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Posts Tagged ‘wrestling’

No Holds Barred

Wednesday, June 19th, 2019

On May 26th, 1989, PINK CADILLAC starring Clint Eastwood and Bernadette Peters was released. That’s a pretty good one, but I already reviewed it just a couple years ago. So look over that review if you want and now let’s move on to the next week, when “Rock On” by Michael Damien was the #1 single and a movie with similar levels of quality and soulfulness, NO HOLDS BARRED, came out.

When Roddy Piper wanted to star in THEY LIVE (1988), he had to leave wrestling to do it. World Wrestling Federation owner Vince McMahon wanted a piece of everything his “superstars” did, so he promised to get Piper another, bigger movie to star in if he’d stay. As Piper told it years later, he refused the offer because he knew it wouldn’t be a movie directed by John Carpenter.

Good move. A year later, the WWF’s biggest icon Hulk Hogan got to star in the kind of vehicle McMahon could put together as a fledgling movie producer. NO HOLDS BARRED is an unimaginative, pea-brained wrestleploitation movie that plays most of its acting, themes, jokes and drama for the back row of the stadium.

Hogan (whose idol “Superstar” Billy Graham appeared in the infinitely better movie FIST FIGHTER earlier in the summer) basically appears as himself: the big-hearted, beloved by fans and children World Wrestling Federation champion. But he’s not named Hulk, he’s named Rip, and instead of wearing shirts that say “Hulkamania!” he wears shirts that say “Rip ’em!” So it’s like an alternate dimension that’s the same as ours except Hulk Hogan has a different name. Terrible episode of Sliders. (read the rest of this shit…)

American Angels: Baptism of Blood

Thursday, August 17th, 2017

It’s kind of funny that I finally watched Mimi Lesseo’s first movie AMERICAN ANGELS: BAPTISM OF BLOOD shortly after that GLOW show, because it has many parallels. A group of newbies try out for an all-female weekly wrestling show, have friendships and grudges, one falls for the sleazy but nice guy that runs it, the women live together, learn how to take falls, have training montages, a rivalry develops, they have the big match and bond through wrestling.

A couple big differences:

1) “American Angels” is not a startup, but an already established and successful promotion

2) Wrestling is treated (at least sometimes) as real fighting. It’s weird

3) It’s genuine exploitation with raw acting and laughably gratuitous T&A business

A group of women (three of them introduced with documentary style text) audition for the famous American Angels wrestling outfit. Lisa from Bakersfield (Jan Sebastian, GATORBAIT II: CAJUN JUSTICE) is a stripper who, as part of her show, will wrestle a man from the audience (after being rubbed in whip cream). For some reason her boss believes in her talents enough to get his old friend American Angels promoter/commentator Dazzling Dave (Tray Loren, ROCKTOBER BLOOD, also GATORBAIT II) to come watch, and he witnesses her punching the volunteer in the dick for pulling her bra off during the match. (read the rest of this shit…)

GLOW Season 1

Thursday, July 13th, 2017

I don’t usually review TV, but this show is short and consistent enough to review like a movie, and long-time commenter Mr. Majestyk tried to get me to defend my love for it, and it seemed to me worthy of its own post.

GLOW is a fun new Netflix show inspired by the 1986 founding of the Gorgeous Ladies of Wrestling. It’s not a historically accurate representation of people or events, and even the wrestling personas are sort of off brand or alternate dimension versions. There’s a Machu Picchu instead of Mountain Fiji, and a team called The Beatdown Bitties are similar to The Housewives. But it takes the idea of fringe Hollywood people doing a casting call for women willing to live in a house together and learn to wrestle, and makes it into ten breezy half-hour-ish episodes of dramedy. There are underdogs, friendships, creative expression and a winning let’s-put-on-a-show spirit. And the show they put on is women in crazy costumes and glitter makeup tossing each other around in a ring with pink ropes, which is better than some other types of shows that somebody might put on. (read the rest of this shit…)

