Posts Tagged ‘Luis Guzman’

The Substitute

Friday, September 11th, 2009

tn_substituteSince Labor Day was last Monday I figure the kids are either back in school or about to go back to school, so I might as well do VERN’S BACK TO SCHOOL SPECIAL. And if I’m gonna do that there is one movie that I would have to be a fuckin moron not to start with. And I’m not talking about BACK TO SCHOOL.

THE SUBSTITUTE is not necessarily a great action movie. It doesn’t have any particularly memorable action scenes or anything. But I really like this movie for the simple fact that the idea behind it – combining a mercenaries/drug gangs action movie with a DANGEROUS MINDS style white-teacher-makes-a-difference-in-the-big-city movie – is flat out brilliant, a once-in-a-cinematic-history opportunity. Seriously, I sit around trying to think of genre combinations this absurd and yet this natural. There aren’t many left. (more…)

Carlito’s Way: Rise to Power

Friday, January 27th, 2006

Geez, I shouldn’t have put off seeing this movie so long considering it really is my beat. This is kind of a miracle actually. This is the rare DTV movie that could’ve passed for a low budget theatrical movie. The only thing really holding it back is being a prequel with a different star from the original, which is a real good reason not to release it in theaters. Going straight to video lowers the expectations and makes it only half count as a sequel or prequel, which gives it a better shot at working. And for me it did. Even if you don’t go for it I think you will be awed by its competence. This is definitely a landmark in DTV sequelization.

I love the original CARLITO’S WAY, but I haven’t seen it in years, so that probaly helps. I never knew this but DePalma’s movie was based on the second book in a series. The book was called After Hours, but they didn’t want it confused with the Scorsese movie of the same name so they called it CARLITO’S WAY, after the first book in the series. RISE TO POWER is actually adapted from the book Carlito’s Way, according to legend. (I haven’t read the books so who knows.)

Like in DePalma’s movie, this one starts out with Carlito Brigante fresh out of prison, but he goes right back into crime, he doesn’t make any effort to stay out of it. The story is about the heroin trade in New York some time in the late ’60s or early ’70s or so. Control of the city is split between black gangs in Harlem, Puerto Rican gangs in spanish Harlem and Italians in some other part, I don’t know. The genius of Carlito’s operation is that he works a triumvirate with his two former cellmates, the Italian Rocco (Michael Kelly, DAWN OF THE DEAD remake) and Earl (Mario Van Peebles, everything). Each of them deals with the hotshots in one of the territories, so Carlito deals with the Puerto Ricans, Earl with the blacks and Rocco with the eye-talians. Strangely, you don’t see Carlito’s deals as much as you see the other two. Earl has to negotiate with the oppulent priss Hollywood Nicky (Sean Combs, “anything can happen”) who runs Harlem and Rocco has to deal with some standard mafia types, and both of them give alot more trouble than Carlito’s buddy Colorado (Casper Martinez, CARLITO’S ANGELS).

I should mention that poor Rocco doesn’t even get pictured on the cover. What the fuck. I understand you gotta put Puffy Diddy on there and you gotta put Luis Guzman, but this is one of the main characters, he goes on there too. (more…)

Punch-Drunk Love

Friday, November 1st, 2002

This is the new Adam Sandler picture, but instead of being directed by one of his college roommates, this one’s by a real director, “p.t. anderson” (a.k.a. Paul Thomas Anderson, director of HARD EIGHT, BOOGIE NIGHTS and MAGNOLIA). Mr. Anderson – not to be confused with Paul “not Thomas” Anderson, director of RESIDENT EVIL and crap – is one of these virtuoso younger directors that’s so obviously talented that people bend over backwards to prove he’s overrated. Not too many people saw HARD EIGHT but they’ll tell you BOOGIE NIGHTS was a ripoff of Scorsese and MAGNOLIA was a ripoff of Altman and now they’re saying PUNCH DRUNK LOVE is good for an Adam Sandler movie but it’s Anderson’s worst.

Well I’m not sure I agree with that. Sure it’s a little lighter just because it’s not long and it’s got two main characters instead of a whole ensemble. It’s not an epic. It’s smaller than the last two. But it’s his most original, and maybe his most genuine. Now he steps out from the obvious comparisons to other director’s styles and shows you which parts are the p.t. anderson style.

It’ll be funny if people go in expecting THE WATER BOY and get this instead. This is clear in the long, quiet opening scene where Sandler sits by himself in a big garage mostly just drinking coffee and talking on the phone about the regulations of a sweepstakes offer. It’s a less cartoony, much more vivid world than you’ve ever seen Sandler in, but it’s also full of surreal touches and mysteries, like the organ that somebody drops off on the street and he decides to keep it. (more…)

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