Some years ago I appeared on a podcast called The Suspense is Killing Us to discuss RICOCHET and two other Denzel movies. (Here’s the episode.) These are my real life friends but I think even if they weren’t I would endorse this podcast because it has the great goal of analyzing the kind of thrillers that were so big in the ’90s but don’t exist much anymore, and because they make me laugh out loud all the time.
That was episode 7, and 107 episodes later I’m finally returning. They do sometimes stretch the definition of what type of movie they can cover, and they wanted to do THE GLIMMER MAN (Seagal’s closest to fitting the type of movies they usually do). Tasked with choosing two other Seagal pictures for them to watch I went with one of the more definitively good ones (HARD TO KILL) and one of my favorite crazy ones (BELLY OF THE BEAST).
I really haven’t revisited Seagal’s movies much in recent years so it was great to have an excuse to do it and find that I can still enjoy them. Theirs is also the only podcast I’ve been able to do in person, which obviously is a different experience from calling in. I really recommend this podcast in general, it’s always a fun time, check it out.
THE SUSPENSE IS KILLING US EPISODE #114: FLOCK OF SEAGALS (with VERN)
FOR THOSE WHO CAME IN LATE…
I didn’t pay for a membership so I never saw the comments, and have no idea if people enjoyed my columns or dragged them across concrete. The only reader feedback I saw (other than from regulars here) was when some prick on Twitter shamed them for caving to the PC woke anti-male agenda or whatever by publishing my column about Michelle Yeoh (which he declined to read). Only the sharpest, most reasonable minds over there.
Hello friends, and welcome to my annual preview of the Oscars. They happen on Sunday and I’m anticipating them in the very rare-for-me position of my actual personal favorite movie of the year (
This year for my preview I’ll go ahead and go through each of the categories, though I’ll have less informed opinions on some where I haven’t seen all the nominees. And of course I encourage following the links to my reviews of the ones I’ve seen.
Well, I’ve been thinking about it for far too long, but I’ve finally gone and done it: my first home brew, play along commentary track. This is designed to sync up with the US cut of NO RETREAT NO SURRENDER (the shorter of the two included on the Kino Lorber DVD and blu-ray) but I think it would also work okay if you just want to listen to it like a podcast. I try to explain my love for this intersection of Hong Kong cinema and ’80s American pop culture, with my usual goal of being informative and wise but also funny, sincere, and occasionally stupid. Lots of talk about little details of the movie and the people in it, the Seattle locations, the history of action movies filmed in Seattle, the worldwide phenomenon of Bruce Lee worship, some stupid stories about me, and of course plenty about Van Damme. (Sorry for slagging Chuck Norris for the same reason two different times, but I say some nice things about him too.)
Is everyone here familiar with Patrick Bromley and ‘F This Movie!’? The latter is 
I just made my second appearance on “‘I Must Break’ This Podcast,” where I seem to go to discuss movies that Dolph Lundgren is briefly in. 
Back in 2016 I did a review series where I alternated between Francois Truffaut’s five Adventures of Antoine Doinel films and Cannon Films’ five AMERICAN NINJA films, trying to keep the same open mind toward both, look for parallels, etc. I referred to it as Antoine vs. Ninja at the time, but now I like to think of it as The 400 Death Blows. Although I’m way more of a ninja guy than a French New Wave guy I think it’s good to try out a broad spectrum of art and not be put off by some other dip shit’s perception of what is supposed to be high or lowbrow or too trashy or too arty for little old you. Fuck that guy. You’re not that simple. You can appreciate all kinds of things.
On Monday I’m leaving on a trip, so I won’t have any new posts for about the next two weeks. I’m sure I’ll be posting on Twitter occasionally about my adventures, but hopefully I’ll be able to unplug a little, recharge, relax, reboot, rebuff, re-animator, etc.
There are really two specific movies that were released in the summer of ’92 that were the primary reasons I wanted to do this Weird Summer thing. One of them is David Fincher’s audaciously anti-crowdpleasing ALIEN 3. I’ll be posting the review here on Monday but I thought I would give Patreonites a chance to read it early if you want. (It’s nearly 6,000 words, so it might take the weekend.)
