THE HURT LOCKER is the best movie of 2009 so far excluding all movies about old men who fly around using balloons. It’s a tightly constructed action-suspense movie, but also a character piece and an acting showcase. It takes place in Iraq 2004 and it says something about war, but it’s not especially political. It’s more about a place and a time and a mindset. Nobody in the movie talks about why the Americans are in Iraq or whether they should be. They’re just there. It’s their job, they gotta survive until the end of their rotation (the days are counted down onscreen).
This is the story of a 3-man bomb disposal unit. They get a new team leader at the beginning, and he’s played by Jeremy Renner. I don’t know if his team recognizes him from DAHMER like I did, but shit man, look out. From the beginning he seems a little unstable and alot reckless, and they gotta worry if this will prevent them from getting safely to the end of that countdown. (read the rest of this shit…)
A couple years ago I was on one of my bi-annual TEXAS CHAIN SAW kicks, and that led me to track down another old Austin indie movie from 1983 called 
From Uli Edel, the visionary director of BODY OF EVIDENCE and THE LITTLE VAMPIRE, comes the 1995 made-for-cable biopic of Mike Tyson. HBO had made alot of money off the Mike Tyson fights, but then he lost the title and went to prison. I guess they made this movie to keep him in their library and maybe spark new interest for his comeback.
I liked Gordon Parks Sr.’s direction on his SHAFT movies so much that I wanted to see what else he’d done. The one that looked most interesting was this. The cover shows the title character shirtless, muscular, holding a guitar like John Henry holding a hammer, and calls him a black legend. So it looks like some period piece blaxploitation tall tale or something. But it’s really a biopic of the legendary singer and guitar player.
Hey, it’s another one from the VHS pile. Recently some of my fellow Seattle-based action fans asked me if I’d do an interview for their podcast, 
THE GLADIATOR is another movie I found on VHS by accident while browsing the video store. It’s a car vigilante TV movie, so I was surprised to find it with the Abel Ferrara movies. Yes, the director of KING OF NEW YORK and BAD LIEUTENANT also did a TV movie starring Ken Wahl and guest starring cheeseball ’80s top 40 DJ Rick Dees as his obnoxious boss. From about ’85 until ’88 Ferrara mostly worked in TV, doing some episodes of MIAMI VICE and CRIME STORY, plus this one in ’86. Seemed like something I should investigate.
My Steve Railsback double feature concludes with the odd 1980 movie-movie THE STUNT MAN.
After revisiting THE RUNNING MAN I decided it would be a good time to catch up on a more recent Schwarzenegger movie I had skipped before.
Hey guys, good news: I got another review of a weird little inaccessible arthouse movie from last year! This time it’s MISTER LONELY, the most recent movie about a Michael Jackson impersonator in Paris who meets a Marilyn Monroe impersonator who convinces him to come live in a commune where other impersonators live inside a Scottish castle, raise sheep and build a stage where they hope to put on a show. And you can imagine where it would go from there.
Well, we had Butch and Sundance, we had Bonnie and Clyde, we had Thelma and Louise and Tango and Cash. And today on DVD we have WENDY AND LUCY.
