THE SHADOW is another weird 1994 would-be blockbuster that I previously wrote about in my 2017 series Summer Flings, and I will point you to that review for a more thorough accounting of its plot, merchandising and promotion. But it’s a movie I’m pretty fond of and it’s at least trying to be one of the more traditional popcorn movies of the summer so I wanted to revisit it and discuss it in the context of this retrospective.
You know, when I look at it now the math kinda makes sense. Old pulp super hero + the period when studios were trying to recreate the magic of BATMAN 1989 + Russell Mulcahy, the pioneering music video director who gave us HIGHLANDER and HIGHLANDER II: THE QUICKENING = this movie. It has all kinds of the old timey concepts and tone that I enjoy, it’s filmed with enthusiastic style and energy, it also has a bit of a craziness that’s appealing to me but maybe a turn off for the kind of wide audience they were obviously hoping for. It’s not as wild or messy as THE QUICKENING but it has enough of that that it’s not surprising it didn’t catch on. (read the rest of this shit…)
FERNGULLY: THE LAST RAINFOREST is a well-meaning but not so great movie that was more successful than most of the non-Disney animated features in this very strange early ‘90s period. It didn’t make a ton of money, but it seemed to capture the imagination of some kids, and even got a DTV sequel in 1998. I would venture to guess it will be the most normal animated feature of summer ’92, but like most of the movies that were trying to compete with Disney without doing something drastically different from them, it feels kinda off and out of touch.
It reunites PUMP UP THE VOLUME couple Christian Slater and Samantha Mathis, this time with Mathis as the lead and Slater as the jealous secondary boy in her life. Mathis (before SUPER MARIO BROS.) plays a hummingbird-sized fairy named Crysta, and Slater is her shirtless male friend Pips. They fly around and can turn into blue and green (respectively) light and they live in a rainforest that’s supposed to be in Australia and has kangaroos and platypuses living in it. Also there are little goblin guys voiced by Cheech and Chong who fly around on large beetles, but I was a little distracted that they sit on top of their wings, so the beetles seem to just magically float. (read the rest of this shit…)
a survey of summer movies that just didn’t catch on
(NOTE: I’ve decided to go back to cover two Summer Flings that I regret having skipped.)
July 1, 1994
Look, I can’t say for sure what audiences were yearning for in the summer of ’94, but it might have been a cartoon about lions and it might not have been a super hero movie set in the 1930s, based on a character from serialized radio dramas. Here is yet another entry in my beloved genre of old-timey-super-hero-movie-that-totally-failed-at-the-box-office-but-I-thought-it-was-pretty-good. I suppose THE SHADOW seemed like a more sensible bet than some of them, because it was at least a character with vague name recognition and noir influences like BATMAN (in fact some believe the first Batman story was a rip-off of a Shadow story called “Partners of Peril”).
At first glance The Shadow (Alec Baldwin, THE GETAWAY) does seem like kind of a Batman-esque character. He’s a rich handsome guy named Lamont Cranston who lives a secret life, going out at night as a scary figure, fighting criminals. He doesn’t have a cape, but a black cloak that serves the same purpose, plus a hat and a mask over the mouth and two guns. And hidden in an alley is the entrance to his Batcave-like secret base. (read the rest of this shit…)
Here’s a funny thing that was different back in 1995: Bruce Campbell was so worshipped as a cult star that the idea of him being in a blockbuster movie was thrilling to people. He had done the EVIL DEAD trilogy and the MANIAC COP pictures and did a couple seasons of The Adventures of Brisco County Jr. but that didn’t really catch on in the mainstream. And he seemed like their secret but somehow they wanted everybody to know. He made it to the semi-big-ish time with little cameos in DARKMAN and THE HUDSUCKER PROXY, but people still wanted him to star in some big movie and be the next, I don’t know, Kurt Russell or somebody.
And then he was in the trailer for this new Michael Crichton movie CONGO. Had the misguided dreams of horror nerds come true at last? Would they be able to finally share their hero not just with the Johnny-come-latelies who saw ARMY OF DARKNESS before the other ones, but with the whole world?
Well, the fact that the camera zoomed in on his screaming face during the trailer seemed to indicate that he wasn’t gonna make it to the end. Still, word of disappointment spread fast when people saw the movie and discovered that he bites it in the opening scene. The whole movie is about a rescue mission to come find him, even though we got a pretty idea they’re gonna be rescuing a dead body. (They do manage to find John Hawkes still alive, but catatonic, and then he freaks out and dies.) Anyway, I mention this movie to people 20 years later, that’s still the first thing that comes up. The wound has not healed. (read the rest of this shit…)
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Recent commentary and jibber-jabber
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CJ Holden on The Flintstones in Viva Rock Vegas: “THE RELUCTANT WEREWOLF is also my favourite of the Scrappy/Shaggy’s Red Shirt era. Just because of how unashamed ridiculous it…” Apr 15, 11:22
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Alex R on The Flintstones in Viva Rock Vegas: “The main reason I didn’t like Scooby-Doo (the show) as a kid was its repetition. Hanna-Barbera was able to make…” Apr 15, 10:57
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July 1st, 1994
“This ‘weird creature’ is a human!”
It reunites PUMP UP THE VOLUME couple Christian Slater and Samantha Mathis, this time with Mathis as the lead and Slater as the jealous secondary boy in her life. Mathis (before 
