
THE ITALIAN JOB circa 2003 is a standard issue studio ensemble heist movie, and a really enjoyable one. The director of FRIDAY and the writers of DEEP BLUE SEA put together a good group of likable actors to play the team of expert thieves, they came up with some clever gimmicks for an elaborate heist, and they executed it well with good pacing, light humor, a sense of fun but also a reasonable enough sense of danger. So it’s closer to OCEAN’S 11 where they obviously know what they’re doing but have to put in some elbow grease than OCEAN’S PART 13 where they seem to have super powers and can do absolutely anything at a moment’s notice with no trouble at all. (read the rest of this shit…)
Archive for the ‘Reviews’ Category
The Italian Job (2003)
Thursday, August 12th, 2010Lucky Number Slevin
Thursday, August 12th, 2010
LUCKY NUMBER SLEVIN is slick, clever, full of gimmicks and smart-alecky dialogue somewhere between ’90s post-Tarantino and some old Fred MacMurray in DOUBLE INDEMNITY type banter. All of these things can really rub you the wrong way, and the more of these qualities present at any given time the more likely the wrongness of the rubbing. For me personally the rubbing was aligned properly for most of this movie, but it often seemed on the verge of pulling a 180 at any moment. So I can definitely see how you could watch this and just hate it if you were facing the wrong direction. (read the rest of this shit…)
Street Kings
Wednesday, August 11th, 2010
Although welcomed into THE EXPENDABLES with open arms by action fans, Terry Crews is one of the cast members with the least experience in straight up action movies. He was brought in late in the game to replace 50 Cent shortly after 50 Cent was brought in late in the game to replace Forest Whitaker. (Or at least that’s how it was reported, but I thought Whitaker was supposed to be playing CIA agent Will Sands, and Crews ended up playing Expendables team member and excellent-name-haver Hale Caesar.) (read the rest of this shit…)
“The Unit” episodes 2.23 and 3.6 featuring Randy Couture
Tuesday, August 10th, 2010
Part of the reason for my Countdown to The Expendables was to expand my action movie horizons. I didn’t want to just revisit movies I’d seen before, so I gave myself some rules: for each major EXPENDABLES cast member I wanted to review a movie I’d never seen before. Not just one I hadn’t reviewed or hadn’t seen in a long time, but one I had no experience with at all.
But with Randy Couture this is a problem, because he doesn’t have 50 movies to his name like Gary Daniels. (read the rest of this shit…)
Damage
Monday, August 9th, 2010
When I saw the terrible WWE Films theatrically released post-action movie THE CONDEMNED I said that I liked “Stone Cold” Steve Austin’s screen persona, “his gravelly voice and his Plissken-esque don’t-give-a-fuck attitude,” and predicted that “If he was given an actual character to play in a movie by people who knew how to make a real movie, he could be at least as good as Roddy Piper.” I was probly thinking a lowbrow studio movie like a DEATH RACE or something, but this’ll do: a surprisingly compelling DTV underground fighting movie from Jeff King, the director of Seagal’s KILL SWITCH and DRIVEN TO KILL (which it just occurred to me oughta be the name of a movie where Seagal plays an ex-CIA NASCAR driver or Tokyo drifter. Coulda woulda shoulda). (read the rest of this shit…)
Pentathlon
Thursday, August 5th, 2010
In the 1994 sports ‘n action drama PENTATHLON, Mr. Dolph Lundgren plays Eric Brogar, an East German athlete trained since childhood to be the ultimate pentathlon competitor. David Soul (Hutch from ‘Starsky & Hutch’!) plays the authoritarian (later revealed to be Neo-Nazi) coach Heinrich Müller, who slaps little Eric around and drills him to believe that if he trips on a rock or something he’s “failed the German Democratic Republic,” as well as himself and all his friends. I mean, this coach is such an asshole that you know he’s not even gonna be the kind of asshole that turns out to be lovable at the end like James Earl Jones in BEST OF THE BEST. (read the rest of this shit…)
End of Days
Monday, August 2nd, 2010

For my Countdown to The Expendables I probly should’ve watched RED SONJA, since they put Schwarzenegger on the cover but I don’t think he has a big role. For THE EXPENDABLES they can’t use his name in the advertising but they sure love plastering his cameo all over the ads. So don’t get the wrong idea here, he’s not a true Expendable. He’s just a bit player.
Oh well. Today I’m trying out one of his movies from the precarious late ’90s, when they weren’t really doing as well so he was forced to quit acting and switch to his backup plan of being Governor of Caleefornia.
END OF DAYS is one I had previously skipped, in which Schwarzenegger has to save the world from The Devil. I guess I just figured somebody would’ve said something if this one was any fun at all. I don’t care if the Toxic Avenger already did it, I think anybody would enjoy seeing Arnold defeat the Prince of Darkness using his fists. Or even some guns. Or he could blow him up and have to jump away from the explosion, like in PREDATOR. The fact that nobody’s ever told me much about this movie is a good hint that it’s not something crazy, it’s just some more gloomy, mediocre, pre-millennial, digital era demonic bullshit like other less musclebound stars were doing. (read the rest of this shit…)
Salt
Friday, July 30th, 2010
Hey, have you guys ever noticed how alot of these so-called action movies they do now days make no effort to show any action in their action scenes? I think I might’ve mentioned something about that before, not sure.
Okay, it’s getting old for me to write about, and I’m sure it’s even worse for you to read about. But I feel like if we stop mentioning it it’s like we’re saying it’s okay. Whether it’s Michael Bay’s ridiculous edits or Paul Greengrass’s wobblecams that opened the floodgates, something happened, and old fashioned notions like geography, coherency, and visual storytelling got buried. The language and standards of action cinema that have evolved and developed over generations have been thrown out the window and it’s become acceptable to just have a quick smear of photography that sort of loosely implies the fights and chases that audiences used to pay money to actually see with their own eyes. I think there’s gonna be a backlash against this type of movie pretty soon, and it’s bubbling up in this new wave of DTV action we’ve all been enjoying. But still, you can’t just let it go. You gotta say something. (read the rest of this shit…)
Best of the Best 4: Without Warning
Friday, July 30th, 2010
BEST OF THE BEST 4: WITHOUT WARNING finds our hero Tommy Lee (still Phillip Rhee, also directing again) wandering into yet another action movie subgenre – this time he’s the reluctant badass who gets stuck trying to stop a plot by heavily armed, highly organized commandos. So it’s DIE HARD in a BEST OF THE BEST. In the three years since part 3 Tommy’s had a daughter and had a wife pass away. All he wants to do is bake his daughter a cake for her birthday, but coincidentally his friend at the mini-mart who he asks for baking advice has a computer expert daughter who’s fleeing from Russian counterfeiters with a disc they just stole. And of course Tommy ends up stuck with the disc and everybody trying to kill him. (read the rest of this shit…)


I confess: I didn’t really know who Gary Daniels was. Turns out he’s a British kickboxer who’s been in about 50 movies since the late ’80s. I heard the name before but never watched any of his pictures. A couple people gave me shit about it when I reviewed Seagal’s SUBMERGED and didn’t mention that Daniels was in it. I guess that was a historic meeting of martial arts stars, but I didn’t even notice because I didn’t know who the fuck that was. Sorry, fellas. Like 

