The Sheik

Tuesday, April 11th, 2017

As you may know, I don’t watch or understand any wrestling from the past two to three decades, but I retain a fascination and nostalgia from the stuff I did watch in the ’80s. One of the iconic villains of that era was The Iron Sheik, a cartoonish embodiment (along with his fur-hat-wearing Soviet tag team partner Nikolai Volkoff) of America’s most absurd fears of scary foreigners. Looking back it seems like a put-on, a parody, an Andy Kaufman style evisceration of the stereotypes you’d have to be a dummy to believe in, the communists and Middle Easterners who come in and tell us we are weak Americans and then demand that we be respectful as they (gasp) make us sit through their national anthems. And then are outraged when we boo.

It was also a time when some people, due to economic anxiety or whatever, didn’t understand that these were fictional characters. Many Americans presumably believed that the Iron Sheik was real, that this Persian man was behaving this way not because he was an entertainer, but because those guys really hate America, you know? And  in the copious vintage footage included in this very enjoyable 2014 documentary by director Igal Hecht we see the red-faced fury of some of these fans. In interviews we hear about the danger of the Sheik’s “heat” from the crowd, people showing up with guns and shit. Every great heel tells a story like this (the wrestling villain’s humblebrag), but I bet the Middle Eastern angle means he had to be even more careful than Roddy Piper did. (read the rest of this shit…)

Foxcatcher

Monday, December 29th, 2014

tn_foxcatcherFOXCATCHER is an eerie examination of a true story about two brothers, Mark and Dave Schultz, who won gold medals in wrestling at the 1984 Olympics and a couple years later went to live on the Pennsylvania estate of a rich guy named John E. du Pont. The guy said he was a patriot and wrestling fan and wanted to help America win again. I didn’t know what was going to happen, but you immediately get the sense – in part from the foreboding grey skies and long, dry stretches with little dialogue and no music – that it’s gonna be something bad. I felt pretty confident this would end in some sort of fucked up tragedy and not with a Survivor song playing over a freeze frame on a joyful Channing Tatum (who plays Mark) being lifted by a congratulatory crowd of sports enthusiasts.

Steve Carrell plays du Pont and he makes him very odd. He leans his head back and leaves his mouth slightly open, like he’s watching you and is perpetually about to offer an observation. He wears a comically large fake nose and a nerdily tight Team Foxcatcher sweatshirt or windbreaker. Occasionally he has lines absurd enough to be in a Will Ferrell movie: “Don’t call me Mr. du Pont. My friends call me Golden Eagle, or just Eagle.” But whatever comedy may be inherent in the role, he’s intentionally un-milking it. This is his Serious Role, his Playing Against Type, his Robin Williams in ONE HOUR PHOTO. I mean, I’m sure it’s funnier than that magician movie he did, but it’s his most dramatic, not-going-for-laughs movie, and he’s successful at being creepy in it.
(read the rest of this shit…)

The Super-Kumite: Pushed to the Limit

Monday, June 3rd, 2013

tn_pttltn_Super-KumiteROUND 1, BOUT 2, AMERICAN KICKBOXERS VS. THE WOMEN

“They’re gonna be punchin where you’re at. Don’t be there.”

I wasn’t familiar with Mimi Lesseos until I was trying to find more tournament movies and I discovered this one. Actually, her wrestling name “The Magnificent Mimi” sounds kind of familiar, maybe I heard of her back in the late ’80s when she was a contender for the AWA World Women’s Championship belt (which she never got, except in a 1989 Playboy spread). After appearing as The Magnificent Mimi, chief rival to the heroine of AMERICAN ANGELS: BAPTISM OF BLOOD (1989), Lesseos decided to pull a Tom Laughlin and make her own independent action vehicles. She started by writing, producing and starring in PUSHED TO THE LIMIT (1992). (read the rest of this shit…)

G.L.O.W.: The Story of the Gorgeous Ladies of Wrestling

Wednesday, April 17th, 2013

tn_glowDo you guys remember G.L.O.W.? Back in the ’80s, specifically 1986-1990, it was a weekly televised all women’s wrestling event. What I remember is it was taped in what looked like a hotel banquet room (turns out it was in a casino). And because of the time it happened there was alot of big hair, alot of glitter, alot of shiny aerobics type outfits. And face paint.

