"CATCH YOU FUCKERS AT A BAD TIME?"

Posts Tagged ‘Daniel Goldhaber’

Faces of Death (2026)

Friday, August 14th, 2026

I know we’re supposed to be cynical about i.p. and remakes and what not, but I am a child of Freddy, so to my mind franchising has always been one of the elements of horror. It doesn’t have to be the main one, it could be low on the totem pole, like beatboxing in hip hop. But it’s always gonna have some appeal to me when they do it right.

Is FACES OF DEATH even horror, though? I guess it is now. The 2026 film of that title is one of the more inventive brand refreshes, or whatever you want to call it. It’s not exactly a remake of the most notorious title in home video history, because the original purported to be a documentary, a sort of video essay/mondo film by pathologist Francis B. Gröss (actor Michael Carr). He narrates a collection of gruesome videos involving death: an alligator attack, a police shootout, a corpse washed up on a beach, an execution, people eating monkey brains, fun stuff like that.

Like any child in the ‘80s I heard legends of FACES OF DEATH and took everybody’s word for it that it was the real deal. Then in high school I took part in this group, not a debate club, mostly a social activity, but we got together to discuss/argue different topics, for example whether or not executions should be televised. It’s one of those insane questions people used to pretend was important to consider. Would it be a deterrent to criminals? Would it jolt society into rethinking capital punishment? And somebody said well, if we’re going to consider it then we should really understand what it means. So we watched the electric chair scene from FACES OF DEATH. (read the rest of this shit…)

How To Blow Up a Pipeline

Thursday, April 17th, 2025

HOW TO BLOW UP A PIPELINE (2022) is about a group of young people who have determined, quite reasonably, that the only voice they really have in stopping an oil company from poisoning their communities and exacerbating climate change is if they figure out how to sabotage their infrastructure enough to disrupt their business and make it less profitable. So that’s what they’re ready to do. They all rendezvous at a cabin out in the middle of nowhere, West Texas, some meeting for the first time, but they all know the plan, and they get to it.

I was a little thrown off by the opening, because it didn’t seem like the raw, authentic approach I had pictured. The filmatism is trying to make these twentysomethings rigging the security cameras at their maid jobs look like HACKERS meets OCEAN’S ELEVEN. And I was not buying this disparate team we see coming together – two messy punk rock kids (Kristine Froseth [THE ASSISTANT] and Lukas Gage [the villain the younger bouncer from the ROAD HOUSE remake]), one rugged camo-hat-wearing redneck (Jake Weary, MESSAGE FROM THE KING), etc. – how would they have gotten together? But it’s immediately thrilling with its blunt sense of purpose, its 16mm grain (cinematographer: Tehillah De Castro) and its un-ostentatious score by Gavin Brivik (The Pitt), with synths looping over beats banged out on oil drums. And though there will be scenes here and there that don’t ring true (like a cartoonish documentary director [Sam Quinn, JANE GOT A GUN] who says all the worst things to interview subjects in his one scene) it turns out to mostly play closer to “this must be what it would really be like” than just fun Hollywood bullshit. (read the rest of this shit…)