I'm not trying to be a hero! I'M FIGHTING THE DRAGON!!

Posts Tagged ‘Maggie Grace’

Aftermath

Wednesday, June 21st, 2017

When we look at Arnold Schwarzenegger, who will turn 70 next month, we can’t help but remember the 20 year old Mr. Universe Arnold Schwarzenegger, or the thirty-something CONAN THE BARBARIAN Arnold Schwarzenegger. When he fearlessly shows an aging, sagging ass and chest getting out of the shower in his new drama AFTERMATH, my mind couldn’t help but flash to his naked arrival in THE TERMINATOR thirty-some years ago. These days he looks like a muscular old dude, but not a machine from the future’s overblown idea of the perfect human body, and there are many people who don’t want to see their action heroes face the inevitability of getting old. They shame him for not permanently retaining his own unattainable body standard. They make hacky jokes about geriatric Expendables and Terminators in nursing homes.

Fuck ’em. They’re wrong. Arnold in his late ’60s is still Ah-nold, but now with a little Charles Bronson, a little Clint Eastwood, a little former governor of California who’s paying for his mistakes but making the best of it. I like his old man action movies, especially SABOTAGE, and I hope he doesn’t give up on them. If there was a constitutional amendment that allowed him to run for president my main concern would be that we wouldn’t get any more of those. But I’m also impressed that he’s doing small dramas like AFTERMATH and MAGGIE, where he shows that yes, a guy with muscles and a thick accent can still do a very good, very emotional acting performance. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Taken 3

Saturday, January 10th, 2015

tn_taken3Unfortunately TAKEN 3 is an uninspired new sausage from the Besson/Kamen factory. Liam Neeson’s ruthless ex-CIA family man character Bryan Mills returns for his first adventure not related to the endless circle of violence caused by his daughter getting kidnapped on a trip to Europe. This time it’s the go-to action movie bad guys of today, the Russian mafia (see also THE EQUALIZER, JOHN WICK, SAFE, DRIVEN TO KILL) who (SPOILER THAT’S IN THE TRAILER) kill poor Lenore (Famke Janssen), Mills’s ex-wife and mother of Kim (Maggie Grace) and who he sort of still has a thing for. The cops show up and it kinda looks like he did it so he beats them up and goes on the run so that he can prove that he didn’t do what it now really really looks like he did.

Even more than part 1 and part 2, part 3 leans heavily on the non-action movie family stuff. There’s a whole lot of time spent showing that he has a good relationship now with his daughter and ex-wife and gets along with his daughter’s boyfriend and tries to help Lenore with her problems with her second husband Stuart (Dougray Scott). I guess at this point I sort of have to admire that Besson cares so much about these characters, or thinks we do, but it’s not like this is real deep observations about relationships. And besides, UNDER SIEGE 2: DARK TERRITORY will always be the definitive action sequel where an old asskicker gives a giant teddy bear to a female relative and it’s awkward because she’s way too old for it. (read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Taken 2

Tuesday, January 15th, 2013

tn_taken2TAKEN 2 is another Liam Neeson post-action thriller where he gets to be smart and tough and wear a leather jacket and then the camera wiggles around while he cracks some bones or whatever. I tend to like these disposable Luc Besson productions for their absurd gimmicks and shameless lowbrowness, but they were more fun when they also had good action sequences. This one’s from Besson’s acolyte of the moment, Olivier Megaton, who did the joyless TRANSPORTER 3 and the more enjoyable COLOMBIANA. Neither of those have action scenes half as good as the ones in previous Besson joints like LEON, TAXI, TRANSPORTER 1-2, UNLEASHED, KISS OF THE DRAGON or DISTRICT B13.

I didn’t love the first TAKEN. Of course it’s funny to see Neeson as a wrist-snapping black-ops know-it-all, and I love a simple plot about a guy like this saving his daughter from kidnappers, and it was funny how his overprotective father paranoia seemed to become a reality, with her getting kidnapped by white slavers about 5 minutes into her European vacation. But then there’s the wobbly action scenes (a shame coming from the director of DISTRICT B13) and it doesn’t exactly have the momentum that makes this type of premise sing. It’s fun, but should be better.
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VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.

Lockout

Friday, November 23rd, 2012

LOCKOUT is pretty much what I hope for from a Luc Besson production: solid b-movie fun, good gimmicks, good energy. But unlike the B13s or the TRANSPORTERs or the TAXIs or the YAMAKASIs it’s not the action that’s the highlight, this is more of a character and concept driven entertainment.

You could say the same about TAKEN, ’cause it’s a post-action mess made palatable by Liam Neeson getting to play a black ops hardass with a straightforward, personal goal. Like TAKEN, this has Maggie Grace playing an abducted daughter who has to be rescued (this time the president’s daughter taken hostage on a low orbit maximum security prison/space station). But it’s not the SPACE-TAKEN I was expecting, because the tone is completely different. The biggest surprise and the best part of the movie is that Guy Pearce as Snow, who has to rescue her, is a total smartass. He speaks mostly in quip, and successfully so, always keeping the movie fun instead of being annoying like could sometimes happen. The movie around him takes itself seriously, but he refuses to follow its lead.
(read the rest of this shit…)

VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.