly disconnected, this one follows the series’ only cliffhanger, and has multiple instances of people discussing the past adventures of Ethan Hunt (Tom Cruise, THE MUMMY), complete with clips. It has two big story threads that tie directly to Brian DePalma’s part I, plus a connection to J.J. Abrams’ part III. Both the NOC list and the Rabbit’s Foot come up – mcmuffin reminiscences from a movie series that has lasted more than four times as long as the TV series it was based on. And that ran for seven seasons!
I think it lives up to the series’ 29-year-long tradition of great entertainment, but it is also by far the sloppiest chapter. That’s not to say it’s lazy – quite the opposite. I think it just got too wild and out of control to ever sculpt it into an elegant shape. They might still be chiseling away at it as we speak.
I’m not one to complain about long runtimes and unnecessary scenes, especially when the format demands zipping around through a string of incidents, but the first 45 minutes or so of this thing alternately feel like they didn’t have time to finish the edit or like we’re watching consecutive episodes of the world’s most expensive Quibi series. It opens with Ethan watching a VHS tape that’s his “your mission should you choose to accept it” message, though this time from President Erika Sloane (Angela Bassett, F/X), and it’s a very long “as you know” type explanation of what happened in MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE, what has happened in the months since, and a reminder that he has the “cruciform key” everyone wants, that he can use to open a thing in the sunken Russian submarine the Sevastapol for access to the source code of the rogue artificial intelligence known as “The Entity” that he wants to destroy and everyone else wants to control. Though it’s obviously ridiculous for her to be telling him this stuff he already knows, and it’s awkward in its length, the forced exposition kicking off a mission is part of the fun of this series. (read the rest of this shit…)
Tags: Angela Bassett, Christopher McQuarrie, Esai Morales, Greg Tarzan Davis, Hayley Atwell, Henry Czerny, Katy O'Brian, Lucy Tulugarjuk, Nick Offerman, Pom Klementieff, Rolf Saxon, Shea Whigham, Simon Pegg, Tom Cruise, Ving Rhames
Posted in Reviews, Action, Thriller | 53 Comments »
Thursday, May 8th, 2025
I knew the name Denys Arcand as a famous Canadian director. I remember the title JESUS OF MONTREAL as a movie that was advertised when I was a teenager, and later THE BARBARIAN INVASIONS won the Oscar for Best Foreign Language Film. I have not seen or really paid attention to these, but I did perk up a little when some of his early films were released on blu-ray by Canadian International Pictures, a Vinegar-Syndrome-affiliated label “devoted to resurrecting vital, distinctive, and overlooked triumphs of Canadian and Québécois cinema.” And I remembered that when Miguel Hombre recommended them (and Arcand in general) in a discussion of Canadian cinema in the comments to my COSMOPOLIS / MAPS TO THE STARS double feature review. Thank you Miguel.
CIP says their releases range “from arthouse to Canuxploitation,” and what makes GINA interesting is how it’s kind of both. By the end it’s fair to say it’s a rape-revenge movie, but before that it’s a socially conscious drama about labor, class and sexism. The titular Gina (Celine Lomez, THE SILENT PARTNER) is a stripper hired to dance at a cabaret in a small town. But much of the movie follows a group of nameless documentarians staying at the same hotel-motel while in town to interview workers at a textile factory that’s about to have massive layoffs. So there’s alot of screen time spent on just characters (and real people I think?) talking about strikes and unions and how workers are exploited and mistreated. (read the rest of this shit…)
Tags: Canadian, Canuxploitation, Celine Lomez, Denys Arcand, Frederique Collin, Jean-Pierre Saulnier, Jocelyn Berube, Paule Baillargeon, Quebec, rape-revenge, snowmobiles
Posted in Reviews, Drama, Thriller | 5 Comments »
Tuesday, May 6th, 2025
COMPANION, which played in theaters a couple months ago and is now on disc and streaming, features certain genre elements that are strategically withheld for a while. For almost a third of its 97 minutes we can tell there’s something we’re missing about the main character because of some of the weird things people say to her, so we’re very intrigued. I don’t include myself in “we” though because I knew the premise of the movie, controversially (but understandably, I think) included in the second trailer and other promotions. There is good reason to go in blind, but I can confirm that the movie is still fun without being surprised by that part. And I’m not gonna write a review on eggshells, so I’m gonna get into it a couple paragraphs from now.
The movie is about a group of friends who go stay together at a rich guy’s fancy-ass lake house. Iris (Sophie Thatcher, MAXXXINE) is our narrator, these are friends of her boyfriend Josh (Jack Quaid, LOGAN LUCKY), and she’s worried she’s going to embarrass herself in front of them. Sure enough Kat (Megan Suri, IT LIVES INSIDE), who answers the door, barely acknowledges her presence. Poor Iris just stands there forcing a smile while a conversation goes on next to her. (read the rest of this shit…)
Tags: Drew Hancock, Harvey Guillen, Jack Quaid, Lukas Gage, Marc Menchaca, Megan Suri, Rupert Friend, Sophie Thatcher, Zach Cregger
Posted in Reviews, Science Fiction and Space Shit, Thriller | 19 Comments »
