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Posts Tagged ‘Patrick Kilpatrick’

The Replacement Killers

Monday, September 7th, 2020

I try not to be too set in my ways, which is a good reason to rewatch a movie years later and see if you respond differently than the first time around. So something told me it was time to revisit something from those heady days when the emerging international popularity of Hong Kong action cinema fired peak John Woo and Chow Yun Fat out of a cannon aimed at the heart of Hollywood. I’m not sure what kind of a cannon shot them so that Woo landed in 1993 and Chow not until 1998, but life is a mystery. Anyway, they exploded and in the case of Chow, we were mostly disappointed and then happy that he didn’t stick around that long, because Hollywood clearly didn’t know what they were doing with him.

THE REPLACEMENT KILLERS was significant not only as Chow’s first Hollywood/English language movie, but the directorial debut of Antoine Fuqua, who became a much bigger deal when 2001’s TRAINING DAY won Denzel Washington an Oscar. That kind of gave him the air of an Important Filmmaker for a little bit, but I think now he’s settled in as the type of director who makes OLYMPUS HAS FALLEN and THE EQUALIZER 1 and 2, which is more like the expected trajectory for the director of this one. He came from directing music videos, most famously “Gangsta’s Paradise” by Coolio, but also “The Most Beautiful Girl in the World” by Prince.

Chow plays “John Lee,” who’s pretty much a remix of his character in THE KILLER. He’s an assassin who owes one more hit to L.A. Triad boss Terence Wei (Kenneth Tsang, A BETTER TOMORROW 1 and 2, THE KILLER, SUPERCOP, RUSH HOUR 2). But he’s sent to the home of LAPD Detective Stan Zedkov (Michael Rooker, CLIFFHANGER) and sees the man’s wife and son through the sniper scope and decides he can’t do it. (In a corny touch, Zedkov doesn’t see him but looks right into the scope as if sensing him.) (read the rest of this shit…)

Remo Williams: The Adventure Begins

Monday, November 24th, 2014

tn_remobtisl“Computer said you were a smartass.”

You know what’s great about movies? Any of us who are reading this who are currently alive were born some time after they were invented. They got a head start on us, and no matter how hard we try we’ll never catch up with all the good ones that already exist. It’s just a beautiful thing to realize that even now there are movies out there as perfectly tuned for me as REMO WILLIAMS: THE ADVENTURE BEGINS that I haven’t gotten around to yet. Thank you, Lord. Good work on that one.

One reason it’s great: it’s an action vehicle for Fred Ward. He’s been a great utility player in SOUTHERN COMFORT, UNCOMMON VALOR, TREMORS, etc. but even playing the lead in the great MIAMI BLUES he has to compete with scene-stealing villain Alec Baldwin. Here he’s the main attraction from beginning to end. It glorifies him as a fit badass in his 40s, and it shares his dry sense of humor.

We first meet him as a tough but lazy cop (with mustache) sitting in his patrol car eating a burger and drinking coffee, being hassled over the radio about gambling money he owes. When some dude gets chased right past him he doesn’t react at first. It doesn’t seem like he’s even gonna bother to intervene. (read the rest of this shit…)

Angel 4: Undercover

Thursday, January 30th, 2014

tn_angel4In ANGEL 4: UNDERCOVER, the chapter after the final chapter, Angel rises from the streets to invade the corporate world. “Executive by day, hooker by night. From the boardroom to the bedroom.” Cool idea, right? Seems like a very ’80s idea, but it was still the early ’90s, it wasn’t too late to explore those still relevant themes of corruption and cruelty hidden behind mirrored skyscrapers and fancy clothes.

I should specify, that’s what the box of ANGEL 4 is about. The movie itself is a standalone story where she’s not an executive and there’s no boardroom (or bedroom, really) and she doesn’t look like the same lady on the cover and doesn’t become a hooker again. But you know, you gotta let the marketing people express themselves too. They had a story they felt like they were born to tell, and they just had to let it out.
(read the rest of this shit…)