“You know the rules. No fraternizing with cyborgs.”
CYBORG 2 has a totally different feel from CYBORG. Apparently it didn’t even start out as a sequel to CYBORG, it was supposed to be something called GLASS SHADOW until they realized the only way I was gonna rent it 20+ years later would be if it was connected to an existing Jean-Claude Van Damme series. It looks more expensive than Albert Pyun’s original (though still in the low budget realm) and plays much more traditional, not an art film at all.
The disease that had ravaged the world in part 1 must’ve been cured. The ROAD WARRIOR type wasteland has become a poor man’s BLADE RUNNER dystopolis with Max Headroom type boardroom villainy. There’s way more talking and stunt doubles and things that happen. And while I took part 1’s robo-lady as a traditional cyborg – human with machine add-ons – now they’re using the C3PO definition: just a robot. We see how it works in a cool opening credits sequence of liquid flesh injected into a female casing over a robo-skeleton.
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.