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Posts Tagged ‘David Worth’

True Vengeance

Wednesday, February 19th, 2020

TRUE VENGEANCE is a 1997 Daniel Bernhardt movie that I bought specifically because it was written by Kurt Johnstad. I think I was looking him up because he wrote ATOMIC BLONDE, and I remembered that he was the guy who wrote 300, 300: RISE OF AN EMPIRE and ACT OF VALOR. I saw all of those in the theater and liked all of them, and it turns out his only other movie is this earlier DTV one that never even came out on DVD in the U.S. It’s directed by David Worth (KICKBOXER, LADY DRAGON 1 and 2), and I think you can understand why that combination of people made it something I needed to see.

Benhardt plays Griffin, who was a Navy SEAL and then a hired killer of some kind but after the death of his wife he quit the life to take care of his daughter Emily (Tessa Sugay, “Club Girl (uncredited),” TOKYO DRIFT, “Dancer (uncredited)” THE SOCIAL NETWORK). After a brief, incoherent sniper prologue we meet him cutely joking around with his daughter pretending he doesn’t know it’s her birthday. So yes, she is going to be kidnapped.

He has an older guy he calls his best friend named Sam (Harrison Young, Ryan as an old man in SAVING PRIVATE RYAN), who I think runs a garage and kind of seems like he could be the landlord like the guy in ROAD HOUSE? He’s involved in a great bit of b-movie flavor when he’s doing a crossword puzzle, asking for a word for “something that haunts.” Griffin suggests ‘ghost,’ but Sam says it has to be four letters, and just then a scary dude named Adachi (Keo Woolford, “Airport Worker,” GODZILLA) steps in looking for Griffin, who dramatically declares that “The Griffin you knew… is dead.” (read the rest of this shit…)

Kickboxer (and the conclusion of The Last Summer of ’80s Action)

Wednesday, August 7th, 2019

As with LETHAL WEAPON 2 and ROAD HOUSE, KICKBOXER is a classic that I’ve already reviewed, and I stand by what I wrote about it the first time. But I thought it might be worth revisiting 11 years later, after also writing about its sequels, remake and remake sequel, and in the context of these other ’89 movies. It hit some European countries in April and August of that year, and the U.S. on September 8th, making it a good closer to THE LAST SUMMER OF ’80S ACTION.

Earlier in the series we had fighting circuit movies from an old Disney live action director (FIST FIGHTER), the World Wrestling Federation (NO HOLDS BARRED), and a guy that did Dorf movies (CAGE). Not surprisingly it was Cannon Films that gave us the season’s slickest version of the form, building off the success of BLOODSPORT (1988) for an in my opinion even better vehicle for shiny new splits-doer Jean-Claude Van Damme. I mean that literally, by the way – in the climax the camera really focuses on the reflectiveness of his muscles as an illustration of how ready he is to triumph. (read the rest of this shit…)

Never Too Young To Die

Thursday, April 13th, 2017

Sometimes there’s a monumentally shitty day, both on a personal and on an international level, so you get a glass of whiskey and watch the new Shout Factory Blu-Ray of a John Stamos movie that friends have been recommending to you on VHS for years. In my case, this time, NEVER TOO YOUNG TO DIE (1986) did not cut all the way through my fog of negativity. I’m not sure if that means I just wasn’t in the right place emotionally to fully enjoy an amazing movie or if it kinda drags in the middle so it’s not quite as good as it sounds on paper. Won’t really matter, though, because once I describe it to you you would be stupid not to see it. I mean let’s be serious here.

It starts on top of a dam, where Gene Simmons, dressed as a woman, gives a big THE WARRIORS style speech to a gang of DRAGNET: THE MOVIE style punks. He dreams of poisoning the water supply and I guess he doesn’t have time to take over state government and defund the infrastructure in poor and minority areas like how it’s done now. But he almost had some kind of computer disk that was gonna allow him to do the poisoning through the dam or something (I never quite followed this part). So he has abducted some lady who knows where the disk is and he tortures her with one long fingernail while the gang chants “THE FINGER! THE FINGER! THE FINGER!”
(read the rest of this shit…)

Lady Dragon 2

Wednesday, September 2nd, 2015

tn_ladydragon2In LADY DRAGON 2, Cynthia Rothrock de-prises her role as Kathy Galagher, ex-CIA underground fighter out to avenge the death of her also-a-CIA-agent husband. This time she plays Susan “The Golden Angel” Morgan, who in the opening scene defends her professional (i.e. not underground) competitive karate title in the presence of her very much not dead yet husband and famous soccer player Sonny (George Rudy). But then later her husband gets murdered and she has to avenge it.

Meanwhile, criminal maniac Diego (Billy Drago, DELTA FORCE 2, MARTIAL LAW II) and his two flunkies (Sam FLASH GORDON Jones and Greg Stuart [QUIGLEY DOWN UNDER]) are stealing diamonds from the mafia, and then staying in the same hotel as Susan and Sonny. Somehow sensing that Sonny’s fame as an international soccer star will get him brushed through customs without much more than a glance, they stash the stolen loot in his luggage and follow him to Jakarta. But when they go to reclaim the diamonds they’re gone.

Before we move on, let me just say that they call it soccer throughout the movie, they don’t say football, so I don’t have to say it either. Those are the rules. I also say shit instead of shite. It’s how I was raised. (read the rest of this shit…)

Lady Dragon

Tuesday, March 3rd, 2015

tn_ladydragonIn the opening of LADY DRAGON, Kathy Galagher (Cynthia Rothrock) arrives late to her underground fight. The crowd goes silent from cheering on her opponent when she enters in silhouette, a mysterious figure of intimidation in a pointy druid hood, carrying a gym bag, her footsteps echoing like Walker in POINT BLANK. She stands with her back to the camera as she pulls off the hood, then spins around to reveal her face.

It seems like we’re supposed to spit out our Pepsi when we see that it’s a girl. What, did they not know we knew we were renting a Cynthia Rothrock vehicle?

Director/story-provider David Worth (this was his followup to KICKBOXER) gives her lots of cool entrances like that and different outfits, sometimes masculine (a black leisure suit), sometimes the opposite (lots of glittery dresses). She’s trying to track the white arms dealer in Indonesia who killed her CIA agent husband. We learn all this only after special guest star Robert Ginty (THE EXTERMINATOR), who was watching her fight from behind shades and a cigarette, finds her at a bar and tries to bring her back into “the Company.” She says no and tells him to “have a nice day.” He says “Yeah, you too.” (read the rest of this shit…)

Poor Pretty Eddie

Thursday, March 21st, 2013

tn_poorprettyeddieHere’s an interesting oddity, a 1975 b-movie sleazefest about rape, racism and rednecks, exploitation but with bursts of SWEET SWEETBACK type artistic pretension. According to the historical essay in the extras it was actually financed by a notorious Atlanta pornographer named Michael Thevis (he also funded Oliver Stone’s SEIZURE). This biography tells me that Thevis was nicknamed “The Scarface of Porn,” that he started out running a newstand but his sales of Playboy inspired him to sell and produce more porn, an enterprise that eventually grew into a nationwide empire of magazines, loops and peep shows. One of his early projects was publishing two of Ed Wood’s porn novels. But before you get too charmed by his up-by-the-bootstraps story you should know he sold child and animal porn, was involved in gangland executions and when he got put away for burning down the warehouse of a guy who criticized him he busted out of prison, tracked down the former associate that testified against him and killed him and another guy with a shotgun.

Also he’s apparently still alive in prison so I’m not gonna criticize him either. This movie is great! Great job funding it, Scarface of Porn!
(read the rest of this shit…)