In ANNIHILATION, the sophomore directorial work of Alex Garland (EX_MACHINA, also author of The Beach and screenwriter of 28 DAYS LATER, SUNSHINE, NEVER LET ME GO and DREDD), Natalie Portman (LEON THE PROFESSIONAL) takes a journey into the heart of weirdness. Her character Lena is a cell-loving ex-Army biology professor at Johns Hopkins University (also the alma mater of Gil Scott-Heron, Wes Craven and Wolf Blitzer) whose presumed-K.I.A. husband Kane (Oscar Isaac, SUCKER PUNCH, THE NATIVITY STORY) suddenly shows up alive and odd and unable to explain anything. Sort of like the also mourning Amy Adams character in the also brainy-adapted-from-an-acclaimed-novel-sci-fi-movie ARRIVAL, she’s taken to a site (Area X) where soldiers and scientists face an unexplained, unprecedented phenomenon. In this case it’s not a spaceship but a sort of slowly expanding spectral bubble they call “The Shimmer” that surrounds a chunk of land and no one who has entered it has ever come back out. Until Kane. (read the rest of this shit…)
VERN has been reviewing movies since 1999 and is the author of the books SEAGALOGY: A STUDY OF THE ASS-KICKING FILMS OF STEVEN SEAGAL, YIPPEE KI-YAY MOVIEGOER!: WRITINGS ON BRUCE WILLIS, BADASS CINEMA AND OTHER IMPORTANT TOPICS and NIKETOWN: A NOVEL. His horror-action novel WORM ON A HOOK will arrive later this year.