This movie is one of these nostalgic documentaries we’re gonna start seeing even more of because of Kickstarter. It’s HEY, REMEMBER G.L.O.W.?: THE MOVIE. Not alot of substance. But it’s an unusual topic that’s interesting to me, so I enjoyed the stroll down memory lane.

The director Brett Whitcomb and writer Bradford Thomason actually did another nostalgic documentary about a colorful pop culture oddity that only could’ve happened in the ’80s, THE ROCK-A-FIRE EXPLOSION. I recommend that to anybody that wants to see a movie about the animatronic bears and gorillas and shit that played music at the Show Biz Pizza chain, the weird guy that invented them, the crazy coke-fueled hey day when the company was on top of the world, the inevitable downfall, and the dilapidated warehouse where he still keeps all the old crap he has left. That’s real interesting stuff, GLOW actually seems kinda predictable compared to that but, you know, it’s about women who used to paint their faces and wave chainsaws around and rap and bodyslam each other on TV. I’m gonna watch it. (read the rest of this shit…)

The Wrestler

Sunday, January 18th, 2009

Wrestling is so weird. It’s boxing, circus sideshow, cheesy stage play and soap opera all in one. The big time wrestling leagues try to drown the show in pyrotechnics and flashy computer animation on giant screens but alot of the appeal is still very old fashioned. It’s the circus. I went to a match one time and saw Andre the Giant. It wasn’t so much like seeing a star as like seeing a Greek god. Or maybe a sasquatch. There was a reason they called him “The 8th Wonder of the World.” These guys are not human, they’re super heroes.

Or it seems that way when you see them up close. But actually they are human. Greek gods might be able to toss lightning around all day without spraining anything, but not humans. God or evolution did not equip humans to break metal chairs over their heads every night, or break tables with their ribs. Wrestlers make their living by not following the proper care and maintenance instructions for the human body, and they always pay the price. (read the rest of this shit…)

Wrestlemaniac

Wednesday, October 29th, 2008

Legend has it that in the 1960s the president of Mexico (whoever that was) was obsessed with wrestling. He was humiliated that his country couldn’t beat Russia in the Olympics, so he began a secret program. Scientists took three of the best lucha libre guys and Frankensteined them into one: El Mascerado, the greatest wrestler who ever lived. But after a while something went wrong. He went insane in the ring, poking people’s eyes out and mangling people (both of which are illegal in Mexican wrestling). So they took him away to some small town to put him down and nobody knows what happened. Now, a vanful of American douchebags have accidentally stopped in a ghost town where El Mascerado secretly resides. And they’re about to learn that he’s not exactly retired yet. He hasn’t switched to ringside commentator, he’s still in the game. And still undefeated.

How can you go wrong with a premise like that? Well, they try their best to go wrong. After a nice lucha libre montage under the credits they introduce the obnoxious lead-trespasser, Alfonse, talking about that stupid concept called “the Dirty Sanchez.” I’m not gonna explain what it is because it doesn’t exist, it’s just some stupid bullshit some prick like this guy made up because he impresses himself by yammering about this type of stupid shit. Basically it’s a made-up sex act that would give no sexual pleasure but would be demeaning, racist and disgusting, so Screech did it in his porno dvd. (read the rest of this shit…)

The Jesse Ventura Story

Sunday, September 14th, 2008

In 1999, after the pro-wrestler and PREDATOR badass Jesse “The Body” Ventura was elected governor of Minnesota, they made this quickie TV movie about his life. My main problem with it is that it kind of sucks.

TV movies don’t have to be bad. There is the obvious DUEL precedent, but I’m not gonna hold anything to that standard. A more fair comparison would be the EVIL KNIEVEL movie starring George Hamilton. That one’s pretty cool, and personally I think a wrestler who becomes governor is an even better biographical subject than a dude who jumps motorcycles over canyons. (read the rest of this shit…)