Ever since the runaway Hong-Kong-equivalent-of-best-picture-Oscar success of the Donnie-Yen-starring biopic IP MAN in 2008, Ip-Mania has swept the globe. In the U.S. it’s quickly become one of the most popular martial arts imports since ONG BAK, and this year will have its own balloon in the Macy’s Thanksgiving Day Parade (at least I assume so. I sent them several letters demanding that). in Hong Kong it already has a (unrelated?) prequel and this very good sequel from returning director Wilson Yip.
IP MAN was very episodic and ended early in Ip Man’s life, so there was a natural opening to continue the story. But the movie had such a perfect blend of character drama and martial arts action that it’s alot to live up to. And in recent years the sequels to the international action phenomenons have been pretty iffy. I enjoyed ONG BAK 2, but it’s a big mess that lost alot of people, and I ahven’t heard anything good about part 3 yet. DISTRICT B13 ULTIMATUM was watchable but completely underwhelming. So this was far from a sure thing. There’s curses to overcome.
(read the rest of this shit…)
aka CHALLENGE OF THE NINJA, SHAOLIN VS. NINJA, SHAOLIN CHALLENGES NINJA
This year’s TRUE LEGEND is Yuen Woo-Ping’s first directational work since IRON MONKEY 2 in 1996. During that break he’s done some classic fight choreography, including some of the best ever in American movies (the MATRIXes, the KILL BILLs), but just hasn’t put himself in charge of a whole movie. So this is fun because it’s great wushu mythmaking and the master’s trademark fights working with a new pack of stylistic and technological weapons that didn’t exist 14 years ago. 
After their disagreements over A BETTER TOMORROW 2, John Woo and Tsui Hark weren’t able to work together on part 3. But they both wanted to do a Vietnam war era prequel, so Woo took his and made it BULLET IN THE HEAD, Hark made A BETTER TOMORROW III: LOVE AND DEATH IN SAIGON. As far as artistic success I’d say Woo definitely won that battle, but at least Tsui got to clean up in the getting-to-hang-out-with-Chow-Yun-Fat department. 
A BETTER TOMORROW II is a crazy fuckin sequel. The story is incredibly convoluted, the plot (or plots) divided between Hong Kong and New York, continuing the story of Ho, Kit and Jackie, but also following a new character called Uncle Lung (Dean Shek) in conflict with the police and with two unrelated crime syndicates. The weirdest (and best) part is that they actually used the gimmick that’s always joked about but almost never actually done: Chow Yun Fat plays Ken, the never-mentioned-before-twin-brother of his deceased part 1 character Mark. I probly don’t have to say any more than that to convince you this movie is stupid. I liked it though. 
If you look for pictures from John Woo’s 1986 breakthrough A BETTER TOMORROW you’ll mostly find Chow Yun Fat lighting a cigar with a burning counterfeit American $100 bill, or wearing a real nice suit holding two guns. That’s from the beginning of the movie when his character Mark is a big shot in a Hong Kong syndicate. That’s not a better tomorrow, that’s a more financially stable yesterday. Most of the movie takes place years later, when Mark has been shot in the leg and has to wear a metal brace, so he’s now just an errand boy instead of a Big Brother. 
You guys ever heard of this one?
I’m starting to think the underground fighting movie is to modern DTV what the western was to b-movies in the ’50s. They just never stop coming and yet somehow they’re not all terrible, in fact a few of them are great. You got BLOOD AND BONE of course, you got UNDISPUTED II-III (unless you consider prison fighting a separate genre), DAMAGE with Stone Cold Steve Austin was surprisingly good, and there’s even a good theatrically released one, FIGHTING. I’d recommend all of those above PIT FIGHTER, but I’ll be damned, here’s another pretty enjoyable and distinctively different take on this same type of storyline. 
Albert Johnson (Charles Motherfuckin Bronson) is a trapper drifting through snowy 1931 Canada when he happens to come across some assholes betting on dog fights. One of the dogs is injured and apparently Albert loves animals (when he’s not trapping them) so he takes the dog at gunpoint. In order to smooth things over he gives the owner $200, but just to be clear he’s not negotiating. He’s taking the dog. It’s just like a convenience charge or a dogfight interruption processing fee or something like that. The owner of the dog is Ed Lauter, so this whole incident must be why they don’t seem to like each other in 
I’ve never been much of a Chuck Norris fan, but maybe some day I could be if I fill in that gap in my badass cinema knowledge. I’ll always give a guy a shot. So I figured I couldn’t go wrong with THE DELTA FORCE. Not only is it about an elite counter-terrorist special ops team (same one as on 
