THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is playwright turned IN BRUGES/SEVEN PSYCHOPATHS director Martin McDonagh’s exploration of a grieving mother at war with the local PD. Her teenage daughter was raped and killed seven months ago, and she’s mad that they haven’t made any arrests, so she rents three billboards that bluntly explain the situation and blame the police chief by name.
I probly don’t need to tell you that this creates some tension in town. Chief Willoughby (Woody Harrelson, SEVEN POUNDS, SEVEN PSYCHOPATHS, TRIPLE 9, THE EDGE OF SEVENTEEN, 2012) tries to reason with her politely about taking it down. His deputy Dixon (Sam Rockwell, TEENAGE MUTANT NINJA TURTLES), who is locally infamous for an unexplained incident involving the torture of a black man, is not as cool-headed about it, and threatens poor Red Welby (Caleb Landry Jones, GET OUT) at the billboard company. The woman’s son Robbie (Lucas Hedges, MANCHESTER BY THE SEA) is traumatized and hurt by the graphic details of the murder he had previously avoided knowing. Her ex-husband Charlie (John Hawkes, STEEL), a domestic abuser and a cop, is embarrassed by it and doesn’t think it helps anything. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
Here’s a funny thing that was different back in 1995: Bruce Campbell was so worshipped as a cult star that the idea of him being in a blockbuster movie was thrilling to people. He had done the EVIL DEAD trilogy and the MANIAC COP pictures and did a couple seasons of The Adventures of Brisco County Jr. but that didn’t really catch on in the mainstream. And he seemed like their secret but somehow they wanted everybody to know. He made it to the semi-big-ish time with little cameos in DARKMAN and THE HUDSUCKER PROXY, but people still wanted him to star in some big movie and be the next, I don’t know, Kurt Russell or somebody.
And then he was in the trailer for this new Michael Crichton movie CONGO. Had the misguided dreams of horror nerds come true at last? Would they be able to finally share their hero not just with the Johnny-come-latelies who saw ARMY OF DARKNESS before the other ones, but with the whole world?
Well, the fact that the camera zoomed in on his screaming face during the trailer seemed to indicate that he wasn’t gonna make it to the end. Still, word of disappointment spread fast when people saw the movie and discovered that he bites it in the opening scene. The whole movie is about a rescue mission to come find him, even though we got a pretty idea they’re gonna be rescuing a dead body. (They do manage to find John Hawkes still alive, but catatonic, and then he freaks out and dies.) Anyway, I mention this movie to people 20 years later, that’s still the first thing that comes up. The wound has not healed. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
After the election on Tuesday, which brought us 4 historic gay rights ballot victories, the first openly gay Senator and the most women in the Senate ever, it was a no-brainer to spend Friday night watching Spielberg’s movie about Abraham Lincoln and his people’s fight to eke together a coalition to pass the 13th amendment to the Constitution, ending 400 years of slavery. Also, SKYFALL was sold out. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
I always root for Mark Dacascos to be in something really good. I love ONLY THE STRONG, and he’s in some other fun ones, like the ridiculous CRADLE 2 THE GRAVE. I’ve watched his movie DRIVE a couple times, not the one with Ryan Gosling but the one with Mark Dacascos. And Kadeem Hardison and Britney Murphy. People used to always try to push that one on me and I never really got into it, but he’s pretty good. He’s a good martial artist. I was always curious about this little known one from 1998 ’cause it’s him starring in some kind of crime movie executive produced by Roger Avary. Could be interesting, right?
Could’ve been. Wasn’t really. But here are a few words about it for the historic record. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
I haven’t been big on Ridley Scott post-ALIEN, but when I saw he was doing the real-life gangster epic starring Denzel Washington – the one I already wanted to see when it was Antoine Fuqua that was supposed to direct it – man, I was excited. And the trailer looked great. And then it came out and without exception everybody I knew who saw it said “yeah, it was… pretty good.” Suddenly there was less urgency to see it, and I watched other movies, wrote some stuff, maybe took some naps, ate some food, and then it was gone.
Well, maybe it was for the best. Now I watched it with lower expectations, in its 20-minutes-longer UNRATED EXTENDED CUT (4 minutes shy of 3 hours) and I have to say I really enjoyed it. I see your “yeah, it was… pretty good” and raise you a “it was… pretty fuckin good.” I am proud to review it alongside such other great American films as AMERICAN PIMP, AMERICAN PSYCHO and AMERICAN NINJA. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
Here on earth there are certain individuals blessed or cursed with a special knack for observing shit, noticing shit and looking at shit in different ways than you or I would. Picking up on things other people don’t or explaining things in ways nobody else would’ve thought of. This skill, this Gift, this power, can come in many forms and be used for many different things. You could become a philosopher or a great leader, like Jesus or Martin Luther King, Jr. Alot of people, if they had it real strong, would become an artist. Andy Warhol is the obvious best example. Unfortunately, most people born with The Gift use their power for evil: standup comedy mostly. Also some of them become characters in Richard Linklater’s non-studio movies.
