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Posts Tagged ‘fraternities’

Rush Week

Wednesday, October 9th, 2019

One problem with doing Slasher Search every year is that I’ve watched so many vaguely similar movies that they really blend together. It’s disturbing how many times I’ve looked at a box having little idea if I’ve seen it or not. So when I came across RUSH WEEK I had to think it through. I’d seen FINAL EXAM, THE HOUSE ON SORORITY ROW, KILLER PARTY, SORORITY HOUSE MASSACRE, THE INITIATION, GIRLS NITE OUT… but no, this was an ’80s college campus slasher movie I had not seen.

At least it was supposed to be an ’80s movie. It was made in ’88, but it went straight to video in ’91. So it’s from when Chucky and Maniac Cop were born, HELLRAISER, PHANTASM, SLEEPAWAY CAMP, RETURN OF THE LIVING DEAD and FRIGHT NIGHT were at Part II, and Michael Meyers was returning, but it came out when SILENCE OF THE LAMBS was best picture and they were killing off Freddy and moving on to finding people under the stairs and shit. It was left over from another era, not just in its approach to horror, but in its glorification of dumb fraternity assholes. It sort of centers on frat president Jeff Jacobs (Dean Hamilton, who went on to write, direct and produce such films as SAVAGE LAND starring Corbin Bernsen and BLONDE AND BLONDER starring Pamela Anderson and Denise Richards) and his rivalry with some other more preppie frat. They play such hilarious pranks as going to the other house’s presentation to tell parents “we’re the first homosexual fraternity on campus” and replace part of a film they’re showing with gay porn. (read the rest of this shit…)

School Daze

Monday, June 29th, 2015

tn_schooldazeSCHOOL DAZE is Spike Lee’s sophomore jointational work, and was never one of my favorites from him. But man, looking back at it now I love its youthful exuberance. Here’s 30 year old Spike having access to the studio’s resources for the first time – he goes from a few actors in apartments in black and white to a huge cast on a college campus. He even has a full-on song and dance number. It’s the first example of what I think is one of his weaknesses: his overreach in tackling too many things at once, creating an unfocused and overstuffed narrative. But in this context that’s kinda charming. He’s really goin for it.

Since DO THE RIGHT THING and MALCOLM X were Lee’s most culturally recognized movies, certain white people pigeonholed him as a guy who only makes movies about white people being racist. Of course that’s not even a complete description of the content of those two movies, let alone applicable to most of his filmography. And joint #2, just like joint #1, I’m pretty sure doesn’t show a single white person in it. (read the rest of this shit…)

Pledge Night

Tuesday, October 30th, 2012

PLEDGE NIGHT, that could be a good slasher movie, right? It’s got “Night” in the title, that’s scary. Implies a horrific massacre that occurred on one specific date in history. And after dark. The “Pledge” part means it takes place at a college, so it’s the young people whose blood usually fuels the slashers, but not too young. Kind of adults, in a way. I don’t know.

This was the first one by director Paul Ziller. Alot of the guys who directed these types of slashers have a handful of other IMDb credits at most. This guy went on to do BLOODFIST IV, BACK IN ACTION, SHOOTFIGHTER II among other action and thriller type business. In the 2000s he’s become more of a SyFy type with SNAKEHEAD TERROR, SWARMED, BEYOND LOCH NESS, YETI: CURSE OF THE SNOW DEMON, STONEHENGE APOCALYPSE… He’s still at it, having recently done a TV remake of THE PHILADELPHIA EXPERIMENT. The script is by Joyce Snider, whose other four IMDb credits are all pornos: PUBLIC AFFAIRS and RAW TALENT I-III. (read the rest of this shit…)