Miranda July, who wrote and directed and starred in this picture, apparently uses The Gift for performance art. Or video installations. Or something like that, I guess. But also for this movie. It’s one of those movies where you can tell she had a journal full of random ideas and then figured out how to string them all together. Alot of times a movie like that can be really good, because it feels so packed full of inspiration. AMELIE was a movie like that, where a million little Jeunet ideas were glued all over the top of a love story. In this one the ideas are less integrated, it’s more like a list of the ideas in movie form. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.
ebonic_plague on Sharky’s Machine: “[visual-parse url="https://youtu.be/j8QN8cYtSXg"]” Feb 18, 18:03
ebonic_plague on Sharky’s Machine: “Ancient Romans- That first episode always made me laugh thinking of this movie (Col. Bud Manstrong…” Feb 18, 18:02
Ancient Romans on Sharky’s Machine: “Venture Bros dropped a random Sharky's Machine reference all the way back in its second episode ever (in 2004!) and…” Feb 18, 15:22
Broddie on Sharky’s Machine: “This is one of my most watched movies ever. Seriously channel 11 WPIX played it like every other Saturday. It…” Feb 18, 11:17
Ace MacAshbrook on Sharky’s Machine: “A Burt Reynolds review has stirred me from my slumber. I need to rewatch this, I think I've got it…” Feb 18, 09:48
Mr. Majestyk on Sharky’s Machine: “My theory—which was never meant to be unified but more a general guideline to the Burtography—does account for the period…” Feb 18, 09:34
The Winchester on Doom: “This new DTV reboot makes the original look like Aliens.” Feb 18, 09:27
Borg9 on Sharky’s Machine: “Sadly, I think he's Detective Tom Sharky not John Sharky. But that's still worth celebrating.” Feb 18, 08:51
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CJ Holden on Judy: “Ugh, does TV Tropes still exist?” Feb 18, 06:42
JeffG on Birds of Prey: “Wow, this one was a huge swing and a miss for me. I'm really glad it exists, and that they…” Feb 18, 05:49
Borg9 on Two Mules For Sister Sara: “No, you're right, it's a distraction and draws you out of the scene. But I think it's meant sincerely…” Feb 18, 02:15
Kaplan on Judy: “Nothing to say here except that this Judy doesn't have a page on TV Tropes, but a short film spin-off…” Feb 18, 02:11
THREE BILLBOARDS OUTSIDE EBBING, MISSOURI is playwright turned IN BRUGES/SEVEN PSYCHOPATHS director Martin McDonagh’s exploration of a grieving mother at war with the local PD. Her teenage daughter was raped and killed seven months ago, and she’s mad that they haven’t made any arrests, so she rents three billboards that bluntly explain the situation and blame the police chief by name.
After the election on Tuesday, which brought us 4 historic gay rights ballot victories, the first openly gay Senator and the most women in the Senate ever, it was a no-brainer to spend Friday night watching Spielberg’s movie about Abraham Lincoln and his people’s fight to eke together a coalition to pass the 13th amendment to the Constitution, ending 400 years of slavery. Also, 
I haven’t been big on Ridley Scott post-ALIEN, but when I saw he was doing the real-life gangster epic starring Denzel Washington – the one I already wanted to see when it was Antoine Fuqua that was supposed to direct it – man, I was excited. And the trailer looked great. And then it came out and without exception everybody I knew who saw it said “yeah, it was… pretty good.” Suddenly there was less urgency to see it, and I watched other movies, wrote some stuff, maybe took some naps, ate some food, and then it was gone.
Here on earth there are certain individuals blessed or cursed with a special knack for observing shit, noticing shit and looking at shit in different ways than you or I would. Picking up on things other people don’t or explaining things in ways nobody else would’ve thought of. This skill, this Gift, this power, can come in many forms and be used for many different things. You could become a philosopher or a great leader, like Jesus or Martin Luther King, Jr. Alot of people, if they had it real strong, would become an artist. Andy Warhol is the obvious best example. Unfortunately, most people born with The Gift use their power for evil: standup comedy mostly. Also some of them become characters in Richard Linklater’s non-studio movies.
